Christopher Lane is an internationally recognized director, producer, consultant, and educator working at the intersection of theatre, virtual reality, and emerging technologies. His projects blend live performance practices with digital innovation, including The Hunt: A Shakespeare Story, the VR musical prototype Sunshine, and the VR Backstage Tour for the Chichester Festival’s Digital Stages Project, which won the 2022 UK Theatre Award for Digital Innovation. He served as Creative Director of the UK-based VR storytelling studio Relative Motion from 2017 to 2023, where their Shakespeare VR production was recognized by UKRI as among the most influential immersive experiences of the past two decades. Lane has also consulted and trained for major institutions including the Banff Centre, the Stratford Festival of Canada, Stockholm University of the Arts, the Royal Opera House, and Theatre Aquarius, sharing expertise in VR/XR storytelling and digital performance. With over 25 years in theatre direction/production and advanced degrees from the Royal Central School of Speech and Drama, Lakehead University, and the University of Western Ontario, he continues to shape immersive storytelling across stage, screen, and education.

Nandini Purandare is the Honorary Editor of The Himalayan Journal and President of The Himalayan Club in India. She treks in the Himalaya and writes for the Avehi-Abacus Project, a collection of children's curricula. Nandini Purandare along with Deepa Balsavar founded The Sherpa Project to collect oral histories of the Sherpas of Darjeeling.  Their research and interviews resulted in the award winning book  Headstrap: Legends and Lore from the Climbing Sherpas of Darjeeling which won the prestigious Boardman Tasker Award in the UK and the  Climbing Literature Award in Banff.

Muse Ye was generously supported by the Banff Centre Artist Award.

Muse Ye is a collaborative pianist, curator, and artistic leader, passionate about connecting with people and exploring humanity through collaboration. Highlights from growing up in New Zealand include being a national finalist in the New Zealand Chamber Music Competition, playing with the Christchurch Symphony orchestra, and touring the country with national choirs.

She relocated to Singapore for her Bachelors degree in piano performance and there she found further creative outlets for expression such as co-producing an original jukebox musical and curating a concert for the senior cohort.

She then moved to Ithaca, New York, to pursue a Masters in collaborative piano and subsequently a second Masters in vocal performance, where she curated concerts and performed across multiple continents.

Muse holds a Doctor of Musical Arts in Collaborative Piano from the University of Michigan, studying with Ana María Otamendi and Martin Katz. Her doctoral work includes research on New Zealand composer Jenny McLeod, a recital program of arrangements dedicated to folk songs, spirituals and well-known classics, and the production of In Search of Her, an interdisciplinary exploration of womanhood through the music of Jake Heggie and Gabriel Fauré.

James Williams was generously supported by the Helen Graham Artist Award.

Kristin Berardi and James Williams are two artists with a vision: Cultivating songs anchored by the deep roots of gospel and jazz, drawing vital nutrients from the rich soil of their musical craft to create a meaningful work grounded in storytelling and connection. This new body of work aspires to inspire, uplift and facilitate surrender and heartfelt resonance. BerWillDirt is a budding partnership of culture transplants. Berardi, an award-winning vocalist from Australia, now residing in Switzerland. Williams, a heavily sought-after touring/session drummer from the USA, now residing in Belgium. Both know the balancing act of migration, integration, and parenting while artists - each with two kids of their own. Lived experiences surround the music: making mistakes, learning, trying again, loss, love - all the many facets of what life brings us. They long to offer to others what music has given to them: a safe place to feel and be one’s self.

Julia Watson was generously supported by the Banff Centre Artist Award.

Julia began her musical journey on violin at age four in Albany, South Western Australia. A childhood immersed in the music of many world cultures, travel and adventure, undoubtedly influenced her musical trajectory. Julia completed Bachelor of music at the University of Western Australia under renowned violinist Paul Wright, and Masters of Research on violin at Edith Cowan University under internationally acclaimed violinist Alexander Da Costa. Julia’s Masters research focused on the collaborative possibilities of Western Art Music, particularly Baroque repertoire, and Middle Eastern musical traditions. Julia trained with today’s leading artists of Tango in 2019, from Buenos Aires, attended Silkroad Ensembles’ Global Music Workshop, and studied with David Darling of Guildhall, London in the art of Classical improvisation. Julia attended a residency at Banff Centre for Creativity, Canada, where she developed her project Subdued performing Bach’s D minor Solo Partita alongside Persian Radif. In 2019 Julia furthered her studies in the Persian Classical system, attending lessons with Kamancheh Master Shervin Mohajer in Tehran, Iran. Julia performs with Perth Symphony Orchestra, Australian Baroque, WA Philharmonic, and Fremantle Chamber Orchestra, and has performed nationally and internationally including tours within Australia, Southeast Asia, Europe, USA and China.

Julia is Artistic Director of Bembina Ensemble, exploring intersections of Middle Eastern and Western Art Music in a multitude of cross-cultural creations that have been delighting and inspiring Perth audiences since the group’s creation in 2021.

Elisa Thorn was generously supported by the Robert L. Jamison Endowment.

Contemporary harpist Elisa Thorn (pronounced eh-lee-sah) makes music that drifts between folk, pop, jazz, post-rock, and experimental traditions—music she likes to think of as good bath-time listening.

Rooted in curiosity and accessibility, her practice embraces unconventional sound worlds while inviting listeners in with warmth and openness. An avid collaborator, Thorn has spearheaded projects including Gentle Party, HUE, and The Giving Shapes, and has contributed to recordings and performances with artists such as Haley Blais, Ora Cogan, Loscil, Khari McClelland, Wallgrin, and Mauvey.

Thorn is currently focused on her solo project, which debuted with her album xiik in November 2025.

Jamie Thompson was generously supported by the Harold Crabtree Foundation Endowment.

Jamie Thompson is a multidisciplinary musician, photographer, and member of the Royal Conservatory Flute Faculty since 1994. He founded the acclaimed Urban Flute Project leading to ten seasons of Post-Industrial Classical performances with The Junction Trio at St. Anne's Anglican Church in Toronto.

Recent performances include appearances at X Avant, Exit Points, NFA Flute Convention (Chicago), and New Music Concerts’ Flutes Galore! under the direction of Robert Aitken. Jamie has premiered works by Canadian composers including the music of Patricia Morehead, Brian Abbott, and Frank Horvat, and chamber works dedicated to The Junction Trio by John S. Grey.

Co-editor of the RCM Syllabus and Overtones Series, Jamie adjudicates regularly for major festivals such as Kiwanis, Canadian Contemporary Showcase, and the Indian Summer Music Awards (Milwaukee). He is also a featured speaker at institutions such as Ivey Business School, Sheridan College, and UofT’s Rotman School of Management Creative Industries lecture series.

His photography has been exhibited at CONTACT, Nuit Blanche, and Audiopollination. Recent interdisciplinary collaborations include The Daughter’s Grimoire Literary, publication of 20 Artists 20 Answers, and guest appearances with Ten Tellers at the 2025 Toronto International Storytelling Festival.

Yujing Shi was generously supported by the Lewitt Family Foundation Artist Award.

Yujing Shi is a composer, performer, and multi-instrumentalist whose work explores the intersection of music, movement, and interdisciplinary performance. With a background in classical flute performance, she later expanded her practice through extensive engagement with folk and traditional music across Asia, including studies in India, Mongolia, Tibet, and China. She works with a wide range of instruments and vocal techniques, alongside electronics and live processing.

Her creative practice spans contemporary dance, circus, theatre, installation art, and film, and she is particularly interested in how music interacts with physical movement and narrative. Yujing has performed live and improvised for dance, theatre, and circus productions, as well as composed original scores for interdisciplinary works presented in both studio and festival contexts.

Through collaboration, she seeks to bridge classical training with heritage-based musical languages and contemporary forms, creating work that is both grounded and exploratory. Yujing is drawn to environments that encourage experimentation, collective creation, and cross-disciplinary exchange, and she sees residencies as vital spaces for developing new artistic processes and collaborations.