Program Information
Dates
Application Deadline: November 20, 2024
Program Dates: April 28 – May 09, 2025
Overview
This two-week residency offers musicians and ensembles from diverse cultural and artistic backgrounds dedicated space and time to focus on their craft. Embracing music from all traditions and breaking boundaries, the program encourages connections between musicians using both traditional world instruments and Western instruments and voice.
Participants shape the residency with their own historical and contemporary practices. With the freedom to design your own schedule, you'll receive guidance from esteemed global artists and mentors. The diverse artistic influences, coupled with peer collaboration, will inspire new discoveries and transformative experiences throughout the program.
Description
Soundweavings will offer individuals and ensembles of all musics time and space to focus on research, development and creation of their own project. This program gives the opportunity to:
- take risks, explore new ideas, and elevate your creative practice in a supportive environment.
- create a framework for discussions, collaborative music making and shared listening experiences.
- focus on creative exploration and experimentation through peer and mentor-led collaborations and discussions.
- performance opportunities to showcase their work.
- be exposed to diverse musical traditions, instruments, musical systems, and historical and aesthetic perspectives.
- build an inclusive and diverse community.
- collaborate with Audio Engineer recording practicum participants for demo recordings.
A limited number of studio recording possibilities will be offered by the Professional Training program Audio Engineer: Soundweavings 2025 participants.
Requirements
This program is open to:
- National and international post-secondary students.
- Early and mid-career artists who have achieved an advanced level of accomplishment.
Applicants should have:
- A well-documented record of musical exploration, performance, or creation.
- Experience with traditional world music instruments or Western instruments.
Eligibility
Applicants must be 18+ at the time of the program start date.
Domestic and international applications are welcome.
Visa Eligibility Information:
- Please note that Banff Centre programs do not meet the eligibility requirements for a Canadian Student Visa.
- If you are accepted into our program, you must obtain a Visitor Visa to enter Canada. Accepted participants are responsible for identifying and complying with the immigration requirements to enter Canada as a visitor from their country of origin. If you require a Visitor Visa please check the current expected processing times well in advance of applying.
Inclusivity Statement
We welcome applicants of all ages (18+), backgrounds, gender identities and expressions to apply. Artists from historically underrepresented and equity deserving groups are especially welcome.
Itinerary
Participants arrive on campus April 27, 2025
Program elements include:
- Program and Banff Centre Orientation
- Three faculty lectures
- Sharing Circles 2-3 times a week in Bentley (Music and Sound)
- Camp Fire
Public Performances:
- Concert 1: May 01, 2025
- Concert 2: May 03, 2025
- Concert 3: May 07, 2025
- Concert 4: May 09, 2025
Participants depart May 10, 2025
Faculty
Haruka Fujii
Multi-percussionist Haruka Fujii has become one of the most prominent solo percussionists and marimbists of her generation. She has won international acclaim for her interpretations of contemporary music, having performed numerous premieres of works from luminary composers. Since 2010 Ms. Fujii has performed as an artist of the Grammy Award winning Silkroad Ensemble, joining a group of international musicians founded by Yo-Yo Ma and serves as the Associate Artistic Director alongside with the new artistic director Rhiannon Giddens.
Ms. Fujii’s passion for introducing audiences to new percussion music has put her on stage with diverse orchestras and ensembles. She has appeared as a soloist with the San Francisco Symphony, Munich Philharmonic, Netherlands Chamber Orchestra, Sydney Symphony Orchestra, Orchestra Nationale de Lyon, and the NHK Symphony Orchestra. She is a member of San Francisco Contemporary Music Players and Line C3 Percussion Group, also Utari Percussion Duo, a duet project with her sister Rika which actively commissions new compositions from young composers. In addition to her career as a performing artist, Ms. Fujii is a faculty member of San Francisco Conservatory of Music, and has been a frequent guest instructor at Juilliard Summer Percussion Seminar and several international percussion festivals. She is also a founder and creative director of a nonprofit organization Nippon Kobo, a new cultural event series introducing Music+Culture from contemporary Japan,.
Program Director
Sandeep Bhagwati
Sandeep Bhagwati is a multiple award-winning composer, theatre director, poet and academic, born in Mumbai (India). He studied composition and conducting at Mozarteum Salzburg and Musikhochschule München, and computer music at IRCAM Paris. His operas, multi-disciplinary staged works, compositions and comprovisations are performed worldwide at leading venues, festivals, theatres and museums and by renowned ensembles* and by eminent soloists**. He has published widely, both as a public voice and in academia, and is a sought-after keynote speaker and jury member and has founded/curated inter-arts festivals (e.g. A*Devantgarde München) and trans-traditional (a term he coined in 2010) projects with Asian composer-performers and European new music ensembles. Professor of Composition at Karlsruhe Music University since 2000, he became Canada Research Chair for Inter-X Arts at Concordia University Montreal in 2006. There he founded matralab, a interdisciplinary and trans-traditional research/creation node for live arts. Since 2013, he founded and directs trans-traditional music ensembles in Berlin, Pune, and Toronto. Between 2017-2023, he led the TENOR Network, a global research forum for new music notation practices and technologies. Since 2020, he is co-founder / co-editor of “TURBA - The Journal for Global Practices in Live Arts Curation”. His artistic work was the focus of a “Homage Season” 2023/24 initiated by the Quebec New Music Society (SMCQ) and has been a consultant for New Music Concerts Toronto since 2022.
Photo credit: Alain Lefort
Jeremy Dutcher
Jeremy Dutcher is a Two-Spirit song carrier, composer, activist, and ethnomusicologist from Tobique First Nation in Eastern Canada. He gained international acclaim for his album Wolastoqiyik Lintuwakonawa, which earned him the 2018 Polaris Music Prize and Indigenous Music Album of the Year at the 2019 JUNO Awards. His musical style blends the songs of his community with neoclassical, jazz, and pop influences, and has led him to collaborate with such iconic artists as Beverly Glenn Copeland and Yo-Yo Ma. Dutcher’s work has taken him to the world’s great concert halls, NPR’s Tiny Desk, and the judges’ table of Canada’s Drag Race.
Nguyễn Thanh Thủy
Nguyễn Thanh Thủy is a leading đàn tranh player/improviser in both traditional and experimental music. She was born into a theatre family and was raised with traditional Vietnamese music from an early age in Hà Nội. She studied at the Hanoi Conservatory of Music where she received her diploma in 1998, followed by a Master of Arts at the Institute of Cultural Studies in 2003. Since 2000 she holds a teaching position at the Vietnam National Academy of Music. She has toured in Asia, Europe and the USA. She has received many distinctions including the First Prize and the Outstanding Traditional Music Performer Prize in the National Competition of Zither Talents in 1998. Nguyễn Thanh Thủy has recorded several CD’s as soloist with orchestra and solo CDs, which were released by Phương Nam Film Vietnam; by dB Productions Sweden; by Setola di Maiale Italia and by Neuma Records & Publications USA. She collaborates with composers such as Richard Karpen (US), Kent Olofsson (SE), Nguyễn Thiện Đạo (FR/VN) and Trần Thị Kim Ngọc (VN).
Daniel Wilfred
Daniel Wilfred is a Wagiläk man from Ngukurr, in remote Northern Australia. He was born in Nhulunbuy, skin name, Wamut. He’s a ceremonial leader for the Wagiläk people, singing Manikay and playing bilma at ceremonies in Ngukurr, Numbulwar, Groote Eylandt and surrounding areas. He co-leads celebrated Australian quintet, Hand to Earth, with Sunny Kim, and Peter Knight, and together with his brother David Wilfred has been collaborating and touring for almost 15 years, sharing his songs and culture with people around the world. Recently he has performed with Hand to Earth at venues and festivals including Lincoln Centre (NYC), Pierre Boulez Seal (Berlin) Jazztopad Festival Poland, Bimhuis (Netherlands), Vancouver Jazz Festival, and Jeonju Sori Festival (Korea). Daniel is also a regular performer with the Australian Art Orchestra and was the recipient of the 2019 Arts Fellowship by the Northern Territory. Together with David, he was also awarded the NT Luminary Award for ‘cultural leadership’ at the 2020 Art Music Awards.
Photo by Sarah Walker
voice, bilma (clapsticks)
Sunny (Yoon Sun) Kim
Sunny Kim is a Korean-born vocalist, improvisor, composer and educator based in Australia. Drawing inspiration from her life journey as a global nomad - Seoul, Kuala Lumpur, Bangkok, Denver, Boston, New York and now Melbourne - Sunny is a two-time winner of Jazz People Magazine's Reader's Poll Award in the Best Vocalist category (2012, 2013) and the recipient of the LIG Artist grant (2011), Sunny has released five albums as a leader and has also recorded as a featured vocalist on numerous records such as After Dark (Prana Trio, 2005), White With Foam (MadLove, 2009), and Keep Your Heart Right (Roswell Rudd Quartet, 2007), and founded Hand to Earth with Peter Knight and Daniel Wilfred during an Australian Art Orchestra residency in 2018. As an educator, she has facilitated hundreds of developing musicians from diverse backgrounds to find their creative voice through cultivation of intuition, body awareness and collaborative skills. A former Assistant Professor at Dong-Ah Institute for Media and Arts, Sunny currently lectures at the University of Melbourne in Jazz and Improvisation. Invited by the Australian Music Centre, Sunny delivered the Peggy Glanville-Hicks address in 2020.
Photo by Sarah Walker
voice, electronics, percussion
Peter Knight
Perpetually curious, Peter Knight’s practice exists in the spaces between categories, between genres and between cultures. From 2013-23 Peter was the Artistic Director of the Australian Art Orchestra, for which he commissioned over 100 compositions and collaborations from a diverse range of international and Australian artists including Nicole Lizée, Alvin Lucier, Anthony Braxton, Hyelim Kim, and Senyawa. He also composed for, and performed in the company, presenting his works at international festivals and venues in more than a dozen countries winning awards including four AMC Art Music Awards, the Albert H Maggs Composition Prize, and numerous ARIA nominations. Peter has maintained an active solo career developing an international reputation as an innovator who is extending the possibilities of his instrument with approaches that interweave acoustic and electronics. His latest solo release, Shadow Phase, is out on the ROOM40 label, described by Headphone Commute as, "a carefully curated exercise in reflective restraint, dreamy atmospherics, ebbing dynamics.” He holds a doctorate from Queensland Conservatorium Griffith University and was named its Alumnus of the Year in 2013.
Photo by Sarah Walker
trumpet, electronics
What's Included
Meal Plan
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Using a credit-based system to dine on campus, our flexible meal plans allow you to select meals according to your own needs during your stay. Banff Centre can respond to most dietary requests.
The Regular meal plan is equivalent to $53 credit per day, equivalent to two meals at our Buffet service.
Accommodation
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Your program fee includes a single bedroom on the Banff Centre campus for the duration of your program.
Get connected with other artists on campus and focus on your projects in a creative environment while we take care of the day-to-day essentials.
Studio Space
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Create in the privacy of one of our specialized studios.
Group Seminars/Workshops
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Group seminars and workshops with faculty.
Performance Opportunities
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This program offers opportunities to showcase your work in one of our performance venues or in the community.
Recording Opportunities
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A limited number of studio recording possibilities will be offered by the Audio Recording Engineer CWT (Creative Workforce Training) program for Soundweavings.
Paul D. Fleck Library and Archives
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Campus Facilities
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Fees & Financial Assistance
Total fee per person (Tuition, Accommodation and Meal Plan)
$5 044.20
Scholarship Amount Applied*
$4 034.10
You Pay (accommodation & meal plan costs after scholarship applied)
$1 010.10
Application Fee
$65 for individuals or groups, $35 for applicants who identify as Indigenous.
The application fee is non-refundable. 100% of this fee goes towards the cost of administering the application in SlideRoom.
Scholarships
We are pleased to offer scholarships to support participants in our program. Below are details regarding the scholarship amount and how they are applied.
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Standard scholarship: covers 100% of tuition fees, and 50% of meals and accommodation costs.
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Canadian Indigenous scholarship: covers 100% of tuition fees, meals, and accommodation costs.
To receive the standard scholarship, please complete the Financial Aid section when uploading your supporting materials.
For additional support to help fund your experience at Banff Centre, view a compiled list of national and international opportunities here.
Cancellations
Information on our cancellation policy can be found here.
Tax Information
Banff Centre will issue official tax receipts for eligible tuition fees and financial assistance and awards as required by the Income Tax Act. You will receive a T2202 (Tuition and Enrolment Certificate) for eligible tuition fees paid and a T4A (Statement of Pension, Retirement, Annuity, and Other Income) for applicable financial assistance and awards.
How to Apply
Learn more about the steps to Complete Your Application.
Holiday Closure
The student application and payment system is now closed for the institutional rest period.
It will reopen at noon on Thursday 2nd January.
The Admissions Office closes Thursday 19th December and reopens Thursday 2nd January.
Resume
A one-page resume or C.V. describing academic, professional, and other relevant experience.
Group applications should submit all resumes in one document.
Cover Letter
A one-page cover letter explaining why you are interested in this program and what you hope to achieve by attending it.
Project Proposal
Provide a 500-word description of your proposed project, including the theme, an outline of materials and facilities that may be required, and a breakdown of timelines. These summaries will be used as a narrative for administrative and public use.
Resource request form
Please fill out the technical resource form with a list of technical equipment & instruments bringing and what is needed from Banff Centre.
Portfolio
- Musicians: Up to three samples of your work as audio or video recordings, for a maximum duration of approximately 10 minutes in total. You should aim to demonstrate the full scope of your artistry by selecting contrasting works. Pre-formed ensembles must submit group recordings. Please upload up to three files only.
- Composers: Scores of two of your compositions (can be a graphic score or traditional score) and, if possible, a recording of these works. Indicate performance history if applicable. Compositions and recordings submitted should have been completed no more than five years prior to the application deadline.
Financial Assistance
Be sure to complete the Financial Aid question in SlideRoom to be eligible for the financial assistance.
Group Applications
The lead applicant should complete:
- Step 1: One application form
- Step 2: Pay the $65 processing fee on behalf of the group
- Step 3: One SlideRoom application
Note: An additional $35 registration fee will be added for each member upon acceptance to the program.
Adjudication
Participants are chosen by an adjudication panel comprising of internal and external assessors. The selection criteria include:
- Quality, originality and artistic merit.
- Required skills and experience.
- The potential for the applicant's work to benefit from the program.
- Banff Centre’s ability to support the project.
Our programs are highly competitive with a limited number of places available. Applicants will be notified of their selection status as soon as the adjudication process is complete. Due to the high volume of applications individual feedback will not be provided.
Disclaimer
All programs, faculty, dates, fees, and offers of financial assistance are subject to change. Program fee is subject to applicable taxes. Non-refundable fees and deposits will be retained upon cancellation. Any other fees are refunded at the discretion of the Banff Centre. The application deadline is 11:59 p.m. Mountain Standard Time.