Artist based in Lyon, Malo Lacroix works as a director and scenographer and artistic director of Sinople.
Since 2013, he has worked and collaborate on a wide range of creation with theater, opera, film and installation. Past experiences include projects with Jean Louis Grinda, Jean Romain Vesperini, Murcof, Allex Aguilera, Robert Henke, Antoine Mermet, Philippe Gordiani, Dasha Rush. Bridging video, digital art with physical object, texture and new narrative forms, Malo presented different creations in institutions such Dutch National Opera & Ballet, Amsterdam, Grand Théâtre de Québec, Macerata Opera Festival, Teatro Cervantes de Malaga, Musée Fabre Montpellier, Berliner Festspiele, Ohm, Berlin, Forte festival Portugal, Gaîté Lyrique et Théâtre du Chatelet, Paris, Stereolux, Nantes, De Brakke Grond, Amsterdam, TNP, TNG, and Nuits Sonores, Lyon, Positive Education Festival, Saint-Étienne, Metropolitan pavillon, New York et Gamma festival, Saint Petersburg. In 2019, Malo was awarded a bronze medal at the Shenzhen Design Week in China for the Porte Nef project, resulting from a collaboration with architect Maxime Aumon and composer In Aeternam Vale. More recently, he joined the creation of A l'originie fût la vitesse by Philippe Gordiani and Nicolas Boudier based on La Horde du Contrevent by Alain Damasio, coproduced by Théâtre Nouvelle Génération as well as Le Ring de Katharsy by Alice Laloy at the Théâtre Nationale Populaire. In 2024, his short film Celui qui voulait croire au Bison was awarded International Competition at Videoformes festival in Clermont Ferrand.