November 21 to 25, 2016

Harry forged his distinctive style by studying at the feet of the masters, first as a sound man in the blues clubs of Toronto during his formative years and then under a rigorous tutelage with Vishwa Mohan Bhatt in India. Bhatt is the inventor of the 20-stringed Mohan Veena, which has become Harry’s signature instrument.

Harry played slide guitar for many years before meeting Bhatt in Rajasthan,in fact he had been living in another part of India for many years already, but he started at the beginning under Bhatt’s tutelage, unlearning most of what he knew about playing a slide instrument. He learned Eastern scales and eventually ragas, deceptively complex and regimented musical patterns that form the basis of Indian composition. Learning the voicings of Indian music is a subtle art that comes with time. Harry spent most of twelve years in India learning that. It was later on that Harry decided to explore the connection between Indian ragas and blues scales which eventually led to the Indo-blues hybrid that has become his style.

November 7 to 11, 2016

Derek Charke is a Juno and ECMA award-winning composer and flutist. Derek has been commissioned by world-renowned artists including the Kronos Quartet, Toronto Symphony, Winnipeg Symphony, Symphony Nova Scotia, St. Lawrence String Quartet, and cellist Jeffrey Zeigler, as well as an impressive list of other performers and organizations. Derek is a professor at Acadia University in Wolfville, Nova Scotia where he teaches composition and theory, and he continues to perform regularly as a new music performer and improviser on the flute. Although his music tends to defy categorization, it has been described as post-minimal, inventive, rich textured, full of colour, and imbued with drama and rhythmic vitality. His music often encompasses tonal/modal harmonies and melodies, sometimes with a strong rhythmic pulse in conjunction with extended instrumental techniques, often paired with soundscapes.

January 16 to 20, 2017

Is an American singer and songwriter. She was born in New York and raised in Boulder, Colorado, but moved to Nashville in the late 1980s. There, she found work as a songwriter, composing hits for Martina McBride, Etta James, Trisha Yearwood, Patty Loveless, George Strait, Anne Murray, Shania Twain, as well as Neil Diamond and co-writing songs with Bryan Adams.

In addition, Peters has released seven studio albums of her own. The title track of her 1996 debut album The Secret of Life was later recorded by Faith Hill in 1999.

In addition to her numerous awards including two Grammy nominations Peters was inducted to the Nashville Songwriters Hall of Fame on October 5, 2014.

February 6 to 10, 2017

Noriko Ogawa has achieved considerable renown throughout the world since her success at the Leeds International Piano Competition. Noriko’s “ravishingly poetic playing” (Telegraph) sets her apart from her contemporaries and acclaim for her complete Debussy series with BIS Records confirms her as a fine Debussy specialist. 

Noriko appears with all the major European, Japanese and US orchestras including performances with the Polish National Radio Symphony Orchestra, Tchaikovsky Symphony Orchestra of Moscow Radio, BBC Philharmonic Orchestra, Czech National Symphony Orchestra and the Nagoya Philharmonic Orchestra, as well as the BBC Symphony Orchestra for the world premiere of Richard Dubugnon’s Piano Concerto. Noriko made her BBC Proms debut in August 2013 with the BBC Concert Orchestra (conducted by Barry Wordsworth) and appeared again in 2014 with the Endymion Ensemble. She has been appointed Vice President of the St Cecilia Orchestra in Ripon, Honorary Patron of the Ipswich Orchestral Society and, from January to June 2012, was the Artistic Director for the Reflections on Debussy Festival, hosted by BBC Philharmonic and Bridgewater Hall. In 2015 she continued her relationship with the Bridgewater Hall as Associate Artist for Ravel and Rachmaninov Festival alongside Peter Donohoe.

As an adjudicator, she regularly judges the BBC Young Musician of the Year Competition, Munich International Piano Competition, Honens International Piano Competition and the Scottish International Piano Competition. Noriko has been appointed as Chairperson of the Jury for Japan’s prestigious 10th Hamamatsu International Piano Competition in 2018.

UK based artist Hannah Rickards’ work deals with perception and its description; with how one can translate an encounter, be that with a sound, an object, a space or an image. It is centered on the framing of description in language, gesture and sound. Key to her practice is the relationship between either temporary or permanent elements in a landscape and the perception of groups or individuals to a landscape as a whole, with the sites concerned being used as both a vantage point and a stage for examining our verbal, spatial and gestural relationship with our surroundings. The outcomes, be they video/audio installations or text-based works, are often edited or composed with clear musical structures in mind.

Rickards was the recipient of the Max Mara Art Prize for Women in 2008/9. A survey of her work was held at Modern Art Oxford in 2014. She has presented solo exhibitions at the Whitechapel Gallery, The Showroom, and the Fogo Island Gallery, Newfoundland. Her work has been exhibited at the Walker Art Center, Minneapolis; Palais de Tokyo, Paris; Witte de With, Rotterdam and at the South London Gallery. 

Rickards is a recipient of the 2015 Philip Leverhulme Prize in Visual and Performing Arts.

Montreal based artist David Ross is concerned with processes and infrastructures which support and facilitate public access to cultural or architectural structures and events. His films, photographic, and installation projects often reveal hidden aspects of production and offer glimpses into worlds that the viewer does not normally access. His interests include the performative capacities of un-choreographed and un-scripted activities, along with the relationships that exist between  recorded events and their re-presentation in physical space. These interests have been applied to various projects including: a close examination of colour coded art shipping crates, the enigmatic activities of student land surveyors, the vapour dispersed from art museums' HVAC units, the mythic and sublime qualities of an urban lighting fixture, and the quietude of artists' storage spaces.

His works have been exhibited in major institutions across North America and Europe and are held in collections of  the National Gallery of Canada, the Musée d'art contemporain de Montréal and the Canadian Centre for Architecture. His films and video installations have been featured at CineMarfa (2012), Le Mois de la Photo à Montréal (2013), the Graham Foundation for Advanced Studies in the Fine Arts (2014), and in the Toronto International Film Festival Wavelengths programme (2015). A survey of recent works titled Positions exhibited at Dazibao gallery in Montreal in the fall of 2015, and will  travel to the Rice Media Center, Rice University, Texas in 2016.  Ross holds a BA from the University of Waterloo and a MArch from the University of Toronto.

Hailed by JazzTimes as one of the most “original saxophone voices” of his generation, Gary Thomas has secured a central place in jazz history.

As a saxophonist, flutist, composer and educator, Mr. Thomas is absolutely second to none.  One of the few true pioneers of our time, his contributions place him in a class of wholly individual artists who have simultaneously set the technical standard for and reinvented the language of their art.  His resume evidences this, as he has worked extensively with the top names in the business, including:

Miles Davis, Wayne Shorter, Herbie Hancock, Jack DeJohnette, John McLaughlin, Pat Metheny, Terri Lyne Carrington, Jim Hall, Dave Holland, Ron Carter, Wynton Marsalis, David Sanborn, Joe Lovano, Bobby McFerrin, Sam Rivers, Vanessa Williams, Betty Carter, George Benson, Randy Brecker, Greg Osby, John Scofield, Tony Williams, Jimmy Smith, John Patitucci, Ravi Coltrane, and a host of others.

Gregoire Maret was born in 1975 in Geneva, Switzerland and began playing the Harmonica at age 17. His childhood was filled with a diverse array of musical influences from his Harlem born, African-American mother and his Swiss father, a local jazz musician.

Upon graduating from the prestigious Conservatoire Supérieur de Musique de Genève, Grégoire made the critical decision to move to New York City to pursue Jazz studies at the New School University. Over time Maret honed his craft, becoming one of the most sought after Harmonica players in the world. He has developed his own unique sound and his versatile style enables him to play effortlessly across different musical genres. He is often compared to legends Toots Thielemans and Stevie Wonder and has been sought out to play with an incredible number of famous musicians including Youssn’Dour, Me' Shell Ndegeocello, Pete Seeger, David Sanborn, George Benson, Cassandra Wilson...

In 2005, Grégoire toured with the Pat Metheny Group, receiving a Grammy for Best Contemporary Jazz Album. He also won the Jazz Journalists Association ‘Player of the Year Award’. After his Grammy win, Maret embarked on a two-year tour with the worldclass bassist Marcus Miller and subsequently joined Herbie Hancock’s band.

Supported by the Maclab Enterprises Endowment Fund

Adi Salant started dancing at the age of 6 at the Bat-Dor School of Dance, where she studied for 12 years. After her graduation from the dance division of the Alon High School of Art , Adi joined the Young Batsheva Ensemble for two years. She was then invited to join Batsheva Dance Company, where she danced for five years. When Adi left the company in 2001, she became Ohad Naharin's assistant and staged his work for leading dance companies around the world until 2009.

Adi moved to Denmark to join her partner in 2004, and she launched her own teaching and choreography career by winning Dansolution, a choreography competition in Copenhagen, Denmark. In the following years, she was commissioned to create for various theaters and companies in Denmark, and she was invited to present her choreography in festivals throughout the U.S., Europe, and Israel. In September 2009 rejoined Batsheva Dance Company as Associate Artistic Director and in January 2013 was appointed Co-Artistic Director.

Scott Stossel is the editor of The Atlantic magazine and the author of the New York Times bestseller My Age of Anxiety: Fear, Hope, Dread, and the Search for Peace of Mind, which has been published more than a dozen countries, and Sarge: The Life and Times of Sargent Shriver.  The New York Times called My Age of Anxiety  “Dazzlingly comprehensive”; the Daily Telegraph called it an “immense achievement; The Seattle Times called it “outstanding in the fullest sense of the word”; and Bookforum called it “an extraordinary literary performance.” America magazine wrote of Sarge that it “combined a reporter’s eye for detail, a storyteller’s sense of drama, and a scholar’s consciousness of history,” and the Boston Globe called it “an extraordinary achievement.”  Stossel’s articles and essays have appeared in The Atlantic, The New Yorker, The New York Times, The Washington Post, The Wall Street Journal, The New Republic, The London Observer, The American Scholar, and many other publications. He lives in Washington, DC.