Serena Ryder. Photo by Evaan Kheraj
For Serena Ryder, music is medicine. It’s the thing that soothes any ailment, and it’s the reason to keep going, even when times get tough. Ryder has always been compelled to write songs, both because she loves creating music and because it heals her, inside and out. The Canadian singer-songwriter, who is currently based between Toronto and the Los Angeles neighborhood of Silverlake, started playing guitar and penning songs as a teenager. She’s unveiled several albums, including her successful 2012 record Harmony, and now Ryder is prepared to bring her thoughtful, emotionally driven tracks to a bigger audience. Just for the record, you could easily be staring a Serena Ryder triple album in the face right now. It might have taken four-and-a-half years for this celebrated Toronto singer/songwriter to gift us with a follow-up to 2012’s expectation-defying critical and commercial hit, Harmony, but a lack of new material was definitely not the hold-up.
No, just as she did for the last record, the prolific Ryder amassed something like 65 or 70 songs during the run-up to her star-solidifying new platter, Utopia. The challenge wasn’t coming up with new material; the challenge was whittling it all down to fit an album-sized package. Ryder was so flush with good stuff heading into Utopia, in fact, that she briefly toyed with releasing her own equivalent of the Clash’s Sandinista! or George Harrison’s All Things Must Pass – a triple LP composed of songs that she envisioned divided amongst moods of “light,” “dark” and the “grey” area in between.