Skip to main content

Submitted by Dolson Rhona on
English
Headshot of Chris Warrilow

fullwidth padding

For the past 36 years Chris Warrilow has run Fantastic Creations Props Weapons & Armour, pulling rabbits out of hats, interpreting hieroglyphics, and generally summoning miracles out of thin air!

At least, that is how it often feels!

Providing props is less about designing, cutting, and building, and more about figuring out what the client wants… rather than what they asked for! That is the true job of the props master.

Over the years Chris has literally been given designs on the back of a napkin; and had an art department say, “What does he need drawings for; can’t he just build it?!”

The most memorable, after 2 weeks of back-and-forth visits, after delivering the final product, Chris returned to his shop and there is an angry message waiting from the head of wardrobe, that reads: “All you have given us, is what we asked for!”

The easy part is learning wood working, leather working, molding and casting, the hard part is knowing what to do with those skills when you need them.

 

Dolson Rhona

Submitted by Dolson Rhona on
English
Headshot of Wulf Higgins

fullwidth padding

As well as four years as Head of Props at the Banff Centre, Wulf Higgins has worked and taught across Canada, including the National Ballet of Canada, the Atlantic Theatre Festival, Ryerson (now Toronto Metropolitan) University, Sheridan College and Sir Wilfred Grenfell College in Newfoundland. Wherever else he goes, though, Wulf keeps returning to the Canadian Opera Company in Toronto, where he is currently Props Supervisor.

Dolson Rhona

Submitted by Dolson Rhona on
English
Headshot of Kate Dumbleton

fullwidth padding

Kate Dumbleton is an Associate Professor at the School of the Art Institute of Chicago and the Executive and Artistic Director of the Hyde Park Jazz Festival. Kate’s work in jazz, improvised music, and performance spans nearly three decades and includes music direction for jazz clubs and festivals; curatorial direction of artist residences; direction of interdisciplinary projects in music, dance, theater, visual art, film; venue and record label management; administrative direction; and artist management. Since Kate joined the Hyde Park Jazz Festival in 2012, the organization has grown significantly, including the launch of a commissioning program, the development of neighborhood initiatives, multi-organization symposia, and the cultivation of international artist exchange projects. She serves on multiple curatorial committees, advisory councils and boards. She is currently a member of the Board of Directors with Enrich Chicago and ArtsFirst Chicago. 

Dolson Rhona

Submitted by Dolson Rhona on
English
Headshot of Alex Clark

fullwidth padding

Alex began his musical training at an early age with violin lessons. Adding jazz bass into the mix in high school and switching to viola at university where he studied composition and conducting. Alex has always enjoyed collaboration and trying new things in the pursuit of 
musical expression. After university Alex began a career as an orchestra librarian in Kitchener, Waterloo. His strings background and a degree in composition proved useful in the library. 

Several years later Alex moved to Vancouver and became Assistant Librarian at the Vancouver Symphony Orchestra. His roles at VSO evolved over the years focusing more on digital performances, concert production and composing/arranging for the VSO and other performing arts organizations in town. Alex has presented on subjects regarding copyist work, part preparation and even bowings at conferences in Berlin, Miami, Vancouver and Montreal. Alex founded Aseosa Productions which became the home of his musical pursuits.

Dolson Rhona
Alex Clark

Submitted by Dolson Rhona on
English
Headshot of Tomeka Reid

fullwidth padding

Cellist and composer Tomeka Reid has emerged as one of the most original, versatile, and curious musicians in Chicago’s bustling jazz and improvised music community. A 2022 Herb Alpert awardee and MacArthur Fellow, 2021 USA Fellow, 2019 Foundation of the Arts and a 2016 3Arts recipient, Reid received her doctorate in music from the University of Illinois, Urbana-Champaign in 2017. From 2019-2021 Tomeka Reid held an appointment at Mills College as the Darius Milhaud chair in composition. Most recently, she was the artist in residence with the Moers Jazz Festival 2022. 

Image by Michael Jackson

Dolson Rhona

Submitted by Dolson Rhona on
English
Headshot of Malo Lacroix

fullwidth padding

Artist based in Lyon, Malo Lacroix works as a director and scenographer and artistic director of Sinople. 

Since 2013, he has worked and collaborate on a wide range of creation with theater, opera, film and installation. Past experiences include projects with Jean Louis Grinda, Jean Romain Vesperini, Murcof, Allex Aguilera, Robert Henke, Antoine Mermet, Philippe Gordiani, Dasha Rush. Bridging video, digital art with physical object, texture and new narrative forms, Malo presented different creations in institutions such Dutch National Opera & Ballet, Amsterdam, Grand Théâtre de Québec, Macerata Opera Festival, Teatro Cervantes de Malaga, Musée Fabre Montpellier, Berliner Festspiele, Ohm, Berlin, Forte festival Portugal, Gaîté Lyrique et Théâtre du Chatelet, Paris, Stereolux, Nantes, De Brakke Grond, Amsterdam, TNP, TNG, and Nuits Sonores, Lyon, Positive Education Festival, Saint-Étienne, Metropolitan pavillon, New York et Gamma festival, Saint Petersburg. In 2019, Malo was awarded a bronze medal at the Shenzhen Design Week in China for the Porte Nef project, resulting from a collaboration with architect Maxime Aumon and composer In Aeternam Vale. More recently, he joined the creation of A l'originie fût la vitesse by Philippe Gordiani and Nicolas Boudier based on La Horde du Contrevent by Alain Damasio, coproduced by Théâtre Nouvelle Génération as well as Le Ring de Katharsy by Alice Laloy at the Théâtre Nationale Populaire. In 2024, his short film Celui qui voulait croire au Bison was awarded International Competition at Videoformes festival in Clermont Ferrand.
 

Dolson Rhona
Description

Indigenous Arts welcomes you toToga da wôhnagabi (Stories for the Future).

Hosted by Dale Mac, Cheryl L’Hirondelle, and guest faculty, this concert series features new works created by the artists of the Toga da wôhnagabi Music Creation Residency. Fourteen participants share songs shaped by story, language, and connection to land, stories for the future told through the power of music.

Toga da wôhnagabi (Stories for the Future) is a four-week hybrid Indigenous music residency that brings together worldviews from all four directions of Mother Earth. Watched over by Buffalo Spirit, the residency offers musicians and songwriters a transformative space to listen, learn, and create in community. Through workshops, studio sessions, and live performances, artists weave the sounds of their languages and the voices of the land into new works that express and celebrate life and worldviews in a creative, life-affirming gathering space.

Join us for a night of Indigenous stories for the future shared through the power of songs.

Indigenous arts is supported by the RBC Foundation.

RBC Logo
Mauna Delau playing guitar at Wîchoîe Ahiya Concert Participant Concert, 2023, photo by Rita Taylor.
Page Summary
Experience new songs by fourteen artists from Toga da wôhnagabi (Stories for the Future), celebrating Indigenous stories, language, and connection to land.
Exhibition
No
Banff Centre Artist/Practicum/Staff Only
Off
Licensed
Off
Event Tags
Performance Date
Date
Audience View Micro Site URL
https://tickets.banffcentre.ca/Online/seatSelect.asp?BOset::WSmap::seatmap::performance_ids=19385635-5133-48DF-8457-2117EFE3FCB1
Computed Sort Date
1772330400
Description

Indigenous Arts welcomes you toToga da wôhnagabi (Stories for the Future).

Hosted by Dale Mac, Cheryl L’Hirondelle, and guest faculty, this concert series features new works created by the artists of the Toga da wôhnagabi Music Creation Residency. Fourteen participants share songs shaped by story, language, and connection to land, stories for the future told through the power of music.

Toga da wôhnagabi (Stories for the Future) is a four-week hybrid Indigenous music residency that brings together worldviews from all four directions of Mother Earth. Watched over by Buffalo Spirit, the residency offers musicians and songwriters a transformative space to listen, learn, and create in community. Through workshops, studio sessions, and live performances, artists weave the sounds of their languages and the voices of the land into new works that express and celebrate life and worldviews in a creative, life-affirming gathering space.

Join us for a night of Indigenous stories for the future shared through the power of songs.

Indigenous arts is supported by the RBC Foundation.

RBC Logo
Dale Mac playing a guitar on stage
Page Summary
Experience new songs by fourteen artists from Toga da wôhnagabi (Stories for the Future), celebrating Indigenous stories, language, and connection to land.
Exhibition
No
Banff Centre Artist/Practicum/Staff Only
Off
Licensed
Off
Event Tags
Performance Date
Date
Audience View Micro Site URL
https://tickets.banffcentre.ca/Online/seatSelect.asp?BOset::WSmap::seatmap::performance_ids=6248DD0E-0BFA-4F3B-B50B-EC69DBF73550
Computed Sort Date
1772157600

Submitted by Dolson Rhona on
English
Headshot of Steve Turner

fullwidth padding

Steven Turner has been a props and scenic designer and builder for more than 45 years. He started his career at home in Nova Scotia working summers at the Festival on the Bay. Later he worked at the Neptune theater in Halifax and then went on to New York, Las Vegas, Macau and then the rest of the world. His career has taken him around the globe designing and building props, sets, and illusions for dozens of major companies like, Cirque du Soleil, DreamWorks, Audi, Harley Davidson, Mattel, Second City, Caesars Palace Las Vegas, Catz, Venetian Macau Resort, Guinness Book of Records, and most recently Stephen Kings - The Institute (TV show), and many others.

Dolson Rhona
Description

Experience the Australian Chamber Orchestra up close in CLVB ’33, Banff Centre’s cabaret-style venue.

Join Richard Tognetti (ACO Artistic Director), Satu Vänskä (Principal Violin & Vocals), Elizabeth Woolnough (Viola), and Julian Thompson (Cello) as they step outside the bounds of tradition in a program that blurs the line between concert and cabaret.

This is music as provocation and memory: a journey through centuries of sound and subversion. Vänskä trades her Stradivarius for the microphone, channelling the smoky defiance of a vanished era, while the ensemble moves between precision and abandon. A musical theatre of ideas—where history is felt rather than narrated, and where the boundaries between performer and persona, past and present, are deliberately blurred.

Artists

Richard Tognetti, Director & Violin
Satu Vänskä, Principal Violin & Vocals
Elizabeth Woolnough, Viola
Julian Thompson, Cello

Members of Australian Chamber Orchestra performing on a a stage
Page Summary
An intimate night with the ACO, where concert meets cabaret and music becomes theatre, memory, and provocation.
Exhibition
No
Free
No
Donation
Off
Banff Centre Artist/Practicum/Staff Only
Off
Licensed
On
Age Restrictions
Ages 18+
Event Tags
Performance Date
Date
Audience View Micro Site URL
https://tickets.banffcentre.ca/Online/seatSelect.asp?BOset::WSmap::seatmap::performance_ids=AB11E350-8569-4436-BEBB-6A6A55B4D58F
Location
Computed Sort Date
1777253400
Subscribe to