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Description

Experience the visionary work of German composer Sandeep Bhagwati, who brings diverse musical influences together in elegant harmony. And be captivated by Nguyễn Thanh Thủy, a renowned đàn tranh player reimagining Vietnamese traditional music through a modern lens.  

Anchoring the concert is a performance from Australia-based contemporary music ensemble Hand to Earth—a groundbreaking collaboration between Daniel Wilfred, a Yolŋu songman preserving ancient storytelling traditions from northeast Arnhem Land; Sunny Kim, a Korean vocalist drawing influences from experimental jazz; and Peter Knight, an innovative trumpeter, composer, and producer blending acoustic and electronic textures. 

The evening also includes special appearances by Jeremy Dutcher, Two-Spirit classically trained tenor and two-time Polaris Prize winner, and Haruka Fujii, a dynamic percussionist known for her precision and artistry.

These artists invite you to explore music that transcends borders and time.

“In our performances, you’re going to experience friendship. And you’ll hear us share ancient ideas and stories, but told in a way that’s quite contemporary,” says Kim.

“When art-making crosses cultures… what you end up with is the essence of human connection,” adds Knight. 

Soundweavings is made possible through the generous support of the Yolande Freeze Master Artists in Music Fund.

Photo collage of the musicians Nguyễn Thanh Thủy. Photo courtesy of the artist. Sandeep Bhagwati. Photo by Alain Lefort. Hand to Earth Trio: Daniel Wilfred, Peter Knight, and Sunny Kim. Photos by Sarah Walker, Jeremy Dutcher, Haruka Fujii.
Page Summary
At this extraordinary evening of global culture and music, traditions converge with the contemporary.
Exhibition
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Free
No
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Banff Centre Artist/Practicum/Staff Only
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Audience View Micro Site URL
https://tickets.banffcentre.ca/online/mapSelect.asp?doWork::WSmap::loadMap=Load&createBO::WSmap=1&BOparam::WSmap::loadMap::performance_ids=10EE23F7-1AC9-4657-8FC5-65FDF56D38B9
Computed Sort Date
1746149400
Description

In celebration of the 50th anniversary of the Banff Centre Mountain Film and Book Festival and National Canadian Film Day we’re hosting a special retro film screening of The Man Who Skied Down Everest

Not only is 2025 the 50th Anniversary of the Banff Centre Mountain Film and Book Festival, it’s also is the 50th anniversary of The Man Who Skied Down Everest, directed by F.R. Crawley and Bruce Nyznik. This Oscar-winning documentary tells the story behind Japanese daredevil Yuichiro Miura's 1970 effort to ski down the world's tallest mountain. The film played at the 1978 Banff Centre Mountain Film and Book Festival!

National Canadian Film Day is an initiative of REEL CANADA, a non-profit organization that brings  Canadian films to communities and schools across the country, all year long.

This event is FREE but please get your ticket in advance.
General admission. 
We recommend arriving 30 minutes before the screening to get your seat.





 


 

From the film The Man Who Skied Down Everest (1976)
Images
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The Man Who Skied Down Everest Poster (1976)
Page Summary
In celebration of the 50th anniversary of the Banff Centre Mountain Film an Book Festival and National Canadian Film Day we’re hosting a special film screening!
Exhibition
No
Free
Yes
Donation
Off
Banff Centre Artist/Practicum/Staff Only
Off
Licensed
Off
Age Restrictions
14+
Event Tags
Performance Date
Date
Audience View Micro Site URL
https://tickets.banffcentre.ca/Online/seatSelect.asp?BOset::WSmap::seatmap::performance_ids=DF7D08DA-C3D0-4D89-B9D1-49199C3CEF80
Extra Description

Please get your free tickets in advance.

Computed Sort Date
1744851600
Description

Documentary photographer and filmmaker Soloman Chiniquay and experimental filmmaker Nic Latulippe discuss the importance of community engagement in their collaborative storytelling projects. They’ll share insights from their work with grassroots programs and reflect on how their partnership has enriched their respective artistic practices.

Chiniquay’s lens-based work explores the ways he is welcomed to witness expressions of indigeneity, creating imagery that attempts to show, in sometimes raw ways, how people use and connect to the land and the artifacts they leave on it. He has worked on film productions such as The Body Remembers When the World Broke Open and the documentary shorts “Joe Buffalo” and “Be Long.”

Latulippe is a self-taught photographer and experimental filmmaker exploring land, place, and the South Asian diaspora in Canada. Latulippe works exclusively with celluloid, blending documentary and introspective storytelling. His current projects touch on the evolving South Asian Canadian identity, the commodification of Canmore, and ranching/rodeo culture in Alberta.

Facilitated by Janine Windolph, Director of Indigenous Arts at Banff Centre, the session includes a presentation Chiniquay and Latulippe, followed by a discussion and a Q&A. This conversation will be live streamed and will also be recorded and shared following the event. Sessions may share experiences and ask difficult questions.
 

About the Decolonizing the Narrative Conversation Series

The Decolonizing the Narrative Conversation Series is a bi-monthly conversation session inviting leading Indigenous Art creators to discuss their practices and processes. The series engages an Indigenous lens across various art forms, including Literary Arts, Film and Media Arts, Digital Media, Visual Arts, and Performing Arts such as Theatre, Dance, and Music. These sessions offer a space to explore and deepen your understanding of how Indigenous artists use their disciplines as tools to decolonize artistic processes and creation.
 

Sol Chiniquay and Nic Latulippe
Page Summary
Photographer Soloman Chiniquay and experimental filmmaker Nic Latulippe discuss how community engagement plays into their collaborative storytelling projects.
Exhibition
No
Free
Yes
Donation
Off
Banff Centre Artist/Practicum/Staff Only
Off
Licensed
Off
Performance Date
Date
Extra Description

Optional Smudge at 6:45 PM

Can’t make it in person? The talk will be live-streamed so you can watch from anywhere. Please register to receive the webinar link.  
Register for Webinar Now  

Expandable Content
Biographies

Soloman Chiniquay

Sol is a documentary photographer and filmmaker living between xʷməθkʷəy̓əm, Sḵwx̱wú7mesh, səl̓ilwətaɁɬ territory and his homelands of Treaty 7 territory. His lens-based work explores the ways he is welcomed to witness expressions of Indigeneity, creating imagery that attempts to show, in sometimes raw ways, the land and the people on it, the ways people use and connect to the land, and the artifacts they leave on it. 

Sol has worked on film productions such as The Body Remembers When the World Broke Open, and documentary shorts Joe Buffalo and Be Long, and is a founding member of The Stoney Nakoda AV Club. In 2023 Sol had 2 public exhibitions titled Tidââîgikthyabich (home and how it used to be) and Ake Huchimachach Ena (I’ll see you again mom) with co-collaborator jaz whitford.

Sol also tries to incorporate teaching and education in the projects he is involved in. He also teaches photography workshops at various high schools and community organizations throughout Canada.

Nic Latulippe

Nic Latulippe is a self-taught photographer and experimental filmmaker whose work explores land, place, and the South Asian Diaspora in Canada. Rooted in the Rocky Mountains of Treaty 7 Territory and Vancouver, Nic works exclusively with celluloid, blending documentary and introspective storytelling. His current projects include the evolving South Asian Canadian identity, shaped by tradition and westernization, the commodification of Canmore, and ranching and rodeo culture in Alberta. Recently, he spent seven months in India reconnecting with his heritage, deepening his creative and cultural perspective. Alongside his practice, Nic teaches darkroom techniques and photography to youth, fostering engagement with analog techniques through visual storytelling.

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1747270800
Description

An Evening of Spine-Tingling Storytelling

Step into the eerie world of horror literature at Chapter 1 of Literary Cabaret: Horror Writing, an evening of chilling tales and literary artistry. As part of Banff Centre’s Horror Writing 2025 Residency, this event brings together emerging and established voices for a night of unforgettable storytelling.

Enjoy riveting readings by our residency writers, capped off by a special reading from Jessica Johns, a queer nehiyaw aunty and member of Sucker Creek First Nation. Her debut novel, Bad Cree, was a Canada Reads finalist, shortlisted for the Amazon First Novel Award, and the WGA Fiction Prize winner.

Doors open at 6:15 p.m., so come early, grab a drink from the bar, and browse a curated selection of books at Pages Books' onsite shop before the readings begin. Afterward, stay for a relaxed mingling session where you can connect with the writers and fellow literature lovers, with the evening wrapping up at 9:30 p.m.

Mark your calendars and prepare for thrills, chills, and a few jump scares!

Jessica Johns
Page Summary
Hosted by Jessica Johns, this evening features chilling tales from residency writers, capped off by a special reading from Johns.
Exhibition
No
Free
Yes
Donation
Off
Banff Centre Artist/Practicum/Staff Only
Off
Licensed
Off
Age Restrictions
Ages 14 and over
Event Tags
Performance Date
Date
Extra Description

Doors open at 6:15 pm. Readings begin at 7:00 pm.

CLVB '33 is located in the back of Banff Centre's Theatre Complex

Notice of Filming and Photography: When you attend this event, you enter an area where photography, audio, and video recording may occur. By entering the event premises, you consent to such recording media and its release, publication, exhibition or reproduction.

Location
Computed Sort Date
1744333200
Description

An Evening of Thrilling Tales and Dark Imagination

As part of Banff Centre’s Horror Writing Residency, this event brings together emerging and established voices for a night of unforgettable storytelling. Chapter 2 of Literary Cabaret: Horror Writing features a captivating lineup of residency writers presenting original works, culminating in a special reading by Shane Hawk.

A member of the Cheyenne & Arapaho Tribes of Oklahoma, Hawk is the author of Anoka and co-editor of the Bram Stoker, Locus, and Shirley Jackson Award-nominated anthology Never Whistle at Night, which saw tremendous success, reaching its tenth printing just one month after publication.

Doors open at 6:15 p.m., so arrive early to grab a drink from the bar and browse a curated selection of books at Pages Books' onsite shop before the readings begin. Afterward, stay for a relaxed mingling session where you can connect with the writers and fellow literature lovers, with the evening wrapping up at 9:30 p.m.

Mark your calendars and prepare for an unforgettable night of dark fiction and spine-tingling storytelling!

Shane Hawk
Page Summary
Hosted by Shane Hawk, enjoy thrilling new horror fiction from residency writers, culminating in a special reading by Hawk.
Exhibition
No
Free
Yes
Donation
Off
Banff Centre Artist/Practicum/Staff Only
Off
Licensed
Off
Age Restrictions
Ages 14 and over
Event Tags
Performance Date
Date
Extra Description

Doors open at 6:15 pm. Readings begin at 7:00 pm.

CLVB '33 is located in the back of Banff Centre's Theatre Complex

Notice of Filming and Photography: When you attend this event, you enter an area where photography, audio, and video recording may occur. By entering the event premises, you consent to such recording media and its release, publication, exhibition or reproduction.

Location
Computed Sort Date
1744765200
Description

A Night of Haunting Prose and Unforgettable Voices

Experience the grand finale of Literary Cabaret: Horror Writing with Chapter 3, an evening of frightful and mesmerizing storytelling. As part of Banff Centre’s Horror Writing 2025 Residency, this event brings together emerging and established voices. Residency writers will share their original works, culminating in a special reading by Cherie Dimaline.

An internationally bestselling author, Dimaline’s novel The Marrow Thieves was named one of TIME magazine’s Best YA Books of All Time, winning both the Governor General’s Award and the Kirkus Prize. Her novel Empire of Wild became an instant Canadian bestseller and is being adapted into an opera. Her latest works include Hunting by Stars, a 2022 American Indian Library Association Honor Book, and VENCO, which debuted at #1 on Canadian bestseller lists.

Doors open at 6:15 p.m., so arrive early to grab a drink from the bar and browse a curated selection of books at Pages Books' onsite shop before the readings begin. Afterward, stay for a relaxed mingling session where you can connect with the writers and fellow literature lovers, with the evening wrapping up at 9:30 p.m.

Mark your calendars and prepare for a powerful evening of horror, imagination, and literary mastery!

Cherie Dimaline
Page Summary
Hosted by Cherie Dimaline, experience frightful new works from residency writers, concluding with a special reading by Dimaline.
Exhibition
No
Free
Yes
Donation
Off
Banff Centre Artist/Practicum/Staff Only
Off
Licensed
Off
Age Restrictions
Ages 14 and Over
Event Tags
Performance Date
Date
Extra Description

Doors open at 6:15 pm. Readings begin at 7:00 pm.

CLVB '33 is located in the back of Banff Centre's Theatre Complex

Notice of Filming and Photography: When you attend this event, you enter an area where photography, audio, and video recording may occur. By entering the event premises, you consent to such recording media and its release, publication, exhibition or reproduction.

Location
Computed Sort Date
1744938000

Submitted by Dolson Rhona on
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Recording Engineer / Producer John “Beetle” Bailey is the owner-operator of The Drive Shed Recording Studios in Ontario, Canada. Since graduating from the Music Industry Arts program at Fanshawe College in 1990, he has enjoyed a diverse career spanning  work in almost every genre. From his early Rock & Roll days working with Triumph, Voivod, & Tom Cochrane, to his many years recording and mixing albums for Ian Thomas, The Rankins, Hilario Durán, Monkey House, Marc Jordan and Amy Sky, Olivia Newton-John, and Matt Dusk… John’s been busy at The Drive Shed Producing recent and upcoming releases from Twin Flames, Sultans of String, Billy Newton-Davis, Molly Johnson, and more to come!John has earned Juno awards for “Recording Engineer of the Year” in 
2007 and 2020, and Juno nominations in 2008, 2009, 2010, 2015, 2021 and 2022. He also earned a nomination for a Latin Grammy for Best Engineered  Album, Alex Cuba’s “Sublime” LP in 2020, and won Producer(s) Of The Year 2021 and 2023 Canadian Folk Music Award with Chris McKhool (Sultans of String). In 2022 John placed a Grammy on his shelf for mixing Alex Cuba’s Best Latin Pop album, “MENDÓ.Alongside his career as an award-winning Recording Engineer & 
Producer, John’s passion is technology - and nothing drives the creation of collaboration tools more than necessity! As Chief Technology Officer of Synchronicity Media AS, John oversees the architecture, development plans, and milestones, ensuring that SyncDNA™ brings the best-designed, customerdriven and competitive system to market. Working closely with chief architects, VP of Products, marketing & sales departments, overseeing R&D, and synchronizing architecture and development teams with the Product Roadmap, John leads the technology team at Synchronicity Media AS and SyncDNA™

Photo by Selina Bailey

Dolson Rhona

Submitted by Dolson Rhona on
English
Headshot of Kat Sandler

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Kat is an award-winning playwright, director, screenwriter, and served as the Artistic Director of Theatre Brouhaha in Toronto. Her plays have been performed across Canada and internationally. As a writer/director she has staged nineteen of her original plays in the last decade, including most recently, the world premiere of WILDWOMAN at Soulpepper Theatre. Awards include the Dora Mavor Moore award for Outstanding New Play, the Austin Film Festival Award for Best Fiction Podcast, the Summerworks Spotlight Award and the Best of Fringe Award. She has written for Kim’s Convenience, Good Question Media, Limetown (Podcast), Film Coop and Little Engine, and she is developing a handful of feature films and television shows with eOne, Gunn Films, TJ Content and the Donaldson Company. She is a graduate of Queen’s University and the Canadian Film Centre.

Dolson Rhona

Submitted by Dolson Rhona on
English
Headshot of Nick Dunston

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Nick Dunston is a composer, improviser, and sound artist. Called an “indispensable player on the New York avant-garde" (New York Times), his performances have spanned a variety of venues and spaces across North America and Europe. In addition to 9 albums released as a leader, he has been commissioned by artists and organizations such as Wet Ink Ensemble, Bang on a Can, JACK Quartet, A L'ARME Festival, Ex-Aequo, Tenth Intervention, Johnny Gandelsman, TROMPO, Gaudeamus Festival, PULSE String Quartet, and Ekmeles. As a sideman he has worked with artists such as Marc Ribot, Ches Smith, Vijay Iyer, Mary Halvorson, Tyshawn Sorey, Moor Mother, Darius Jones, Lucrecia Dalt, Joy Guidry, Son Lux, Craig Taborn, Dave Douglas, Allison Miller, Anna Webber, and Amirtha Kidambi. In 2019 he was awarded the Van Lier Fellowship by Roulette, which supported the creation of the trans-media song cycle La Operación, the double bass quintet piece The Floor is Lava!, and his debut studio album, Atlantic Extraction, which was referred to as “the debut of 2019” (JazzTimes Magazine). In 2020 in collaboration with Dogbotic Labs, he co-created “Ear Re-training”, a music composition course focusing on media-bending experimental techniques and concepts. Alongside Katherine Young, Dunston was featured as the inaugural Artists-in-Residence with Wet Ink Ensemble for the 2021-2022 season, where he created his 14-piece ensemble work Reverse Broadcast, himself performing on double bass, live-processed radio, and improvised Conduction. He released his improvising trio album Spider Season in 2022 in which Pitchfork Magazine noted “Even in a trio setting, Dunston’s curiosity creates a plethora of possibilities. No two songs of his ever sound alike.” His performing and improvising can also be heard on the 2022 film Everything Everywhere All At Once, which won the Oscar that year for Best Original Score. Nick Dunston’s most recent album, the Afro-surrealist-anti-opera COLLA VOCE, was released in 2024 on Out Of Your Head Records. He has given artist talks and presented his works at academic institutions such as The University of Southern California, California Institute of the Arts, The University of Iowa, and Stony Brook University. He was nominated for the Deutscher Jazzpreis (German Jazz Prize) in 2023, 2024, and 2025; and alongside Cansu Tanrikulu, won the SWR Jazz Prize of 2024. Dunston currently resides and maintains an active presence in both the Berlin and New York experimental music scenes.

Dolson Rhona
Composer/Improviser/Sound Artist
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Lantern slides from the University of Alberta archives collection
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Founded in 1933, Banff Centre began as a small summer drama school. It was initially an extension of the University of Alberta, under the guidance of its first director, Donald Cameron. The University of Alberta Collection shows the school’s transformation from a small extension program into an internationally respected arts, business administration, and conference centre. Now available for research, these newly-processed archival materials offer valuable insights into the development and management of one of Canada’s most prestigious arts and educational institutions. They provide a comprehensive record of the school’s growth, including details about its administration, courses, productions, and conferences. The collection is a significant resource for researchers interested in the fine arts and business administration aspects of the Banff School's evolution. 

The Collection

The University of Alberta archival collection is divided into three main sections:

  • The Banff School of Fine Arts (BSFA) Records
  • The Banff School of Advanced Management (BSAM) Records
  • Photographs 

The BSFA and BSAM records include a wide range of materials, such as correspondence, programs, newspaper clippings, photographs, and other related documents. These records span from the start of Banff Centre in 1933 to the mid to late 1960s. The photograph section contains original prints, copy prints, unique prints, negatives, and lantern slides—both plastic and glass. In total, the whole collection spans 132 boxes. 

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Storage boxes containing the University of Alberta Collection
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Photographs

The photographic records are an essential complement to the textual materials within the collection. They capture a variety of moments—including formal staff and student portraits, staged publicity shots, scenes of Banff National Park, and glimpses of art classes or theatre rehearsals in progress. Early photographs of the Banff School’s summer sessions are rare, but from the late 1940s through the 1950s, the school’s growing prominence led to a significant publicity effort. Many of these images, featured in annual school calendars, document the expansion and increasing recognition of the school. One notable part of the photograph collection includes lantern slides from Director Donald Cameron’s 1933 European trip. During his visit to Scandinavian countries, Cameron studied their farming and education practices, which he later sought to incorporate at Banff Centre. This section also contains photographs taken in other countries, including pre-WWII Germany, France, and Belgium.

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Donald Cameron Centre - The University of Alberta collection
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Archival Processing

Before being transferred to Banff Centre, the collection was already sorted and organized. Upon arrival, further updates to the arrangement, descriptions, and rehousing were carried out as part of the archival processing. All files and photographs were catalogued to make these materials more accessible for future research. 

Digital Objects

Following the collection’s processing, over 1,900 photographs and 150 lantern slides were digitized. Digitizing the photographs not only makes the collection more accessible but also reduces the handling of fragile items. Many of the photographs and slides are quite old, some showing signs of wear and damage. The digitization process helps preserve these materials while limiting further deterioration. Some photographs and slides, however, were not digitized due to their connection to the Department of Extension rather than Banff Centre specifically. These images remain outside the main collection but are still important parts of the larger archival history.

Anyone interested in exploring these archival materials can reach out to us at archives@banffcentre.ca for more information or to book an appointment.

The Archives Assistant position is generously supported by Young Canada Works and the William and Nona Heaslip Endowment for Archives for Performing Arts. 

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