Soundweavings: Intercultural Music Residency 2025

Megumi Masaki is a pianist, multimedia performing artist, educator and curator. She is recognized as an innovator that reimagines the piano, pianist and performance space. Her work pushes boundaries of interactivity between sound, image, text and movement in multimedia works through new technologies, including hand-gesture-motion tracking to generate and control live-electronics and live-video, AI, 3D visuals, keyboard-controlled computer game, e-textile sensors and active infra-red tracking. As a Japanese-Canadian artist, her work also explores how human rights and environmental issues can intersect and be communicated through music. Over 70 compositions have been created with/for Megumi and she has premiered 150 works worldwide. Megumi was appointed to the Order of Manitoba and Fellow of the Royal Society of Canada.
www.megumimasaki.com

Sandeep Bhagwati is a multiple award-winning composer, theatre director, poet and academic, born in Mumbai (India). He studied composition and conducting at Mozarteum Salzburg and Musikhochschule München, and computer music at IRCAM Paris. His operas, multi-disciplinary staged works, compositions and comprovisations are performed worldwide at leading venues, festivals, theatres and museums and by renowned ensembles* and by eminent soloists**. He has published widely, both as a public voice and in academia, and is a sought-after keynote speaker and jury member and has founded/curated inter-arts festivals (e.g. A*Devantgarde München) and trans-traditional (a term he coined in 2010) projects with Asian composer-performers and European new music ensembles. Professor of Composition at Karlsruhe Music University since 2000, he became Canada Research Chair for Inter-X Arts at Concordia University Montreal in 2006. There he founded matralab, a interdisciplinary and trans-traditional research/creation node for live arts. Since 2013, he founded and directs trans-traditional music ensembles in Berlin, Pune, and Toronto. Between 2017-2023, he led the TENOR Network, a global research forum for new music notation practices and technologies. Since 2020, he is co-founder / co-editor of “TURBA - The Journal for Global Practices in Live Arts Curation”. His artistic work was the focus of a “Homage Season” 2023/24 initiated by the Quebec New Music Society (SMCQ) and has been a consultant for New Music Concerts Toronto since 2022.

Photo credit: Alain Lefort

Jeremy Dutcher is a Two-Spirit song carrier, composer, activist, and ethnomusicologist from Tobique First Nation in Eastern Canada. He gained international acclaim for his album Wolastoqiyik Lintuwakonawa, which earned him the 2018 Polaris Music Prize and Indigenous Music Album of the Year at the 2019 JUNO Awards. His musical style blends the songs of his community with neoclassical, jazz, and pop influences, and has led him to collaborate with such iconic artists as Beverly Glenn Copeland and Yo-Yo Ma. Dutcher’s work has taken him to the world’s great concert halls, NPR’s Tiny Desk, and the judges’ table of Canada’s Drag Race.

Nguyễn Thanh Thủy is a leading đàn tranh player/improviser in both traditional and experimental music. She was born into a theatre family and was raised with traditional Vietnamese music from an early age in Hà Nội. She studied at the Hanoi Conservatory of Music where she received her diploma in 1998, followed by a Master of Arts at the Institute of Cultural Studies in 2003. Since 2000 she holds a teaching position at the Vietnam National Academy of Music. She has toured in Asia, Europe and the USA. She has received many distinctions including the First Prize and the Outstanding Traditional Music Performer Prize in the National Competition of Zither Talents in 1998. Nguyễn Thanh Thủy has recorded several CD’s as soloist with orchestra and solo CDs, which were released by Phương Nam Film Vietnam; by dB Productions Sweden; by Setola di Maiale Italia and by Neuma Records & Publications USA. She collaborates with composers such as Richard Karpen (US), Kent Olofsson (SE), Nguyễn Thiện Đạo (FR/VN) and Trần Thị Kim Ngọc (VN). 

Daniel Wilfred is a Wagiläk man from Ngukurr, in remote Northern Australia. He was born in Nhulunbuy, skin name, Wamut. He’s a ceremonial leader for the Wagiläk people, singing Manikay and playing bilma at ceremonies in Ngukurr, Numbulwar, Groote Eylandt and surrounding areas. He co-leads celebrated Australian quintet, Hand to Earth, with Sunny Kim, and Peter Knight, and together with his brother David Wilfred has been collaborating and touring for almost 15 years, sharing his songs and culture with people around the world. Recently he has performed with Hand to Earth at venues and festivals including Lincoln Centre (NYC), Pierre Boulez Seal (Berlin) Jazztopad Festival Poland, Bimhuis (Netherlands), Vancouver Jazz Festival, and Jeonju Sori Festival (Korea). Daniel is also a regular performer with the Australian Art Orchestra and was the recipient of the 2019 Arts Fellowship by the Northern Territory. Together with David, he was also awarded the NT Luminary Award for ‘cultural leadership’ at the 2020 Art Music Awards. 

Photo by Sarah Walker 

Sunny Kim is a Korean-born vocalist, improvisor, composer and educator based in Australia. Drawing inspiration from her life journey as a global nomad - Seoul, Kuala Lumpur, Bangkok, Denver, Boston, New York and now Melbourne - Sunny is a two-time winner of Jazz People Magazine's Reader's Poll Award in the Best Vocalist category (2012, 2013) and the recipient of the LIG Artist grant (2011), Sunny has released five albums as a leader and has also recorded as a featured vocalist on numerous records such as After Dark (Prana Trio, 2005), White With Foam (MadLove, 2009), and Keep Your Heart Right (Roswell Rudd Quartet, 2007), and founded Hand to Earth with Peter Knight and Daniel Wilfred during an Australian Art Orchestra residency in 2018. As an educator, she has facilitated hundreds of developing musicians from diverse backgrounds to find their creative voice through cultivation of intuition, body awareness and collaborative skills. A former Assistant Professor at Dong-Ah Institute for Media and Arts, Sunny currently lectures at the University of Melbourne in Jazz and Improvisation. Invited by the Australian Music Centre, Sunny delivered the Peggy Glanville-Hicks address in 2020.

Photo by Sarah Walker

Perpetually curious, Peter Knight’s practice exists in the spaces between categories, between genres and between cultures. From 2013-23 Peter was the Artistic Director of the Australian Art Orchestra, for which he commissioned over 100 compositions and collaborations from a diverse range of international and Australian artists including Nicole Lizée, Alvin Lucier, Anthony Braxton, Hyelim Kim, and Senyawa. He also composed for, and performed in the company, presenting his works at international festivals and venues in more than a dozen countries winning awards including four AMC Art Music Awards, the Albert H Maggs Composition Prize, and numerous ARIA nominations. Peter has maintained an active solo career developing an international reputation as an innovator who is extending the possibilities of his instrument with approaches that interweave acoustic and electronics. His latest solo release, Shadow Phase, is out on the ROOM40 label, described by Headphone Commute as, "a carefully curated exercise in reflective restraint, dreamy atmospherics, ebbing dynamics.” He holds a doctorate from Queensland Conservatorium Griffith University and was named its Alumnus of the Year in 2013. 

Photo by Sarah Walker