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Olympic bouldering and speed climbing competitions in the Olympic Games Paris 2024.

This year’s Olympic bouldering and speed climbing competitions drew an incredible audience of 6,000 people in attendance.

Thanks to the growing access to an indoor climbing wall, the plastic holds have found their way into the heart of the mainstream. This year’s Olympic bouldering and speed climbing competitions have seen a full 6 k audience, and that could be easily doubled. Our teammates- Haley and Ryan were there to watch speed records and well-rounded athletes tested on endurance, slabs, dynos, and their technique. This year had also strong female presence and bigger than ever media attention. The popularity of the sport brought money and solidified climbing careers which in return will help athletes excel at a higher level quicker and push more. Gone are the days of hoping for a dentist salary- being Olympian in Canada also means AAP founding and school paid. And if that still seems out of reach for many- the new era of dirtbagging has come- engineering job while hanging at the crag- that’s where it’s at.

Author: Karolina Krakowiak, Banff Centre for Arts and Creativity

Haley and Ryan at the Olympic Games Paris 2024.

Haley and Ryan at the Olympic Games Paris 2024.

Located in the Canadian Rocky Mountains, the Banff Centre Mountain Film and Book Festival is a globally recognized event and tour celebrating the beauty, adventure, and culture of mountains globally. The nine-day festival will be held from October 26 through to November 3 this year and features over 70 events, bringing films and stories of adventure and exploration from around the world to Banff Centre for Arts and Creativity in Banff, Alberta. The festival showcases live events with adventurers, authors, photographers, and filmmakers sharing their inspiring stories.

Online films are available in Canada and the United States from November 6 to 13.

Please visit banffcentre.ca/film-fest for more information.

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Olympic bouldering and speed climbing competitions saw speed records and well-rounded athletes tested on endurance, slabs, dynos, and their technique.
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After your next long day of hiking, biking, skiing or snowshoeing – here’s how to unwind like the Banff Centre Festival Team.

Whether it’s a challenging trail in the mountains, or running a nine-day film festival, we know better than anyone that working hard means big rewards. So after your next long day of hiking, biking, skiing or snowshoeing – here’s how to unwind like the Banff Centre Festival Team!

“Before a ski touring day begins, we like to put beers into the snow near our car. Once we arrive back, we get the lawn chairs out from the trunk, cheers to the day, and share some laughs!” – Sarah Karasiuk, World Tour Manager

“I always make sure I have sandals in the car to swap into and a bag of chips to snack on after a big adventure day.” – Megan Cotterell, Festival Manager

“At the end of a big day of skiing/hiking/climbing/bike packing, I like to treat myself to a cold beer and plate of poutine (particularly poutine galvaude – poutine with roast chicken and peas).” – Lauren Schmidt, World Tour Interim Manager

“My post-backcountry ski ritual is gin and tonic in the hot tub.” – Joanna Croston, Director of Banff Centre Mountain Film and Book Festival and World Tour

“A bath and glass of red wine or G&T sounds perfect.  I also love a great bowl of wonton soup, and my friend has named a favourite warm-me-up drink ‘The Hug’: bourbon in hot water.” – Seana Strain, World Tour Event Specialist

“I like a little après-ski warm, relaxing drink in a cafe with friends; herbal tea, decaf mocha, or apple cider.” – Jenni Filman, Graphic Designer

“I look forward to ‘Hozz.’ It’s probably only a term used in my house, but once we have everything done, we go horizontal on the couch and watch something.” – Hayden Browne, Digital Marketing Specialist

“The last hike I did was this summer at a friend's cabin where they had an outdoor sauna, and a post-windy-stormy-rainy-hike retreat to the sauna was divine!” – Nicky Lynch, Marketing Officer

“After a tiring day - most definitely french fries with lots of salt!” Haley Daniels, Strategic Sponsorships Manager

Author: Carly Maga, Banff Centre for Arts and Creativity

Located in the Canadian Rocky Mountains, the Banff Centre Mountain Film and Book Festival is a globally recognized event and tour celebrating the beauty, adventure, and culture of mountains globally. The nine-day festival will be held from October 26 through to November 3 this year and features over 70 events, bringing films and stories of adventure and exploration from around the world to Banff Centre for Arts and Creativity in Banff, Alberta. The festival showcases live events with adventurers, authors, photographers, and filmmakers sharing their inspiring stories.

Online films are available in Canada and the United States from November 6 to 13.

Please visit banffcentre.ca/film-fest for more information.

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After your next long day of hiking, biking, skiing or snowshoeing – here’s how to unwind like the Banff Centre Festival Team.
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Andrea Wing, Mountain Fest director for Leo & Chester (2022) and The Pass (2023).

Andrea Wing, known as the Mountain Fest director for Leo & Chester (2022) and The Pass (2023), merged her passion for marketing and filmmaking to create her own journey. She has spent the last fifteen years working on commercial content and award-winning documentaries, and she has no plans to stop anytime soon.

As co-founder of Well-Travelled Collective, Andrea aims to amplify female voices and narratives that often go unheard. The scarcity of women in the production space inspired her to create a vibrant environment where women passionate about the outdoors and adventure can unite and collaborate, empowering each other to tell their stories.

When asked about the most rewarding aspect of being an outdoor filmmaker, Andrea says, “I think it’s being welcomed into somebody's world.” She adds, “The trust that you form with your main characters is something very unique.”

Andrea’s next film project will focus on the American wool industry. At the early stages of pre-production, she plans to explore the industry’s intricacies while shining a light on the people behind it.

In a rapidly evolving field, Andrea is an inspiration for underrepresented voices, dedicated to telling stories that matter and paving the way for a more inclusive filmmaking landscape.

Author: Nazareth Araújo, Porter O'Brien Agency

Andrea Wing has fifteen years of experience working on commercial content and award-winning documentaries.

Andrea Wing has fifteen years of experience working on commercial content and award-winning documentaries.

Located in the Canadian Rocky Mountains, the Banff Centre Mountain Film and Book Festival is a globally recognized event and tour celebrating the beauty, adventure, and culture of mountains globally. The nine-day festival will be held from October 26 through to November 3 this year and features over 70 events, bringing films and stories of adventure and exploration from around the world to Banff Centre for Arts and Creativity in Banff, Alberta. The festival showcases live events with adventurers, authors, photographers, and filmmakers sharing their inspiring stories.

Online films are available in Canada and the United States from November 6 to 13.

Please visit banffcentre.ca/film-fest for more information.

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Profile on Andrea Wing, Mountain Fest director for Leo & Chester (2022) and The Pass (2023).
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Bernadette McDonald and her book Alpine Rising.

Bernadette McDonald and her book Alpine Rising.

A message from Bernadette McDonald -

The inspiration for “Alpine Rising” came while doing research for my last book, “Winter 8000”, which is about climbing 8000-metre peaks in winter. A niche activity, to be sure. I was interviewing elite high-altitude climbers, trying to understand their attraction to the unique ‘art of suffering’ that best describes climbing above 8000 metres in the coldest season. One of the most impressive was Pakistani climber, Ali Sadpara. Despite growing up in extremely modest circumstances in the village of Sadpara, and having had no formal training in mountaineering, Ali was one of the world’s leading high-altitude winter specialists.

Yet, Ali was almost unknown outside his country. Unlike his famous climbing partners from Italy, Poland and Spain, his accomplishments were often ignored. I wondered if this was unique to Ali’s experience or if it was a trend. 
That question took on a life of its own as I dove back in history, reading mountaineering narratives all the way back to the early 1900s. What I found was actually shocking. Countless examples of local climbers from Pakistan and Nepal working tirelessly on expeditions led by foreign mountaineers, yet receiving very little recognition, compensation or respect. They were often not even named. 

The situation today is a stark contrast to those early days. Some local climbers – particularly Nepali Sherpas – have achieved global stardom with all of the trappings. They are well trained, are internationally certified mountain guides, are running their own businesses and travelling the world. But they are still the minority.

What I’ve learned from talking to climbers from Pakistan and Nepal is that too many are still learning on the job – usually in extremely dangerous situations. Many are not being paid fairly for the work they are doing, and are not insured, either for injury or death. These men and women are spending their days at high altitude helping foreign climbers achieve their dreams. And when the climbing season ends, they return to their villages to herd livestock or build roads. They are not superstars, they’re not famous and they’re not rich. They are just trying to earn enough to educate their children.

“Alpine Rising” is about giving these individuals a voice to tell their own stories. This book is about respect – for all of these men and women who work in the highest mountains on Earth, who are emerging from out of the shadows, and into the light that they so deserve. I have never been so impressed, humbled and moved by the strength of the characters I was honoured to meet. 

“Alpine Rising” is published by Mountaineers Books. Bernadette will share stories from her book on November 1 at the Banff Mountain Book Festival.
 

K2, January 2021


Everyone was glued to the weather forecasts. As usual, they varied. Mingma
G was using a forecaster from Nepal, whereas Nimsdai’s and Ali Sadpara’s
teams were following European experts. Ali Sadpara’s team opted to wait
for better weather, but Nimsdai and Mingma G decided to launch a summit
attempt. There would be ten Nepali climbers: three from Mingma G’s team,
six from Nimsdai’s team, and Sona Sherpa from the SST team.

Nimsdai and his group headed up as far as Camp 2 on January 12. Mingma
G delayed his own departure until January 13, when his team climbed all the
way to 7,000 meters. Even though they were heavily loaded with equipment
for the upper part of the mountain, they reached 7,350 meters at Camp 3 on
the fourteenth and continued fixing lines an additional 300 meters. On the
morning of the fifteenth, Mingma G, Mingma David, Mingma Tenzi, and
Sona began fixing lines up toward Camp 4.

Mingma G described what happened next: “We followed the way to Camp
4 the same way we do in summer.” But this wasn’t summer. At this point,
Mingma G was fixing and the others were assisting. After fixing 400 metres
of rope, they were approaching the steep wall below Camp 4 when a problem
arose: “We found a big crevasse, which was impossible to cross. . . . We tried
more on the right side, still the same. Then we descended back a little and
tried to find a way on the left side—again it was the same so we descended
all the way back to just above Camp 3.” This was a devastating situation
since they essentially had to start all over again. Using what was left of the
beautiful day, they persevered and fixed a completely new line up to Camp
4. Luckily, a serac had collapsed over part of the gaping crevasse, providing
a tentative bridge. Exhausted from breaking trail and fixing lines, Mingma G
stepped aside while Mingma Tenzi took over the lead.

At around 4 p.m. they arrived at Camp 4, the route fully equipped below
them. “Our first reaction was winter K2 will be ours, and we hugged each
other because we knew we would make the summit next day,” Mingma G
said. Their efforts had been immense. The route from Camp 3 to Camp 4
usually takes two to three hours; they had taken eight. Still, he was elated.
“We talked a little bit about our luck and hard work before descending.
Whenever we are on the mountain, we pray to the mountain for our safety
and we also pray for her to accept us. The Goddess K2 accepted us this time.”
They rushed down to Camp 3 and began preparing for the summit bid, which
would begin in a matter of hours. The forecast for January 16 was even better
than expected, so instead of starting at 11 p.m., their original plan, they felt
comfortable delaying the start to 1 a.m.

Camp 3 began stirring at midnight. After the usual ordeal of lighting the
stoves, boiling water, double- and triple-checking the contents of their packs,
and then stuffing their feet into their high-altitude boots, they emerged from
the tents, one by one. Nimsdai, Kili, Dawa Tenjin, Sona, Dawa Temba, and
Mingma Tenzi left first. Mingma G came to the sad realization that his previous
day’s efforts had so exhausted him that he didn’t feel strong enough to
climb without oxygen. Disappointed, he fiddled with his oxygen regulator,
which didn’t fit properly. He eventually found a spare regulator but chilled his
fingers dangerously in the process of attaching it. By the time he was finally
ready to start up, the others were already nearing Camp 4. It didn’t look like a
promising summit day for Mingma G.

He left Camp 3 with Mingma David, Pem Chhiri, and Gelje. They reached
Camp 4 two hours later and were shocked at the chilling effects of the wind.
When Mingma G stopped for a few moments on the upper side of a crevasse
while waiting for Mingma David, he became so cold he considered turning
around. “I almost gave up there because I was worried to lose my toes.”
He checked his watch. It was 5 a.m. In another hour the sun would appear
above the horizon, so he decided to continue, at least until dawn. At the same
moment that he felt the first warming rays of the sun, the wind miraculously
dropped. The four climbers stopped to soak up the rays and warm themselves
before climbing up to the Bottleneck. The heat from the sun had given
them extra energy and hope.

The first group was fixing lines up the Bottleneck, Mingma Tenzi leading
the way. Mingma G’s group climbed toward them, finally catching up before
the traverse. Nimsdai urged them on: “We all had that common pride, a
common goal. This was for Nepal.” When they reached the small plateau 200
meters below the summit, they stopped to brew some tea. After resting a bit,
Mingma Tenzi resumed fixing. They were still four hours from the summit.
They planned to stop around 10 meters from the top and continue as
a group to the highest point. “We all started moving together and our 360
GoPro was on,” Mingma G said. “We then started moving towards the
summit singing the National Anthem. This was my third time summiting
on K2 but this time it was connected with the pride of the nation. . . . It was
a thrilling moment. I had tears in my eyes and my body was shaking itself,
bearing goosebumps. No member in the team can explain the moment we
had there.”

The ten Nepali climbers stepped onto the summit at 4:43 p.m., January 16,
2021. First winter ascent of K2.

The video of their final steps to the summit sped around the world, delighting
millions. What a sight: their faces lit up by the low-angled sun, the distinct
curvature of the earth as their backdrop, their crimson and gold suits
as bright as jewels, and that magnificent indigo sky.
 

Excerpted from Alpine Rising: Sherpas, Baltis, and the Triumph of Local Climbers in the Greater Ranges by Bernadette McDonald (March 2024). Published by Mountaineers Books. All rights reserved. Reprinted with permission.

Bernadette McDonald has authored thirteen books and has won numerous awards, including two Boardman Tasker Prizes, the Banff Mountain Book Festival Grand Prize, Italy’s ITAS Prize, and India’s Kekoo Naoroji Award. In 2011 the American Alpine Club awarded her their highest literary honour for excellence in mountain literature.

Bernadette was the founding Vice President of Mountain Culture at The Banff Centre and director of the Banff Mountain Festivals for 20 years. She received the Alberta Order of Excellence in 2010, is an honorary member of the Himalayan Club and the Polish Mountaineering Association, and is a Fellow of the Explorers Club.

When not writing, Bernadette climbs, hikes, skis, paddles and grows grapes.
 

Located in the Canadian Rocky Mountains, the Banff Centre Mountain Film and Book Festival is a globally recognized event and tour celebrating the beauty, adventure, and culture of mountains globally. The nine-day festival will be held from October 26 through to November 3 this year and features over 70 events, bringing films and stories of adventure and exploration from around the world to Banff Centre for Arts and Creativity in Banff, Alberta. The festival showcases live events with adventurers, authors, photographers, and filmmakers sharing their inspiring stories.

Online films are available in Canada and the United States from November 6 to 13.

Please visit banffcentre.ca/film-fest for more information.

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An exclusive look at Bernadette McDonald's Alpine Rising.
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World Tour event in Georgia.

Georgia is one of the 50 countries participating in the Banff Centre Mountain Film Festival World Tour.

The Banff Centre Mountain Film Festival World Tour is screened around the world in more than 450 destinations in 50 countries.

For some countries, given political and other circumstances, hosting an event like the Banff Mountain Film World Tour is extra complicated.

This year, we wanted to recognize some of our tour hosts who bring these stories of resilience and passion to their communities, reminding us of the power of story, adventure, nature, and connection.

We reached out to Frida Ayala (Venezuela), Jeremy Gaskill (Georgia) and Muntasir Mamun (Bangladesh) to hear their stories about what hosting a World Tour event means to them.

How did you start working with the festival as a Tour Host?

Frida: “In 2002, my late husband was climbing Huascaran. He stayed in Huaraz and saw a poster for the BMFF. He came home very excited because he thought the idea of ​​a mountain film festival was wonderful… He decided to bring the festival to Venezuela [and] we had our first festival in 2003.

Jeremy: “[My wife] and I had attended Banff Mountain Film Festivals for years… When we later returned to Georgia, we reconnected with Paul, who had also been a Peace Corps Volunteer here [and] the idea of Banff just clicked for us.”

Muntasir: “2003, I went to Everest Base Camp and had the pleasure of meeting Christopher York who suggested that I explore the Banff Mountain Film Festival. In 2005, I sent my first email to Jim Baker, the festival’s world tour manager.”

Why did you want to bring the tour to your country?

Frida: “The first motivation was… to reinforce the bonds among the mountaineering, rock climbing and outdoor sports in Venezuela with the world. Right now, the festival is an opportunity to bring hope, resilience, a sense of freedom and the right to dream of a better world.”

Jeremy: “[We] knew what significant role mountains play in Georgia’s culture and felt that the festival belonged here. We saw Banff as a way of tapping into [a growing enthusiasm for mountain sports] and of inspiring new possibilities.”

Muntasir: “I wanted to introduce the Tour here to spark passion and curiosity about the world beyond our borders; to show that adventure is not just for explorers from faraway lands, but something we all can experience and be a part of. It’s also a way to… encourage [environmental preservation] through storytelling.”

What challenges (if any) have you experienced hosting? And how have you overcome them?

Frida: “In 2006 my husband and partner died coming down from Nanga Parbat, so I had to carry the responsibility of doing the fest and raising my little children. In 2014 and 2018 we [had] the most difficult political problems, fights in the streets, and a crazy economy. [That year], we went to the venue to cancel [and] found 100 people begging us to [stay open]. Years have passed, many have left the country, and [gaining] a new audience has been an issue. This has been one of the most difficult years due to the economic crisis and political and social instability.”

Jeremy: “In April, the Georgian government announced plans to introduce the ‘Foreign Influence Transparency Law.’ As a result, huge, sustained protests erupted across the country, particularly in Tbilisi. Understandably, the law and the upcoming October elections [are] the primary focus for many Georgians. While the Mountain Film Festival is important to us, we recognize that it doesn’t carry the same weight as these larger, critical challenges. For now, we have just postponed this year’s Festival and we remain hopeful.”

Muntasir: “Securing funding. [The screenings are free, so] securing sponsorships has been particularly difficult, as the festival is niche and not considered a mainstream film event."

What value do you feel the tour brings to your community? 

Frida: “Hope!”

Jeremy: “New inspiration, broader perspectives, and a deeper appreciation for the beauty of nature.”

Muntasir: “Motivation; igniting a passion for outdoor activities, conservation efforts, and personal growth.”

Why do you think it is important to celebrate and showcase mountain culture in your community?

Frida: “People also come here who find a message of values ​​and possibilities that they want to confirm in their lives. Many start doing outdoor activities after experiencing the festival.”

Jeremy: “By showcasing mountain culture through the eyes of others…, we can reawaken Georgians' appreciation for their own country and deepen their understanding of what’s possible.”

Muntasir: “In Bangladesh, while many live near the poverty line, that doesn’t diminish their passion for adventure or the dreams they hold. The festival creates a space where adventure is celebrated in all its forms, and where everyone is reminded that the spirit of exploration and discovery is universal.”

Author: Akcinya Kootchin, Banff Centre for Arts and Creativity

Located in the Canadian Rocky Mountains, the Banff Centre Mountain Film and Book Festival is a globally recognized event and tour celebrating the beauty, adventure, and culture of mountains globally. The nine-day festival will be held from October 26 through to November 3 this year and features over 70 events, bringing films and stories of adventure and exploration from around the world to Banff Centre for Arts and Creativity in Banff, Alberta. The festival showcases live events with adventurers, authors, photographers, and filmmakers sharing their inspiring stories.

Online films are available in Canada and the United States from November 6 to 13.

Please visit banffcentre.ca/film-fest for more information.

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Hosts Frida Ayala, Jeremy Gaskill and Muntasir Mamun share their stories and experiences of what is like to host a World Tour event.
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The expedition team climbs towards camp 1 on Mt. Logan in Kluane National Park and Reserve. Credit: Leo Hoorn/National Geographic

The expedition team climbs towards camp 1 on Mt. Logan in Kluane National Park and Reserve. Credit: Leo Hoorn/National Geographic

In 2022, National Geographic Explorer and ice core scientist Alison Criscitiello led a team of international scientists on a daring expedition to climb Mount Logan – a long and arduous ascent which 50% of climbers don’t complete. The team braved -20 to -40 C temperatures, strong winds, complex icefalls, and intense snowfall to reach the summit plateau and successfully extract an ice core from the mountain.

The ice core holds critical historical climate data that could reveal how the region may respond to future change. This information is vital to studying the climate, especially as our planet warms.

Criscitiello’s herculean effort is part of Perpetual Planet Expeditions, a partnership between the National Geographic Society and Rolex to document the impacts of climate and environmental change on our planet’s vital life support systems.

The expedition was documented and made into a film by the Society’s Impact Story Lab, an award-winning creative unit that combines world-class storytelling with social and behavioral science in order to drive positive change. The documentary, For Winter, captures the ascent as well as Criscitiello’s home life, and what it’s like to balance the demands of her job with kids as well as being a LGBTQ+ woman in STEM.

Criscitiello is the Director of the Canadian Ice Core Lab at the University of Alberta and co-founder of Girls on Ice Canada, a tuition-free program that supports the next generation of female scientists and mountaineers.

She hopes the film inspires people to focus on the solutions to mitigate against climate change.

“In my position, I hear a lot of climate anxiety and despair. It’s time to feel the opposite and do the opposite. This is the time to make the change.”

This particular climb of Mount Logan was record breaking. Criscitiello collected the deepest non-polar ice core ever collected at an altitude over 17,000 feet. In addition, Mount Logan is the highest peak in Canada.

The film’s executive producer and vice president of the Society’s Impact Story Lab, Vanessa Serrao, said she hopes the film shifts the narrative of science, exploration and conservation to foster a more inclusive community. In fact, the film is named after Criscitiello’s three-year-old daughter, Winter, and showcases the hope that she too can do anything — even the seemingly impossible.

“Alison’s story shows that this is not only possible, but necessary. We all have a place in solving the planet’s most pressing issues,” said Serrao.

Author: Porter O'Brien Agency 

National Geographic Explorer Alison Criscitiello holds a portion of her 2022 Mt. Logan ice core in the Canadian Ice Core Lab at the University of Alberta. Credit: Leo Hoorn/National Geographic

National Geographic Explorer Alison Criscitiello holds a portion of her 2022 Mt. Logan ice core in the Canadian Ice Core Lab at the University of Alberta. Credit: Leo Hoorn/National Geographic

Located in the Canadian Rocky Mountains, the Banff Centre Mountain Film and Book Festival is a globally recognized event and tour celebrating the beauty, adventure, and culture of mountains globally. The nine-day festival will be held from October 26 through to November 3 this year and features over 70 events, bringing films and stories of adventure and exploration from around the world to Banff Centre for Arts and Creativity in Banff, Alberta. The festival showcases live events with adventurers, authors, photographers, and filmmakers sharing their inspiring stories.

Online films are available in Canada and the United States from November 6 to 13.

Please visit banffcentre.ca/film-fest for more information.

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For Winter is a new documentary focused on the journey of Alison Criscitiello, who climbed Mount Logan to uncover climate history via ice cores.
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From Left to Right – Chamshen Kangri, Saser Kangri I and Plateau Peak

 Laknak Kangri (Golden Eagle Peak) has a unique aerial view.

Before August 14th, 2024, no one had ever seen the entire Karakoram range from the top of Laknak Kangri. Until Divyesh Muni, experienced mountaineer and Indian Tour Host for the Banff Mountain Film Festival, led a team to summit peak 6496 in the Karakoram.

The Karakoram is not for the faint of heart. It is dry, rugged, and home to massive glaciers. The expedition started on August 1. They reached Base Camp August 6. After hours of searching, they found a location for Camp 1 at 5670m, and arrived on August 10. Initially, they could only see ice walls on the route to the summit. Eventually, they traversed up to a crevasse, following it until they could cross. On August 13, they moved to Summit Camp at 6100m. The next morning, despite bad weather, the team made the steep final summit climb. At 9am on August 14, they summited peak 6496.

His first attempt was in 2023, but poor weather and health problems prevented his team from summiting. Not one to give up, Divyesh tried again. He continued training and built a new team.

Divyesh notes that the criteria for his team is simple; “friendship and compatibility,” and skill. Muni also encourages a less-skilled climber to join each expedition to learn. This expedition included Sudeep Barve, Yogesh Umbre, Phuphu Dorji, Sangbu Bhutia, Phurten Bhutia, three Sherpas, a cook, assistants, low-altitude porters, and, of course, Divyesh.

Everyone agreed it should be named Laknak Kangri (Golden Eagle Peak) as tribute to the unique aerial view. After prayers and photos, the team began their long descent.

Divyesh calls the feeling “indescribable.”

With 26 other first ascents under his belt, we’re sure Divyesh won’t be stopping after this one, and we look forward to seeing what he does next.

Author: Akcinya Kootchin, Banff Centre for Arts and Creativity

Located in the Canadian Rocky Mountains, the Banff Centre Mountain Film and Book Festival is a globally recognized event and tour celebrating the beauty, adventure, and culture of mountains globally. Join us at Banff Centre for Arts and Creativity from November 1 – 9, 2025 for the 50th Anniversary of the Festival in Banff, Alberta! The nine-day festival showcases live events with adventurers, authors, photographers, and filmmakers sharing their inspiring stories.

Online films are also available to watch throughout the year on Banff on Demand.  
To find out more about the Festival, World Tour, and related programs, please visit banffcentre.ca/banffmountainfestival
 

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Before August 14th, 2024, no one had ever seen the entire Karakoram range from the top of Laknak Kangri ... until Divyesh Muni.
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A picture of John Vaillant next to his book Fire Weather, which talks about wildfires in Canada.

A message from John Vaillant -

When the petro-city of Fort McMurray was overrun by fire on an unseasonably hot May afternoon in 2016, it was clear from the fire’s intensity, and its subsequent behavior, that we were turning a corner in our relationship to fire - not just regionally, but climatically and planetarily. Fire Weather is an attempt to explore the causes and effects of this phenomenon, which I term 21st Century Fire. 
I think there is a sweet spot between page-turning action, deeply researched information and insight, and personal, relatable story that, when presented in the right ratio, can carry citizen readers way out of their ordinary comfort zones, and into an elevated state of awareness and understanding. This is the goal.

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If a tree burns in the forest and nobody sees it . . .


In Canada, this is more than a philosophical question. Canada contains 10 percent of the world’s forests, vast tracts of which are uninhabited. But “vast” is an ineffective descriptor when it comes to Canada, its forests, or its fires. One way to grasp the magnitude of this country is to get in a car in Great Falls, Montana, and head up I-15 to Sweetgrass, on the Canadian border. Once you’ve crossed into Coutts, Alberta, reset your odometer and point your car north. Then, settle into your seat for a couple of days. With the Rocky Mountains on your immediate left, this route takes you up the western edge of the Prairies, through Lethbridge, Calgary, and Red Deer— wheat and cattle country. Once past the northern metropolis of Edmonton, you will find yourself increasingly alone on the road, surrounded by broad expanses of hardscrabble subarctic prairie— fields frozen solid or half drowned and barely fit for cattle feed. On the main road, now no wider than a residential street, hamlets with one blinking light and a gas station slide by and not another for fifty miles. To the east and west, gravel range roads run out to the vanishing point, and man- made structures appear more and more as intermittent novelties. Here, a schoolhouse- sized Ukrainian church with its tin- sheathed onion dome stands alone against a windswept loneliness so profound it suggests the Russian steppe. There, a barn collapses asymmetrically beneath the weight of a hundred heavy years, fully half of them spent clenched in the fist of winter, the people long gone. Farther on, a ten-acre lake so startlingly blue that mere reflection, even of Alberta’s sky, seems insufficient to explain it. Somewhere along the way, you will cross an unmarked divide where deer give way to moose, crows give way to ravens, and coyotes give way to wolves. By the time you get to North Star, the wide-open spaces for which Alberta is famous will be filled in by low, mixed forest and bogland that bears a strong resemblance to Siberia. By the time you stop for coffee in a lonely place called Indian Cabins, it will be tomorrow and your odometer will be approaching one thousand miles, but you will still be in Alberta.

 

Up here, in the landlocked subarctic, things seem to occur in outsized dimensions: lakes can be the size of inland seas and the trout inhabiting them can weigh a hundred pounds; large wild animals, including the continent’s biggest bison, outnumber people. In Wood Buffalo National Park, the second-largest national park in the world, is the world’s largest known beaver dam. Spotted in 2007 with the aid of a satellite, it is more than twice as long as the Hoover Dam, and it appears to be growing. In 2010, an adventurous man from New Jersey named Rob Mark set out to visit it. He was allegedly the first person to do so, and it was hard going. “The foliage is so thick,” Mark told the CBC, “you can’t see very far . . . then it turns into muskeg, which is incredibly difficult to walk on. And then it goes out to complete bog swamp.” It explains why so few outsiders frequent this place in the warmer months, and why winter is the preferred season for cross-country travel. “The mosquitoes,” added Mark, “are absolutely horrific.”

 

One exception to the general gigantism can be found in the trees, which seldom exceed sixty feet in height or a hundred years in age. These woods, a shifting mix of pine, spruce, aspen, poplar, and birch, are known collectively as the boreal forest,* and whatever they may lack in individual size, they compensate for in sheer numbers. Girdling the Northern Hemisphere in a circumpolar band, the boreal forest is the largest terrestrial ecosystem, comprising almost a third of the planet’s total forest area (more than 6 million square miles—larger than all fifty U.S. states). Fully a third of Canada is covered by boreal forest, including half of Alberta. Continuing west, over the Rocky Mountains, through British Columbia, the Yukon, Alaska, and across the Bering Strait into Russia (where it is known as the taiga), the boreal forest stretches all the way to Scandinavia and then, undeterred by the Atlantic Ocean, makes landfall on Iceland before picking up again in Newfoundland and continuing westward to complete the circle, a green wreath crowning the globe.


As densely wooded as the boreal might appear from the roadside, it is, within, something far more amphibious, containing more sources of fresh water than any other biome. In this sense, the circumboreal forest resembles a kind of hemispheric sponge that happens to be covered in trees, their billions of miles of roots weaving the continents together in a subterranean warp and weft. While not as openly fluid as Florida’s Everglades, the boreal’s countless lakes, ponds, bogs, rivers, and creeks serve a similar function of gathering, storing, filtering, and flushing fresh water. Billions of birds, representing hundreds of species, live in and migrate through this ecosystem.


One reason the trees never get very big or very old is because, in spite of all that water, they burn down on a regular basis. They’re designed to. In this way, the circumboreal is truly a phoenix among ecosystems: literally reborn in fire, it must incinerate in order to regenerate, and it does so, in its random patchwork fashion, every fifty to a hundred years. This colossal biome stores as much, if not more, carbon than all tropical forests combined and, when it burns, it goes off like a carbon bomb. In North America, the epicenter for these stratospheric explosions is northern Alberta. Because of this, every town up here, big or small, faces the same dilemma: where the houses end, the forest begins. There are bears, wolves, moose, and even bison in there, but the most dangerous thing hiding in those woods is fire. Under the right conditions, a big boreal fire can come on like the end of the world, roaring and unstoppable. These are fires that can burn a thousand square miles of forest along with everything in it and still be out of control.


Virtually unknown and, at the time, unseen by all but a handful of people, is the Chinchaga Fire of 1950, the largest fire ever recorded in North America. Igniting on the border of British Columbia and Alberta in June of that year, it burned eastward across northern Alberta for more than four months, impacting approximately 4 million acres, or 6,400 square miles, of forest (roughly, the combined area of Connecticut and Rhode Island, or three times the size of Prince Edward Island). The fire generated a smoke plume so large it came to be known as the Great Smoke Pall of 1950. Rising forty thousand feet into the stratosphere, the plume’s enormous umbra lowered average temperatures by several degrees, caused birds to roost at midday, and created weird visual effects as it circled the Northern Hemisphere, including widespread reports of lavender suns and blue moons. Prior to the Chinchaga Fire, the last time such effects had been reported on this scale was following the eruption of Krakatoa in 1883. Carl Sagan was sufficiently impressed by the effects of the Chinchaga Fire to wonder if they might resemble those of a nuclear winter.

 

Every year, the National Oceanic and Atmospheric Administration (NOAA), in cooperation with fire scientists from Canada and Mexico, issues a document called the North American Seasonal Fire Assessment and Outlook, which attempts to predict the likelihood of wildfires across the continent. The Outlook includes maps for each month of fire season, and they are color-coded, with red indicating a likelihood of increased fire activity and green indicating a decrease. Like 2015 before them, the monthly maps for 2016 showed a lot more red than green, and the map for May showed more red than all the others: in addition to large swaths of Mexico, the American Midwest, and all of Hawai’i, red covered much of southern Canada— from the Great Lakes all the way to the Rocky Mountains. It was an enormous area and included most of Alberta’s active petroleum fields. In the middle of that hot zone, in the middle of the forest, sat Fort McMurray.

 

Fort McMurray is an anomaly in North America. Located six hundred miles north of the U.S. border and six hundred miles south of the Arctic Circle, the city is an island of industry in an ocean of trees. Without the lure of petroleum, this part of Alberta would resemble Siberia in even more ways than it already does: sparsely populated; its rivers spun like compass needles toward the Arctic Ocean; its trees low, short-lived, and prone to fire. Here, half a dozen permanent settlements dot a region the size of Kentucky, and only one has a population over 800: in 2016, Fort McMurray and its satellite communities were home to an international population of nearly 90,000 people living in 25,000 houses and buildings ranging from trailer homes and condominiums to McMansions and high-rise concrete apartments. The city’s “urban service area”— the area covered by garbage collection and firefighting services— covers sixty square miles of convoluted terrain laced with creeks and ravines that are further fragmented by two major rivers and two tributaries. Together, they surround and entwine the city like the writhing arms of an octopus.


Scattered across the surrounding landscape in semipermanent “man camps” was an additional shadow population of roughly forty thousand workers whose numbers ebb and flow with the price of crude oil, the pace of development, and routine maintenance cycles at the processing plants. As one longtime resident put it, “We’re just a colony of oil companies.” Canada is the world’s fourth-largest oil producer and the third-largest exporter. Nearly half of all American oil imports— around 4 million barrels per day, come from there— the equivalent of one ultra large crude carrier ship every twenty-four hours. Of this vast quantity, almost 90 percent originates in Fort McMurray.


Despite being virtually unknown outside of Canada and the petroleum industry, Fort McMurray has become, in the past two decades, the fourth-largest city in the North American subarctic after Edmonton, Anchorage, and Fairbanks. In terms of overtime logged and dollars earned, it is, without a doubt, the hardest-working, highest-paid municipality on the continent. In 2016, two years past a decade-long boom that ended with a sudden drop in global crude oil prices, the median household income was still nearly $200,000 a year. Fort McMurray has earned several nicknames over the years, and one of them is Fort McMoney.


May 3, 2016, began differently for everyone, but in Fort McMurray, it ended the same. For Shandra Linder, it began with a rite of spring. Linder was a labor relations adviser who worked for Syncrude (a portmanteau of “synthetic crude oil”), a mainstay of the local economy. Shandra’s husband, Corey, an engineer, was employed there, too, and so were many of their friends. Both Linders worked out of the head office at the Mildred Lake complex, a half hour’s drive north of town. By 2016, Shandra Linder had called “Fort Mac” home for nearly twenty years; blond, with a pixie cut, Linder is fit and warm and does not suffer fools. It makes sense once you get to know her and what she does, but to an outsider it might be surprising to see someone so polished— and female— in such a remote, industry-oriented, testosterone-heavy place. At “Site” (the catch-all term for any mine or other petroleum-related workplace around Fort McMurray), the ratio of men to women runs about twenty-five to one. For work, Linder dressed accordingly: minimal makeup, high collars, dark pants, no heels— clothes suitable for climbing in and out of trucks and SUVs, for working in a world of working men. Linder exudes a quiet confidence, in part because working full-time for Syncrude, or its larger counterpart, Suncor, confers a blue-chip status on its employees. Working for these companies is the boreal equivalent to working for Exxon or Shell, and the distinction permeates like a pheromone. As one insider put it, “I am Syncrude and you are not.” Tradesmen and machine operators wear their company badges like team colors— even to the bars, where, during the last boom, they signaled to available women like so much plumage. Comparable to a stockbroker’s platinum card, worn externally, a company badge communicates volumes at a glance: six-figure salary, five-figure truck, four-figure party budget, fungible skills. Meanwhile, the company, also known as “the Owner,” or “Mother Syncrude”— asks a lot in return: just like Wall Street or Silicon Valley, working late and weekends is simply part of the job. But that’s where the money is: in Fort McMurray, the best time is overtime.


Shandra Linder had already seen the smoke plume southwest of town, because everyone had seen it. It had been there for days, morphing on the horizon, a windswept cauliflower of billowing grays and browns that appeared to have sprouted, full blown, from the forest on Sunday afternoon. It had been growing since then, but it was still miles away, and it wasn’t the only one. Over the weekend, the Linders had hosted friends who had evacuated due to another fire burning near the new Stonecreek development north of downtown. It was almost a lark: on Sunday, May 1, they’d had cocktails on their back deck in Timberlea, one of many hilltop neighborhoods to the north and west of downtown. There, drinks in hand, putting green and pocket fountain at their feet, they took photos of the big plume developing across the river the same way one would a sunset or a rainbow. They ate chicken and rice, and got a convivial buzz on—life was good in Fort McMurray. Their friends went home the next day.


Because Forestry was on it: boots were on the ground, water bombers were in the air. As far as the Linders and their guests were concerned, whatever was out there was being handled. After all, that is what people do in Fort McMurray: they handle things. Not many regions self- select as rigorously as northern Alberta does, and Fort McMurray selects for workers—tough, adventurous team players, highly motivated to do what it takes and prosper. That includes wild-fire fighters, and Alberta Forestry’s wildfire crews—with a territory ranging from tallgrass prairie and parkland to the Rocky Mountains and the boreal forest—are considered among the best in the world. In private, some members consider themselves the best. Certainly, the beginning of May was a little early for fires—there were still car-sized blocks of winter ice on the riverbanks, and some local lakes had yet to thaw—but otherwise, this was nothing new. Fires cloud the horizon every spring and summer; up here, smoke is simply a feature of the boreal landscape. As Shandra and Corey Linder said, practically in chorus, “It happens every year.”


Which was true, until it wasn’t.


In the forest, out of sight, things were changing. Winter snowfall had been far below average for two years running and, though it was still early spring in the north, leaves and pinecones crackled underfoot as if it were late summer. Given this, the unseasonable heat, and the fact that five separate wildfires ignited around the city that weekend, it is hard to overstate how unconcerned was Fort McMurray’s citizenry. But if you were up at dawn on May 3, as Shandra Linder was, and you had seen the sky, so fresh and clear and full of summer promise, as she had, you might understand why. The brilliance of that morning was so exceptional, even for northern Alberta, that after her morning routine of a dog walk, emails with coffee and a cigarette, and a shower, Linder did something she hadn’t done in a long time: she pulled out her favorite navy-blue suit with the skirt, picked some medium heels to go with it, and left her socks in the drawer. Thus attired, she headed off to work in Syncrude’s head office at Mildred Lake. In the garage, there were a few vehicles to choose from; in keeping with her outfit and her mood, Linder picked the car she calls “the little one”—a black Porsche that hadn’t seen daylight in six months. Winters are long and dark in Fort McMurray, but this one was over, spring was here, and Linder felt as beautiful and hopeful as the day.


She had lots of company; over the past few weeks, her neighbors had been emerging, too, unfurling with the spring flowers that had arrived weeks early that year. Coats and boots worn like a second skin since October were being packed away, and yards were being tidied after half a year of neglect. Garages, where a lot of Fort McMurray actively socializes among tool benches, beer fridges, ATVs, and various works in progress, were opening to the air, sun, and visitors. People were smiling to themselves at the bus stop, faces turned skyward like sunflowers, or Russians, as their bodies remembered the foreign sensation of warm sun on bare skin.

 


* “Boreal,” which means “northern,” is derived from Boreas, the Greek god of the north wind.

Excerpted from Fire Weather by John Vaillant. Copyright © 2023 John Vaillant. Published by Alfred A. Knopf Canada, a division of Penguin Random House Canada Limited. Reproduced by arrangement with the Publisher. All rights reserved. 

John Vaillant is an author and freelance writer whose work has appeared in The New Yorker, The Atlantic, National Geographic, and the Guardian, among others. His first book, The Golden Spruce (Knopf, 2005), was a bestseller and won several awards, including the Governor General's and Rogers Trust awards for non-fiction (Canada). His second nonfiction book, The Tiger (Knopf, 2010), won the B.C. Achievement Award for Canadian Non-Fiction, was a bestseller and has been published in 16 languages. Film rights were optioned by Brad Pitt’s film company, Plan B. In 2014 Vaillant won the Windham-Campbell Prize, a global award for non-fiction. In 2015, he published his first work of fiction, The Jaguar's Children (Houghton Mifflin), which was long-listed for the Dublin IMPAC and Kirkus Fiction Prizes, and was a finalist for the Writers’ Trust Fiction Prize (Canada). Fire Weather (Knopf, 2023) was nominated for a Pulitzer Prize and the National Book Award, and won the UK's Baillie Gifford Prize and Canada's Shaughnessy Cohen Prize. A #1 bestseller in Canada, it was named one of the ten best books of 2023 by The New York Times, among many other prominent publications in Europe and North America. Feature film rights have been optioned by Vendôme Pictures, which won an Academy Award for CODA in 2022.

Located in the Canadian Rocky Mountains, the Banff Centre Mountain Film and Book Festival is a globally recognized event and tour celebrating the beauty, adventure, and culture of mountains globally. Join us at Banff Centre for Arts and Creativity from November 1 – 9, 2025 for the 50th Anniversary of the Festival in Banff, Alberta! The nine-day festival showcases live events with adventurers, authors, photographers, and filmmakers sharing their inspiring stories.

Online films are also available to watch throughout the year on Banff on Demand.  
To find out more about the Festival, World Tour, and related programs, please visit banffcentre.ca/banffmountainfestival

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Interested in reporting on this or any other Banff Centre story? Members of the media can reach out to communications@banffcentre.ca for more information.

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A picture of director Cody Lefthand

Cody Lefthand grew up with a “camera glued to [his] hand.” He made short films with his friends when younger, eventually joining the Calgary Society of Independent Filmmakers. His first feature-length documentary, Stories we Have Earned: The Stoney Nakoda Film Project, tells the story of the intersection between film history in Banff and Nakoda heritage and how these films have shaped perceptions of Stoney Nakoda culture.

Lefthand, a member of the Eden Valley Stoney Nakoda First Nation, said he was inspired to become a filmmaker after realizing the power of storytelling and when he explored the world of film, he recognized its “ability to capture and share our experiences in a way that resonates with others.”

Lefthand filmed Stories We Have Earned in 2022 and said it’s a tribute to the strength, resilience, and wisdom of the Stoney Nakoda community. Showing at the Banff Centre Mountain Film and Book Festival this year, he hopes it will show a different side of Banff.

“It’s an opportunity to convey that Banff is not merely a playground for outdoor enthusiasts but a deeply spiritual place that holds significant cultural importance for my Stoney Nakoda people.”

Author: Caitlin Dutt, Porter O'Brien Agency

Located in the Canadian Rocky Mountains, the Banff Centre Mountain Film and Book Festival is a globally recognized event and tour celebrating the beauty, adventure, and culture of mountains globally. The nine-day festival will be held from October 26 through to November 3 this year and features over 70 events, bringing films and stories of adventure and exploration from around the world to Banff Centre for Arts and Creativity in Banff, Alberta. The festival showcases live events with adventurers, authors, photographers, and filmmakers sharing their inspiring stories.

Online films are available in Canada and the United States from November 6 to 13.

Please visit banffcentre.ca/film-fest for more information.

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Director Cody Lefthand speaks about his early days of filmmaking and his recent film Stories We Have Earned.
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Still from Canada Vertical, premiered at the 2023 Banff Centre Mountain Film and Book Festival

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Canada Vertical premiered at the 2023 Banff Centre Mountain Film and Book Festival, showcasing an epic adventure where the team skied, canoed, and cycled across longest north-south crossing of Canada. Catching up with Nicolas (writer, producer, co-director) felt like picking up right where we left off—the team back in Quebec, regrouping after their big quest and looking ahead to new adventures. This time, they just wrapped up an incredible 6,900 km journey through Canada’s northern landscapes. You can read more about their recent adventure here.

As we saw in Canada Vertical, Nicolas has been on the mend from a serious climbing injury. What stands out about their story is the team’s resilience and their unwavering commitment to their mission. He highlighted the importance of Inuit culture, which is such a vital part of Canadian identity and deserves to be respected.

We can’t wait to see what exciting adventures Nicolas and his crew have in store next—maybe we’ll catch up again at the 2025 festival!”

Author: Paige Roulston, Banff Centre for Arts and Creativity

Canada Vertical premiered at the 2023 Banff Centre Mountain Film and Book Festival

Photo submitted.

Located in the Canadian Rocky Mountains, the Banff Centre Mountain Film and Book Festival is a globally recognized event and tour celebrating the beauty, adventure, and culture of mountains globally. The nine-day festival will be held from October 26 through to November 3 this year and features over 70 events, bringing films and stories of adventure and exploration from around the world to Banff Centre for Arts and Creativity in Banff, Alberta. The festival showcases live events with adventurers, authors, photographers, and filmmakers sharing their inspiring stories.

Online films are available in Canada and the United States from November 6 to 13.

Please visit banffcentre.ca/film-fest for more information.

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Interested in reporting on this or any other Banff Centre story? Members of the media can reach out to communications@banffcentre.ca for more information.

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