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Jeremy Dutcher: MOTEWOLONUWOK ᒣᑏᐧᐁᓓᓄᐧᐁᒃ

Jeremy Dutcher

Jeremy Dutcher, photo by Kirk Lisaj

 

Enter the wholly unique world of Jeremy Dutcher—a Two-Spirit song carrier, classically trained tenor, and Wolastoqiyik member of Neqotkuk (Tobique First Nation) in eastern Canada—live at Banff Centre.

Dutcher’s acclaimed debut Wolastoqiyik Lintuwakonawa unearthed century-old archival recordings of his ancestors and turned them into collaborative, piano-based compositions. Sung entirely in Wolastoqey, his endangered mother tongue, it went on to win the 2018 Polaris Music Prize, and led to collaborations with Yo-Yo Ma and Leslie Feist.

His sophomore album Motewolonuwok ᒣᑌᐧᐁᓓᓄᐧᐁᒃ , which features several English-language originals, was awarded the 2024 Polaris Music Prize, making Jeremy the first double winner.

Unapologetically playful in its incorporation of classical and jazz influences, full of reverence for Wolastoqiyik tradition, and teeming with the urgency of modern-day resistance, Dutcher’s music is like nothing else.

“A moment-defining record.” — CBC Music

“A lustrous work of high drama.” — The Globe and Mail

“There is no one making music like this." — NPR Music

Jeremy Dutcher

JEREMY DUTCHER is a classically trained tenor, Two-Spirit song carrier, polymuse, activist, ethnomusicologist, and member of Neqotkuk (Tobique First Nation) in Eastern Canada. Dedicated to language revitalization, Jeremy’s debut album Wolastoqiyik Lintuwakonawa unearthed century-old archival recordings of his ancestors, turning them into collaborative compositions on the grand piano. Sung entirely in Wolastoqey, his endangered mother tongue, it would go on to win the 2018 Polaris Music Prize and lead to collaborations with such iconic artists as Yo-Yo Ma and Leslie Feist. His sophomore album Motewolonuwok ᒣᑌᐧᐁᓓᓄᐧᐁᒃ was awarded the 2024 Polaris Music Prize, making Jeremy the first ever two-time winner. Jeremy’s music transcends boundaries: unapologetically playful in its incorporation of classical and jazz influences, full of reverence for the traditional songs of his home, and teeming with the urgency of modern-day resistance. He is regularly sought out for his perspectives on queerness, Indigeneity, language revitalization, and fashion.