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From street hawker selling slippers to internationally recognized choreographer, CHENG Tsung-lung succeeded LIN Hwai-min as Artistic Director of Cloud Gate Dance Theatre of Taiwan starting in 2020.

CHENG took his first dance class at the age of 8. Upon graduation from the Dance Department at Taipei National University of the Arts, he joined Cloud Gate in 2002 and became the Artistic Director of Cloud Gate 2 in 2014.  

CHENG has been awarded prestigious prizes for his choreography internationally as well as at home, such as the No Ballet International Choreography Competition (Germany), the Premio Roma Danza International Choreography Competition (Italy), the MASDANZA Choreography Competition (Spain) and the Taishin Arts Award (Taiwan). He has also worked with companies worldwide, including Sydney Dance Company, the Transitions Dance Company at the Laban Centre, London, Expressions Dance Company, Brisbane, and the Hong Kong Academy for Performing Arts.

CHENG’s work is deeply rooted in both ancient and modern Taiwanese culture — and he is a strong supporter of Cloud Gate’s extensive engagement with grassroots audiences across Taiwan— yet it also embraces global influences. He is praised by the Stage Newspaper with “an eye for a cinematic moment.” His 13 TONGUES (2016) integrates folk dance, religious rites, and Taoist chant to conjure the streets where he worked as a child. Lunar Halo (2019) is performed to an ethereally haunting soundtrack by Icelandic musician Sigur Rós and explores the complex area of human connection and technology. Sounding Light (2020) was written in response to COVID-19 pandemic-induced isolation and reflects on the precariousness of both the human and the natural world. Visually stunning, Send In A Cloud (2022) displays in shifting colors a panorama of dancers’ life journeys. The most recent choreography WAVES (2023), a collaboration with Japanese media artist Daito MANABE, explores societal and individual facets affected by the rapid progress of technological advancements.

CHENG has been a fixture of Routledge’s respected annual survey of dance practitioners, Fifty Contemporary Choreographers (2020), alongside the likes of William Forsythe, Akram Khan, Hofesh Shechter, and leaders in the form.

Photo by: LEE Chia-yeh

Artistic Director/Choreographer
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2024 Book Competition Category Winners
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BANFF CENTRE, ALBERTA – The Banff Centre Mountain Film and Book Festival is excited to announce the winners of the esteemed 2024 book competition. These award winners will compete for the Grand Prize which will be announced on Thursday, October 31, during this year’s festival.


This prestigious international event honours mountain literature in its many diverse forms. Each year, the competition distributes a total of $29,000 in cash prizes across eight categories: Mountain Literature (Non-Fiction), Mountain Fiction and Poetry, Environmental Literature, Adventure Travel, Mountain Image, Guidebook, Mountain Article, and Climbing Literature.


The eight category award winners are chosen by our international jury from a longlist of 31 finalists. The 2024 Book Competition jury members are Gloria Dickie (Canada, author of bestseller Eight Bears), Anthony Whittome (UK, freelance editor for Penguin Random House, and former Editorial Director of Random House UK), Marni Jackson (Canada, author and former award winning journalist for Outside Magazine), and Irene Yee (USA, internationally published photographer).


Category Award Winners:


Mountain Literature (non-fiction) - The Jon Whyte Award
$3000 - Sponsored by The Whyte Museum of the Canadian Rockies


Alpine Rising: Sherpas, Baltis, and the Triumph of Local Climbers in the Greater Ranges
Bernadette McDonald, Mountaineers Books (USA, 2024)
 

We are privileged as judges to honour not one but two books which help transform our understanding of Himalayan mountaineering. Bernadette McDonald’s Alpine Rising, arguably the most important book in her long and distinguished career, tells the unsung, heroic and sometimes tragic story of the Sherpas, the Baltis and other Indigenous peoples without whom no Himalayan peak could have been climbed. As truths emerge from the shadows of empire and they take their rightful place in their own world, she reveals the lives and humanity behind their dramatic stories, culminating in the all-Nepali first winter ascent of K2.


– Tony Whittome, 2024 Book Competition Jury
 

Mountain Fiction & Poetry
$3000 - Sponsored by the Town of Banff


Empty Spaces
Jordan Abel, McClelland & Stewart (Canada, 2023)


Empty Spaces, by Nisga’aa writer Jordan Abel, is a book of poetry that does not behave like most poetry. It is a flowing river of words that represent the timelessness, power and movement of the natural world. Reading this book is like entering a deep forest and feeling the wind, hearing birdsong. There is a haunting progression through the ages, followed by the arrival of cities, violence, towers, garbage, bodies. Until the natural world re-emerges. At once harrowing and consoling, Empty Spaces gives us a profound experience of the land that rewrites our history.


– Marni Jackson, 2024 Book Competition Jury
 

Environmental Literature 
$3000 – Sponsored by Lolë
 

Crossings: How Road Ecology Is Shaping the Future of Our Planet
Ben Goldfarb, W.W. Norton & Company (USA, 2023)


A million animals a year are killed by cars in the US alone, even though environmentalists are building highways for mountain lions and bridges for toads. The Banff underpass also has a cameo in this stunning work of reportage. Ben Goldfarb somehow makes a book about roadkill and asphalt into a reading experience that will forever change how you view the environment. Crossings is full of humour, memorable characters, and lively writing on a topic that could not be more important to the health of the planet.


– Marni Jackson, 2024 Book Competition Jury


Adventure Travel
$3000 – Sponsored by Rocky Mountain Books


Move Like Water: My Story of the Sea
Hannah Stowe, Tin House (USA, 2023)


The visceral power of the sea and its hold on all who immerse themselves in its world are conjured with wonder in this beautifully written memoir. Exploring it through her own remarkable story as a mariner and marine biologist, and sharing with us hardships, dangers and accidents but above all her passion for the sea, Hannah Stowe shows us a sea-scape we might think we know but don’t. Featuring such emblematic sea creatures as the whale, the albatross and the humble but extraordinary barnacle, this is a siren song in vivid, exacting prose. 


– Tony Whittome, 2024 Book Competition Jury


Mountain Image
$3000 – Sponsored by Mountain Life


Monica Dalmasso: Sauvage! 
Monica Dalmasso and Cédric Sapin-Defour, Glénat (France, 2023)


It is fascinating to see how each person interprets art differently. Are we meant to take in a book from cover to cover, or do individual images resonate more when absorbed gradually over time? Is simplicity or complexity more important? That's the nature of art—it gets us all talking. Sauvage! was chosen as this year’s Mountain Image winner for its diverse portrayal of mountain life—showcasing everything from the presence of humanity within its landscapes to the absence of it, as well as the macro details that define these elevated terrains. Although the text was not meant to be weighed as heavily as the imagery, I personally found the words in Sauvage! perfectly complemented the visuals in a way that enhanced and added depth to the imagery, making me continually want to turn pages. In the end, we all agreed: this book inspired us to want to go out, explore the world, and create a few images of our own. And if that's not the purpose of mountain imagery, then what is?

– Irene Yee, 2024 Photo Competition Jury


The Art of Climbing  
Simon Carter, Thames and Hudson (USA, 2024)


The Art of Climbing, quite simply, is a love letter to the sport of technical rock climbing. The 250+ page book denotes the visual history of Simon Carter as he takes his photography to bold frontiers and truly awe-inspiring scenes. Whisked away to lines all over the globe, The Art of Climbing serves both populations of climbers and non-climbers alike. Regardless of your affinity to the sport, as you put down the book after each session, you feel a little lighter, a little more excited for new-to-you places. As a reader, you are left with the conclusion that this book does one task quite well - it pushes you to get outside.


– Jojo Das, Jury Member


Guidebook
$3000 – Sponsored by the Association of Canadian Mountain Guides


Backpacking on Vancouver Island: The Essential Guide to the Best Multi-Day Trips and Day Hikes
Taryn Eyton, Greystone Books (Canada, 2024)


Taryn Eaton’s approach to traversing the forested expanses of Vancouver Island is practical, portable, and above all, inspiring. Her helpful and vivid descriptions of some of the region’s best treks leaves readers dreaming up their next adventure through the island’s towering cedars and whispering inlets — or reveling in journeys past. With compelling writing and a leave-no-trace ethos, this guide is sure to stand the test of time as the perfect companion on any hike through the island’s rugged mountains or along rain-drenched coasts.


– Gloria Dickie, 2024 Book Competition Jury


Mountain Article
$3000 – Sponsored by Lodge at the Bow


The Terror of Turning a Corner 
Astra Lincoln, Climbing Magazine (USA, 2024)


If you’ve ever suffered a concussion, you may know that recovery can take a surprisingly long time and it can shake your confidence too. This is what happened to climber Astra Lincoln after a bike accident left her with lingering post-concussion symptoms. In this buoyant and highly entertaining article, Astra Lincoln describes how coming back to climbing on a modest route in Colombia brought her face to face with her post-injury fears, and led her to acceptance.


– Marni Jackson, 2024 Book Competition Jury


Climbing Literature
$3000 – Sponsored by World Expeditions


Headstrap: Legends and Lore from the Climbing Sherpas of Darjeeling
Nandini Purandare and Deepa Balsavar, Mountaineers Books (USA, 2024)


A phenomenal feat of oral history that sheds light on the historically overlooked role of Darjeeling Sherpas in developing the mountain exploration and climbing culture that has come to define the Himalayan region. Recognizing their valour and strength of spirit, body, and mind, Headstrap gives these awe-inspiring figures their due. Purandare and Balsavar have made a pivotal contribution to the realm of climbing literature with this painstakingly researched and passionately curated book.


– Gloria Dickie, 2024 Book Competition Jury
 

Grand Prize 
$5000 – Sponsored by the Alpine Club of Canada

All the category winners listed above are eligible for the Grand Prize. 


Book Awards will be presented, and the Grand Prize will be announced Thursday October 31st as part of the 49th annual Banff Centre Mountain Film and Book Festival.


Special Jury Mention 


Blood Sweat Tears
Christine Reed, Rugged Outdoorswoman Publishing (USA, 2024)


A visceral account by more than two dozen women on the ways that wilderness can make us or break us. This beautifully curated anthology covers a wide swathe of the female experience, from evocative writings of love and loss, to the awkward and uncomfortable — and relatable — rites of womanhood on the trail, often in male-dominated spaces. Each voice is unique and a talent in her own right, and Reed has done a commendable job of weaving them together into a brilliant structure that is worthy of great praise.


– Gloria Dickie, 2024 Book Competition Jury


Special Jury Mention 


Twelve Trees: The Deep Roots of Our Future 
Daniel Lewis, Avid Reader Press (USA, 2024)


A modest title for an extraordinary book, Twelve Trees reexamines the arboreal world from roots to canopy and makes you see trees as you’ve never seen them before. Taking twelve species (in reality many more), Daniel Lewis exults in their sheer individuality and majesty and tells their tenacious stories with passion, humour and deep understanding. Despite real ecological threats, there’s optimism in his account - all trees are good and with care and conservation, they're bound to succeed!


– Tony Whittome, 2024 Book Competition Jury
 

To learn more about this year’s finalists and the competition, visit https://www.banffcentre.ca/banff-mountain-book-competition

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Located in the Canadian Rocky Mountains, the Banff Centre Mountain Film and Book Festival is a globally recognized event and tour celebrating the beauty, adventure, and culture of mountains globally. The nine-day festival will be held from October 26 through to November 3 this year and features over 70 events, bringing films and stories of adventure and exploration from around the world to Banff Centre for Arts and Creativity in Banff, Alberta. The festival showcases live events with adventurers, authors, photographers, and filmmakers sharing their inspiring stories.


Online films are available in Canada and the United States from November 6 to 13.
 

Please visit banffcentre.ca/film-fest for more information.

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Media Contact


Interested in reporting on this or any other Banff Centre story? Members of the media can reach out to communications@banffcentre.ca for more information.

Media Release
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Experience an unforgettable holiday celebration in Banff with internationally acclaimed trumpet virtuoso Jens Lindemann and special guests!

A beloved figure in the Bow Valley, Jens returns to the stage for an evening that includes a salute to the greatest trumpet players in history—from Doc Severinsen and Herb Alpert to Louis Armstrong and Chuck Mangione. Along with beloved holiday classics, this performance will feature legendary Canadian jazz icons Al Muirhead and Eric Friedenberg as special guests. Prepare to be dazzled by an evening of extraordinary music, guaranteed to fill your heart with holiday cheer!

Behind the Scenes with Jens Lindemann

CTV Calgary News Anchor Ian White caught up with Jens Lindemann to discuss his upcoming Banff Centre holiday concert. From his tribute to iconic trumpet players to his holiday favourites, Jens shares the stories that make this performance unique.

Watch the full interview on CTV News and get ready to experience an extraordinary evening of music.

 

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Experience the magic of the season with renowned trumpet virtuoso Jens Lindemann and special guests!
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Free
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Banff Centre Artist/Practicum/Staff Only
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https://tickets.banffcentre.ca/Online/mapSelect.asp?BOset::WSmap::seatmap::performance_ids=06BC5049-3064-46EE-9022-270D26002778
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Biography

Jens Lindemann

Jens Lindemann is the first classical brass player ever to receive the Order of Canada and the foremost trumpet soloist in his country’s history. Celebrated for his beauty of tone and virtuosity, Jens Lindemann’s career has ranged from being a multiple Juno and Grammy nominee in numerous musical styles to being a viral video sensation as the “snowstorm trumpeter”. Equally at home playing Carnegie Hall, Madison Square Garden or the closing ceremonies of the Olympics, Jens has a unique connection to audiences in all venues and places. As the recipient of major awards from Prague and Munich and three honorary degrees, Jens is also the only trumpeter to have won the “Grand Prize” in the 60-year history of the Canadian Music Competition.
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13 TONGUES. Performed by Cloud Gate Dance Theatre of Taiwan. Photo by LIU Chen-hsiang
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Artistic Director: CHENG Tsung-lung
Page Summary
Step into a world where tradition and modernity collide in Cloud Gate Dance Theatre of Taiwan’s performance of 13 TONGUES.

Submitted by Dolson Rhona on
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Nguyễn Thanh Thủy is a leading đàn tranh player/improviser in both traditional and experimental music. She was born into a theatre family and was raised with traditional Vietnamese music from an early age in Hà Nội. She studied at the Hanoi Conservatory of Music where she received her diploma in 1998, followed by a Master of Arts at the Institute of Cultural Studies in 2003. Since 2000 she holds a teaching position at the Vietnam National Academy of Music. She has toured in Asia, Europe and the USA. She has received many distinctions including the First Prize and the Outstanding Traditional Music Performer Prize in the National Competition of Zither Talents in 1998. Nguyễn Thanh Thủy has recorded several CD’s as soloist with orchestra and solo CDs, which were released by Phương Nam Film Vietnam; by dB Productions Sweden; by Setola di Maiale Italia and by Neuma Records & Publications USA. She collaborates with composers such as Richard Karpen (US), Kent Olofsson (SE), Nguyễn Thiện Đạo (FR/VN) and Trần Thị Kim Ngọc (VN). 

Dolson Rhona

Submitted by Dolson Rhona on
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Jeremy Dutcher is a Two-Spirit song carrier, composer, activist, and ethnomusicologist from Tobique First Nation in Eastern Canada. He gained international acclaim for his album Wolastoqiyik Lintuwakonawa, which earned him the 2018 Polaris Music Prize and Indigenous Music Album of the Year at the 2019 JUNO Awards. His musical style blends the songs of his community with neoclassical, jazz, and pop influences, and has led him to collaborate with such iconic artists as Beverly Glenn Copeland and Yo-Yo Ma. Dutcher’s work has taken him to the world’s great concert halls, NPR’s Tiny Desk, and the judges’ table of Canada’s Drag Race.

 

Submitted by Dolson Rhona on
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Hand to Earth is a call to open ears: eluding genre, traversing continents and fusing ancient and contemporary. At its heart are Yolgnu manikay (song cycles), a 40,000+ year-old oral tradition from South East Arnhem Land, northern Australia. These songs exist to cross vast time and space, to continuously make the continuous – known as raki, the spirit that pulls all together, all performers all listeners. 

Hand to Earth developed during an Australia Art Orchestra (AAO) residency in the remote highlands of Tasmania. Yolgnu songman, Daniel Wilfred, and Korean vocalist, Sunny Kim, formed an effortless rapport; their combined vocal approaches expressing a deeply human commonality whilst also invoking raw elemental forces. Trumpeter and composer, Peter Knight draws upon his minimalist influence to create a bed of electronic atmospheres that meld beautifully with these contrasting voices. The combination of Aviva Endean and David Wilfred’s evocative sounds transport the listener to previously unimagined sonic plains. Together the ensemble wields these mystical elements with a masterful improvisational touch that AAO is famous for.

Photo by Sung Hyun Sohn

Dolson Rhona

Submitted by Dolson Rhona on
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Brenna Corner is an international opera and theatre stage director working across the United States, Canada and Europe. She is also the Artistic Director of Pacific Opera Victoria, in British Columbia Canada.

Select directing projects include: Il Trovatore (Washington National Opera); Tenor Overboard (Glimmerglass Festival); H.M.S Pinafore (Vancouver Opera); Carmen (Des Moines Metro Opera); Don Giovanni (Seattle Opera); Hansel and Gretel (San Diego Opera & Vancouver Opera); La Bohème (Calgary Opera); Dead Man Walking (The Israeli Opera); La Bohème (The Dallas Opera); Noye’s Fludd & Scalia/Ginsburg (Glimmerglass Opera); Sweeney Todd (New Orleans Opera); Der fliegende Holländer (Cincinnati Opera & Houston Grand Opera); L’Elisir d’Amore (Vancouver Opera); Carmen (The Atlanta Opera); and Cendrillon & La Clemenza di Tito (Manitoba Underground Opera).

She was the founding Artistic Director of Manitoba Underground Opera, which produces a festival of new operatic experiences each August in Winnipeg. She has also worked as a dramatic coach for training programs including The Washington National Opera Cafritz Young Artist Program in Washington D.C.

Brenna made her directorial main stage debut in 2016 with a new production of Hansel and Gretel designed by the Old Trout Puppet Workshop for Vancouver Opera. This production has since toured North America, and was mostly recently produced for San Diego Opera as part of their 2019-20 season. She made her American directorial debut in February of 2017 with New Orleans Opera, creating a new production of Sweeney Todd, The Demon Barber of Fleet Street.

During the COVID-19 pandemic she created new opera experiences through film including Don Giovanni for Seattle Opera, Carmen: Up-Close and Personal for Vancouver Opera, Dear Mom: a web series for Kentucky Opera and Green Envelopes for Manitoba Underground Opera.

Brenna was a member of the Yulanda M. Faris Young Artist Program with Vancouver Opera and spent two years as the resident director for The Atlanta Opera Studio Artist Program. She is a certified member of Fight Directors Canada and has choreographed many fights for both opera and theatre.

She studied classical music at The University of Manitoba, and she has diplomas in theatre from Grant MacEwan College and The British American Drama Academy.

Dolson Rhona
Stage Director, Handmaids Tale

Submitted by Sonia Zyvatkau… on
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Jerry Ropson is an artist, writer, and arts organizer, raised in Pollards Point, a resettled Ktaqmkuk (Newfoundland) outport community. In acknowledging the settler and indigenous history of his community, he combines image, object, text, and narrative, to focus an artistic practice around site-specific installation and performative storytelling. Ropson is deeply interested in the politics of rural demise, ritualistic practices, and the language of fanaticism. He makes class-conscious work seeking non-traditional sites and outcomes. 

Ropson holds a BFA (2001) from Memorial University: Grenfell Campus, and an MFA (2009) in Studio Arts: Fibres and Material Practices, from Concordia University. Ropson was listed for the Sobey Art Award in 2016 and 2018. He has been awarded grants from The Canada Council for the Arts, The New Brunswick Art Board, The Conseil des arts et des lettres du Québec, and The Newfoundland and Labrador Arts Council. He has participated in artist residencies at The Banff Centre, The Vermont Studio Center, The Atlantic Centre for the Arts, St. Michael’s Printshop, Fogo Island Arts, NSCAD University, and Union House Arts. 

Jerry divides his time between communities in rural Ktaqmkuk, and Siknikt-Mi'kma'ki (Tantramar, New Brunswick), where he leads studio courses at Mount Allison University.

Faculty

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David Garneau (Métis Nation of Saskatchewan) is a Professor of Visual Arts at the University of Regina. He is a descendant of Laurent and Eleanor Garneau (River Lot #7, Edmonton).  

He is a painter, curator and critical art writer who engages creative expressions of Indigenous contemporary ways of being. In 2023, he was awarded the Governor General’s Award in Visual and Media Art: Outstanding Achievement and was inducted into the Royal Society of Canada. Garneau curated Kahwatsiretátie: The Contemporary Native Art Biennial (Montreal, 2020) with assistance from Faye Mullen and rudi aker; He co-curated, with Kathleen Ash Milby, Transformer: Native Art in Light and Sound, National Museum of the American Indian, New York (2017). With Tess Allas, he co-curated With Secrecy and Despatch, for the Campbelltown Art Centre, Sydney, Australia (2016). He and Michelle Lavallee curated and Moving Forward, Never Forgetting at the Mackenzie Art Gallery (2015). 

Garneau has given keynotes on mis/appropriation; re/conciliation; public art; museum displays; and Indigenous contemporary art. He presented, Dear John, a performance featuring the spirit of Louis Riel meeting with John A. Macdonald statues in Regina, Kingston, and Ottawa. David recently installed a large public artwork, the Tawatina Bridge paintings, in Edmonton. His still life paintings, Dark Chapters, curated by Arin Fay, will tour Canada in 2025

Faculty, June 23 – July 4
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