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Description

Questioning form and expectations and jostling between theatrical and somatic ideals of confrontation and conversation, White Space is a new evening-length work. The performance features 11 captivating dancers in a restless and thought-provoking world fueled by a vast movement vocabulary consisting of Kyle Abraham’s signature blend of classical and contemporary dance with a hip-hop underbelly. 

The work brings together acclaimed composers, Jason Moran and Nico Muhly, for a haunting new collaborative score that pierces the heart of choreographer Abraham’s newest dance. 

The original score, written for two pianists on a single piano, echoes with hip-hop driving the collision of reality and idealism.

White Space marks the second time Abraham is collaborating with world-renowned visual artist, Glenn Ligon, on scenic design. Other collaborators include noted costume designers, Reid Bartelme and Harriet Jung, and longtime lighting collaborator, Dan Scully. 

"Kyle Abraham has a mission — and it’s bigger than himself. He likes to spread the love with his company, A.I.M., and, in doing so, broaden the viewer’s experience of what a dance concert by a choreographer-led company can be." -Gia Kourlas, The New York Times
“For almost 20 years, the inclusive modern dance company has brought thought-provoking movement rooted in Black and queer history and culture to the forefront…” -Freya Drohan, Vogue
 

PROJECT SUPPORT 

White Space was supported by New Music USA’s Organization Fund in 2025-26, with additional commissioning funds provided by the O’Donnell-Green Music and Dance Foundation.

White Space is co-commissioned by Jacob's Pillow, LAC Lugano Arte e Cultura, PEAK Performances at Montclair State University, with the support of Dance Reflections by Van Cleef & Arpels. White Space was created in part during a Pillow Lab residency at Jacob's Pillow, made possible by support from the Vivienne Jones Endowment Fund at Jacob's Pillow.

Supported by:

Supported by partners
A dancer (Mykiah Goree) lies on the floor with fingertips lifted over their braids, gaze lowered. Their body is painted black to the shoulders, revealing brown skin above the paint against a gray background.
Page Summary
White Space is a new evening-length work for 11 captivating dancers in a restless and thought-provoking world.
Exhibition
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Free
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Donation
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Banff Centre Artist/Practicum/Staff Only
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About

Kyle Abraham (Founder and Artistic Director, A.I.M by Kyle Abraham; He/Him)

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KYLE ABRAHAM (Founder and Artistic Director, A.I.M by Kyle Abraham; He/Him) has premiered his work to international audiences and acclaim since 2006. Abraham has been profi led in CERO, Document Journal, Ebony, Harper’s Bazaar, Kinfolk, O Magazine, Paper, Surface, Vanity Fair, Vogue & Vogue UK, W Magazine, among many other publications. He was recently nominated for an Olivier Award for Best New Dance Production (2025 – An Untitled Love at Sadler’s Wells); the Rose Prize for International Dance nominee (2025 – An Untitled Love); and is the proud recipient of a National Dance Critics Award for Choreography (2024 – Are You in Your Feelings / Alvin Ailey Dance Theater); Dance Magazine Award (2022); Princess Grace Statue Award (2018); Doris Duke Award (2016) and The MacArthur Fellowship (2013). In addition to performing and developing new works for his company, Abraham has been commissioned by a wide variety of dance companies, including American Ballet Theatre, Alvin Ailey American Dance Theater, The National Ballet of Cuba, New York City Ballet, Paul Taylor American Modern Dance, and The Royal Ballet. In 2024, Abraham premiered three new works to much acclaim, the evening-length work, Cassette Vol. 1 in Hamburg, Germany; Mercurial Son for American Ballet Theatre in October and in December, “Dear Lord, Make Me Beautiful” at the Park Avenue Armory, which Jennifer Homans of The New Yorker called an “Extraordinary Dance Memoir.” In 2025, Abraham premiered new works to acclaim including “2x4,” “Wrecka Stow” for ABT as part of Misty Copland’s farewell performance and is the choreographer for the new Xtravaganza musical. Abraham also choreographed Copland in the Cynthia Erivo short-form fi lm, “No Good Deed” as part of the Wicked: For Good promotion. Abraham has led and curated several performance series including the Danspace Project (2024 / 50th anniversary season) and Lincoln Center’s Summer for the City (2023, 2022), among others. In 2020, Abraham was the fi rst ever guest editor for Dance Magazine. He serves as the Claude and Alfred Mann Endowed Professor in Dance at The University of Southern California Glorya Kaufman School of Dance (2021-2026). Abraham sits on the advisory board for Dance Magazine and Hubbard Street Dance Chicago. He is a member of the American Academy of Arts and Sciences, the inaugural Black Genius Brain Trust, and the inaugural cohort of the Dorchester Industries Experimental Design Lab, a partnership between the Prada Group, Theaster Gates Studio, Dorchester Industries, and Rebuild Foundation.

A.I.M

A.I.M by Kyle Abraham has, for nearly two decades, been at the forefront of contemporary dance, becoming one of the most acclaimed touring companies in the world. Celebrating its 20th anniversary throughout 2026, the company exemplifies “lush movement, infectious music and magnetic dancers..." as noted by The New York Times. A.I.M has been featured in Vogue, Essence, among many other publications, and was on the April 2025 cover of the Harper’s Bazaar. The company is described as a “postmodern gumbo” with an ardent voice and artistic process informed by robust conversations with people from diverse perspectives. A.I.M performs works by Abraham as well as new and existing works by choreographers who have influenced Abraham’s artistry. A.I.M is based in New York City.
For more information, to get involved, or to purchase your A.I.M merchandise, please visit http://aimbykyleabraham.org. Follow A.I.M on Instagram @aimbykyleabraham and Kyle Abraham on Instagram @kyle_abraham_original_recipe

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Event Subtitle
A.I.M by Kyle Abraham
Description

Indigenous soul. That’s how Six Nations-born-and-bred Lacey Hill describes her emotion-filled original songs, which grow out of a lifelong love for music-making.

Part of the Oneida/Mohawk Wolf Clan, the singer-songwriter paid her dues performing cover songs and singing backup for local Six Nations bands. Now, she’s one of the few musicians from her community consistently dropping albums.

Previous releases include multiple volumes of a decade-long series of albums called 528. Entry three, The Moon (528 III), was released in 2022.

Between recording sessions, Hill makes a point of touring. She continues to expand her fanbase not only across Canada but internationally, with shows in Australia, Scotland, and the U.S.

Hill is an alumna of Banff Centre’s Indigenous Arts and Music programs.

Join Banff Centre throughout the month of June for National Indigenous History Month. Other free events include dance and jewelry workshops, film screenings, and a story sharing circle.

Lacey Hill portrait
Page Summary
Indigenous soul. That’s how Six Nations-born-and-bred Lacey Hill describes her emotion-filled original songs.
Exhibition
No
Free
No
Donation
Off
Banff Centre Artist/Practicum/Staff Only
Off
Licensed
Off
Performance Date
Date
On Sale Date
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About Lacey Hill

This Oneida/Mohawk Wolf Clan, Six Nations-born-and-bred independent singer-songwriter describes her music as “Indigenous soul.” It’s grown from a passion for making music she’s had since she was a little girl.  

Throughout the years, Lacey paid her dues performing cover songs and singing backup for local Six Nations bands like The Healers. She’s established herself as one of only a few female musical talents to roll out album after original album from her community.  

There is no denying the amount of heart Lacey bleeds into each album; 528 Volume I in 2013, M (528 Volume II) released in 2017, and The Moon (528 Volume III) as her newest independent release in 2022. In between each album, Lacey makes a point of hitting the road with her music and continues to expand her fanbase not only locally but internationally with shows in Australia, Edinburgh, New York, and central and western Canada. 

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Description

Experience the visionary work of German composer Sandeep Bhagwati, who brings diverse musical influences together in elegant harmony. And be captivated by Nguyễn Thanh Thủy, a renowned đàn tranh player reimagining Vietnamese traditional music through a modern lens.  

Anchoring the concert is a performance from Australia-based contemporary music ensemble Hand to Earth—a groundbreaking collaboration between Daniel Wilfred, a Yolŋu songman preserving ancient storytelling traditions from northeast Arnhem Land; Sunny Kim, a Korean vocalist drawing influences from experimental jazz; and Peter Knight, an innovative trumpeter, composer, and producer blending acoustic and electronic textures. 

The evening also includes special appearances by Jeremy Dutcher, Two-Spirit classically trained tenor and two-time Polaris Prize winner, and Haruka Fujii, a dynamic percussionist known for her precision and artistry.

These artists invite you to explore music that transcends borders and time.

“In our performances, you’re going to experience friendship. And you’ll hear us share ancient ideas and stories, but told in a way that’s quite contemporary,” says Kim.

“When art-making crosses cultures… what you end up with is the essence of human connection,” adds Knight. 

Soundweavings is made possible through the generous support of the Yolande Freeze Master Artists in Music Fund.

Photo collage of the musicians Nguyễn Thanh Thủy. Photo courtesy of the artist. Sandeep Bhagwati. Photo by Alain Lefort. Hand to Earth Trio: Daniel Wilfred, Peter Knight, and Sunny Kim. Photos by Sarah Walker, Jeremy Dutcher, Haruka Fujii.
Page Summary
At this extraordinary evening of global culture and music, traditions converge with the contemporary.
Exhibition
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Banff Centre Artist/Practicum/Staff Only
Off
Licensed
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Date
Audience View Micro Site URL
https://tickets.banffcentre.ca/online/mapSelect.asp?doWork::WSmap::loadMap=Load&createBO::WSmap=1&BOparam::WSmap::loadMap::performance_ids=10EE23F7-1AC9-4657-8FC5-65FDF56D38B9
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Description

In celebration of the 50th anniversary of the Banff Centre Mountain Film and Book Festival and National Canadian Film Day we’re hosting a special retro film screening of The Man Who Skied Down Everest

Not only is 2025 the 50th Anniversary of the Banff Centre Mountain Film and Book Festival, it’s also is the 50th anniversary of The Man Who Skied Down Everest, directed by F.R. Crawley and Bruce Nyznik. This Oscar-winning documentary tells the story behind Japanese daredevil Yuichiro Miura's 1970 effort to ski down the world's tallest mountain. The film played at the 1978 Banff Centre Mountain Film and Book Festival!

National Canadian Film Day is an initiative of REEL CANADA, a non-profit organization that brings  Canadian films to communities and schools across the country, all year long.

This event is FREE but please get your ticket in advance.
General admission. 
We recommend arriving 30 minutes before the screening to get your seat.





 


 

From the film The Man Who Skied Down Everest (1976)
Images
Image
The Man Who Skied Down Everest Poster (1976)
Page Summary
In celebration of the 50th anniversary of the Banff Centre Mountain Film an Book Festival and National Canadian Film Day we’re hosting a special film screening!
Exhibition
No
Banff Centre Artist/Practicum/Staff Only
Off
Licensed
Off
Age Restrictions
14+
Event Tags
Performance Date
Date
Audience View Micro Site URL
https://tickets.banffcentre.ca/Online/seatSelect.asp?BOset::WSmap::seatmap::performance_ids=DF7D08DA-C3D0-4D89-B9D1-49199C3CEF80
Extra Description

Please get your free tickets in advance.

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Description

Documentary photographer and filmmaker Soloman Chiniquay and experimental filmmaker Nic Latulippe discuss the importance of community engagement in their collaborative storytelling projects. They’ll share insights from their work with grassroots programs and reflect on how their partnership has enriched their respective artistic practices.

Chiniquay’s lens-based work explores the ways he is welcomed to witness expressions of indigeneity, creating imagery that attempts to show, in sometimes raw ways, how people use and connect to the land and the artifacts they leave on it. He has worked on film productions such as The Body Remembers When the World Broke Open and the documentary shorts “Joe Buffalo” and “Be Long.”

Latulippe is a self-taught photographer and experimental filmmaker exploring land, place, and the South Asian diaspora in Canada. Latulippe works exclusively with celluloid, blending documentary and introspective storytelling. His current projects touch on the evolving South Asian Canadian identity, the commodification of Canmore, and ranching/rodeo culture in Alberta.

Facilitated by Janine Windolph, Director of Indigenous Arts at Banff Centre, the session includes a presentation Chiniquay and Latulippe, followed by a discussion and a Q&A. This conversation will be live streamed and will also be recorded and shared following the event. Sessions may share experiences and ask difficult questions.
 

About the Decolonizing the Narrative Conversation Series

The Decolonizing the Narrative Conversation Series is a bi-monthly conversation session inviting leading Indigenous Art creators to discuss their practices and processes. The series engages an Indigenous lens across various art forms, including Literary Arts, Film and Media Arts, Digital Media, Visual Arts, and Performing Arts such as Theatre, Dance, and Music. These sessions offer a space to explore and deepen your understanding of how Indigenous artists use their disciplines as tools to decolonize artistic processes and creation.
 

Sol Chiniquay and Nic Latulippe
Page Summary
Photographer Soloman Chiniquay and experimental filmmaker Nic Latulippe discuss how community engagement plays into their collaborative storytelling projects.
Exhibition
No
Banff Centre Artist/Practicum/Staff Only
Off
Licensed
Off
Performance Date
Date
Extra Description

Optional Smudge at 6:45 PM

Can’t make it in person? The talk will be live-streamed so you can watch from anywhere. Please register to receive the webinar link.  
Register for Webinar Now  

Expandable Content
Biographies

Soloman Chiniquay

Sol is a documentary photographer and filmmaker living between xʷməθkʷəy̓əm, Sḵwx̱wú7mesh, səl̓ilwətaɁɬ territory and his homelands of Treaty 7 territory. His lens-based work explores the ways he is welcomed to witness expressions of Indigeneity, creating imagery that attempts to show, in sometimes raw ways, the land and the people on it, the ways people use and connect to the land, and the artifacts they leave on it. 

Sol has worked on film productions such as The Body Remembers When the World Broke Open, and documentary shorts Joe Buffalo and Be Long, and is a founding member of The Stoney Nakoda AV Club. In 2023 Sol had 2 public exhibitions titled Tidââîgikthyabich (home and how it used to be) and Ake Huchimachach Ena (I’ll see you again mom) with co-collaborator jaz whitford.

Sol also tries to incorporate teaching and education in the projects he is involved in. He also teaches photography workshops at various high schools and community organizations throughout Canada.

Nic Latulippe

Nic Latulippe is a self-taught photographer and experimental filmmaker whose work explores land, place, and the South Asian Diaspora in Canada. Rooted in the Rocky Mountains of Treaty 7 Territory and Vancouver, Nic works exclusively with celluloid, blending documentary and introspective storytelling. His current projects include the evolving South Asian Canadian identity, shaped by tradition and westernization, the commodification of Canmore, and ranching and rodeo culture in Alberta. Recently, he spent seven months in India reconnecting with his heritage, deepening his creative and cultural perspective. Alongside his practice, Nic teaches darkroom techniques and photography to youth, fostering engagement with analog techniques through visual storytelling.

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Description

An Evening of Spine-Tingling Storytelling

Step into the eerie world of horror literature at Chapter 1 of Literary Cabaret: Horror Writing, an evening of chilling tales and literary artistry. As part of Banff Centre’s Horror Writing 2025 Residency, this event brings together emerging and established voices for a night of unforgettable storytelling.

Enjoy riveting readings by our residency writers, capped off by a special reading from Jessica Johns, a queer nehiyaw aunty and member of Sucker Creek First Nation. Her debut novel, Bad Cree, was a Canada Reads finalist, shortlisted for the Amazon First Novel Award, and the WGA Fiction Prize winner.

Doors open at 6:15 p.m., so come early, grab a drink from the bar, and browse a curated selection of books at Pages Books' onsite shop before the readings begin. Afterward, stay for a relaxed mingling session where you can connect with the writers and fellow literature lovers, with the evening wrapping up at 9:30 p.m.

Mark your calendars and prepare for thrills, chills, and a few jump scares!

Jessica Johns
Page Summary
Hosted by Jessica Johns, this evening features chilling tales from residency writers, capped off by a special reading from Johns.
Exhibition
No
Banff Centre Artist/Practicum/Staff Only
Off
Licensed
Off
Age Restrictions
Ages 14 and over
Event Tags
Performance Date
Date
Extra Description

Doors open at 6:15 pm. Readings begin at 7:00 pm.

CLVB '33 is located in the back of Banff Centre's Theatre Complex

Notice of Filming and Photography: When you attend this event, you enter an area where photography, audio, and video recording may occur. By entering the event premises, you consent to such recording media and its release, publication, exhibition or reproduction.

Location
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Description

An Evening of Thrilling Tales and Dark Imagination

As part of Banff Centre’s Horror Writing Residency, this event brings together emerging and established voices for a night of unforgettable storytelling. Chapter 2 of Literary Cabaret: Horror Writing features a captivating lineup of residency writers presenting original works, culminating in a special reading by Shane Hawk.

A member of the Cheyenne & Arapaho Tribes of Oklahoma, Hawk is the author of Anoka and co-editor of the Bram Stoker, Locus, and Shirley Jackson Award-nominated anthology Never Whistle at Night, which saw tremendous success, reaching its tenth printing just one month after publication.

Doors open at 6:15 p.m., so arrive early to grab a drink from the bar and browse a curated selection of books at Pages Books' onsite shop before the readings begin. Afterward, stay for a relaxed mingling session where you can connect with the writers and fellow literature lovers, with the evening wrapping up at 9:30 p.m.

Mark your calendars and prepare for an unforgettable night of dark fiction and spine-tingling storytelling!

Shane Hawk
Page Summary
Hosted by Shane Hawk, enjoy thrilling new horror fiction from residency writers, culminating in a special reading by Hawk.
Exhibition
No
Banff Centre Artist/Practicum/Staff Only
Off
Licensed
Off
Age Restrictions
Ages 14 and over
Event Tags
Performance Date
Date
Extra Description

Doors open at 6:15 pm. Readings begin at 7:00 pm.

CLVB '33 is located in the back of Banff Centre's Theatre Complex

Notice of Filming and Photography: When you attend this event, you enter an area where photography, audio, and video recording may occur. By entering the event premises, you consent to such recording media and its release, publication, exhibition or reproduction.

Location
Computed Sort Date
1744765200
Description

A Night of Haunting Prose and Unforgettable Voices

Experience the grand finale of Literary Cabaret: Horror Writing with Chapter 3, an evening of frightful and mesmerizing storytelling. As part of Banff Centre’s Horror Writing 2025 Residency, this event brings together emerging and established voices. Residency writers will share their original works, culminating in a special reading by Cherie Dimaline.

An internationally bestselling author, Dimaline’s novel The Marrow Thieves was named one of TIME magazine’s Best YA Books of All Time, winning both the Governor General’s Award and the Kirkus Prize. Her novel Empire of Wild became an instant Canadian bestseller and is being adapted into an opera. Her latest works include Hunting by Stars, a 2022 American Indian Library Association Honor Book, and VENCO, which debuted at #1 on Canadian bestseller lists.

Doors open at 6:15 p.m., so arrive early to grab a drink from the bar and browse a curated selection of books at Pages Books' onsite shop before the readings begin. Afterward, stay for a relaxed mingling session where you can connect with the writers and fellow literature lovers, with the evening wrapping up at 9:30 p.m.

Mark your calendars and prepare for a powerful evening of horror, imagination, and literary mastery!

Cherie Dimaline
Page Summary
Hosted by Cherie Dimaline, experience frightful new works from residency writers, concluding with a special reading by Dimaline.
Exhibition
No
Banff Centre Artist/Practicum/Staff Only
Off
Licensed
Off
Age Restrictions
Ages 14 and Over
Event Tags
Performance Date
Date
Extra Description

Doors open at 6:15 pm. Readings begin at 7:00 pm.

CLVB '33 is located in the back of Banff Centre's Theatre Complex

Notice of Filming and Photography: When you attend this event, you enter an area where photography, audio, and video recording may occur. By entering the event premises, you consent to such recording media and its release, publication, exhibition or reproduction.

Location
Computed Sort Date
1744938000

Submitted by Dolson Rhona on
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Headshot of John Bailey

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Recording Engineer / Producer John “Beetle” Bailey is the owner-operator of The Drive Shed Recording Studios in Ontario, Canada. Since graduating from the Music Industry Arts program at Fanshawe College in 1990, he has enjoyed a diverse career spanning  work in almost every genre. From his early Rock & Roll days working with Triumph, Voivod, & Tom Cochrane, to his many years recording and mixing albums for Ian Thomas, The Rankins, Hilario Durán, Monkey House, Marc Jordan and Amy Sky, Olivia Newton-John, and Matt Dusk… John’s been busy at The Drive Shed Producing recent and upcoming releases from Twin Flames, Sultans of String, Billy Newton-Davis, Molly Johnson, and more to come!John has earned Juno awards for “Recording Engineer of the Year” in 
2007 and 2020, and Juno nominations in 2008, 2009, 2010, 2015, 2021 and 2022. He also earned a nomination for a Latin Grammy for Best Engineered  Album, Alex Cuba’s “Sublime” LP in 2020, and won Producer(s) Of The Year 2021 and 2023 Canadian Folk Music Award with Chris McKhool (Sultans of String). In 2022 John placed a Grammy on his shelf for mixing Alex Cuba’s Best Latin Pop album, “MENDÓ.Alongside his career as an award-winning Recording Engineer & 
Producer, John’s passion is technology - and nothing drives the creation of collaboration tools more than necessity! As Chief Technology Officer of Synchronicity Media AS, John oversees the architecture, development plans, and milestones, ensuring that SyncDNA™ brings the best-designed, customerdriven and competitive system to market. Working closely with chief architects, VP of Products, marketing & sales departments, overseeing R&D, and synchronizing architecture and development teams with the Product Roadmap, John leads the technology team at Synchronicity Media AS and SyncDNA™

Photo by Selina Bailey

Dolson Rhona

Submitted by Dolson Rhona on
English
Headshot of Kat Sandler

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Kat is an award-winning playwright, director, screenwriter, and served as the Artistic Director of Theatre Brouhaha in Toronto. Her plays have been performed across Canada and internationally. As a writer/director she has staged nineteen of her original plays in the last decade, including most recently, the world premiere of WILDWOMAN at Soulpepper Theatre. Awards include the Dora Mavor Moore award for Outstanding New Play, the Austin Film Festival Award for Best Fiction Podcast, the Summerworks Spotlight Award and the Best of Fringe Award. She has written for Kim’s Convenience, Good Question Media, Limetown (Podcast), Film Coop and Little Engine, and she is developing a handful of feature films and television shows with eOne, Gunn Films, TJ Content and the Donaldson Company. She is a graduate of Queen’s University and the Canadian Film Centre.

Dolson Rhona
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