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The BISQC Young Musicians Program creates a special, welcoming, and affirming experience for young quartets as part of the Banff International String Quartet Competition.

Launched in 2010, the program was originally created through a partnership between the Rolston and the Székely families as an initiative to inspire and celebrate the next generation of great chamber musicians. 

Banff Centre is thrilled to support the next generation of chamber musicians through this wonderful initiative. 

Participants of the 2022 BISQC Youth Quartet program

 

During BISQC 2022, we welcomed:

  • Freude Quartet from The Phil and Eli Taylor Peformance Academy for Young Artists at the Royal Conservatory of Music in Toronto
  • Cedar Quartet from the Vancouver Academy of Music
  • Arnica Quartet from Banff, Alberta

Under the leadership of Artistic Advisor Ronelle Schaufele, these promising young musicians attended BISQC lectures and concerts, received coaching from some of the leading musicians of our time including BISQC 2022 Mentor in Residence Mark Steinberg, and were heard in select performances in the community through our outreach program. 

Participants of the 2022 Youth Quartet Program with James Ehnes and Barry Shiffman. Photo by Rita Taylor.

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This program creates a special, welcoming, and affirming experience for young quartets as part of the Banff International String Quartet Competition.
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Amal El-Mohtar is an award-winning writer of fiction, poetry, and criticism. Her stories and poems have appeared in magazines including Tor.com, Fireside Fiction, Lightspeed, Uncanny, Strange Horizons, Apex, Stone Telling, and Mythic Delirium; anthologies including The Djinn Falls in Love and Other Stories (2017), The Starlit Wood: New Fairy Tales (2016), Kaleidoscope: Diverse YA Science Fiction and Fantasy Stories (2014), and The Thackery T. Lambshead Cabinet of Curiosities (2011); and in her own collection, The Honey Month (2010). She is co-author, with Max Gladstone, of the multiple award-winning This is How You Lose the Time War. Her articles and reviews have appeared in the New York Times, NPR Books and on Tor.com. She has been the New York Times's science fiction and fantasy columnist since February 2018, and she is represented by DongWon Song of HMLA

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Ai Jiang is a Chinese-Canadian writer, Ignyte, Bram Stoker, and Nebula Award winner, and Hugo, Astounding, Locus, Aurora, and BFSA Award finalist from Changle, Fujian currently residing in Toronto, Ontario. Her work can be found in F&SF, The Dark, The Masters Review, among others. She is the recipient of Odyssey Workshop's 2022 Fresh Voices Scholarship and the author of Linghun and I AM AI. The first book of her novella duology, A Palace Near the Wind, is forthcoming 2025 with Titan Books.

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Born in Nigeria, Inua Ellams is a poet, playwright & performer, graphic artist & designer and founder of: The Midnight Run (an arts-filled, night-time, urban walking experience.), The Rhythm and Poetry Party (The R.A.P Party) which celebrates poetry & hip hop, and Poetry + Film / Hack (P+F/H) which celebrates Poetry and Film. Identity, Displacement & Destiny are reoccurring themes in his work, where he tries to mix the old with the new: traditional African oral storytelling with contemporary poetics, paint with pixel, texture with vector. His books are published by Flipped Eye, Akashic, Nine Arches, Penned In The Margins, Oberon & Methuen

Dolson Rhona

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Emma is Artist in Residence at Concordia University, and a Director and Dramaturg. She is the former Artistic and Executive Director of Playwrights’ Workshop Montreal, where for fourteen years, she dramaturgically collaborated on many plays, including Mizushōbai by Julie Tamiko Manning, Thy Woman’s Weeds by Erin Shields, Jabber by Marcus Youssef, Squawk by Megan Gail Coles, Instant by Erin Shields, I am Genius, Does Anyone Here Know Me? by Lois Brown, and Behaviour by Darrah Teitel.

Emma has directed new Canadian plays across the country, including Grace and Falling Trees by Megan Gail Coles, Okinum by Emilie Monnet (co-director), Refuge by Mary Vingoe, I Don’t Even Miss You by Elena Belyea, The Baklawa Recipe by Pascale Rafie. She co-founded Talisman Theatre for whom she directed, among others, the award-winning productions That Woman by Daniel Danis, Down Dangerous Passes Road by Michel Marc Bouchard, and The Medea Effect by Suzie Bastien. She co-created Skin, a performance piece with the interdisciplinary company The Bakery.

Emma is a recipient of LMDA’s Elliott Hayes Award for Outstanding Achievement in Dramaturgy, and the Conseil Québécois du théâtre Prix Sentinelle.  She is a graduate of Concordia University’s Theatre Department, and NTS’ Directing Program. She feeds her inner punk rocker by playing in basement bands The Tibaldos and The Dépanneurds

PHOTO: Bernardo Fernandez

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Premee Mohamed is a Nebula, World Fantasy, and Aurora award-winning Indo-Caribbean scientist and speculative fiction author based in Edmonton, Alberta. She has also been a finalist for the Hugo, Ignyte, Locus, British Fantasy, and Crawford awards. Currently, she is the 2024 Edmonton Public Library writer-in-residence and an Assistant Editor at the short fiction audio venue Escape Pod. She is the author of the Beneath the Rising series of novels as well as several novellas. Her short fiction has appeared in many venues and she can be found on her website. 

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Hazel Millar is the co-owner and co-publisher of Book*hug Press, a Canadian independent literary publisher working at the forefront of contemporary book culture. Hazel has been working in the publishing since 2009. In addition to her work with Book*hug Press, she is the Past Chair of the Board of the Literary Press Group of Canada and sits on several publishing-industry boards and advisory committees. She lives in Toronto with her husband, Jay Millar (aka the other half of Book*hug Press), their sons, and a cool, diva calico cat named Tess.

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Dr. Douglas Kearney has published eight books ranging from poetry to essays. In 2023, Optic Subwoof, a collection of his Bagley Wright lectures, won the Poetry Foundation’s Pegasus Prize for Poetry Criticism and the CLMP Firecracker Award for Creative Nonfiction. His seventh, Sho, (Wave Books) is a Griffin Poetry Prize and Minnesota Book Award winner. Kearney is a Whiting Writers and Foundation for Contemporary Arts Cy Twombly awardee with residencies/fellowships including Cave Canem, The Rauschenberg Foundation, and The McKnight Foundation. He is a Samuel Russell Chair in the Humanities in the College of Liberal Arts and Associate Professor of English at the University of Minnesota–Twin Cities.

Shannon Evans via BanffCentre
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Description

Helen Mort and Harley Rustad will host a free evening of readings by Banff Centre's Mountain Writers Intensive residents who will share work-in-progress on themes related to mountain environments, mountain cultures, or mountain issues. The readings will include reported non-fiction, memoir, fiction, and poetry—and will offer glimpses of some of the most exciting voices in the genre.

Literary arts reading
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Helen Mort and Harley Rustad host readings by Mountain Writers Intensive residents, featuring work on mountain themes in fiction, non-fiction, and poetry.
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No
Free
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Banff Centre Artist/Practicum/Staff Only
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Age Restrictions
Ages 14 and Over
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We are excited to welcome many returning friends and new faces to BISQFest 2024! Below are some frequently asked questions and answers to help you prepare and navigate your time with us. 

If you have any questions that aren't covered below, please don't hesitate to reach out to the BISQFest team at bisqc@banffcentre.ca or 403-762-6231.

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Frequently asked questions for audience members attending BISQFest 2024
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Frequently Asked Questions
FAQ

Once I arrive at Banff Centre, where do I go?

If you are staying on-site with us during BISQFest, your first stop will be the Professional Development Centre (PDC) to check-in for your hotel, regardless of which campus hotel you are staying in. 

On Thursday, August 29 the BISQFest staff will also be in the PDC lobby from 3pm-6pm with BISQFest bundles (aka arrival info with program, tote, name badge with seating info).

 If you miss this, or if you are an off-site/passport holder, you can pick-up your BISQFest bundle before the first concert in the Rolston Recital Hall lobby in the Music & Sound Building at the BISQFest Audience Information Desk. 

If you are arriving late please email us at bisqc@banffcentre.ca or 403-762-6231 to make other arrangements. 

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I bought a BISQFest package. Do I owe anything more once I arrive at Banff Centre?

If you purchased one of our weekend packages – on-site or passport – you have already pre-paid and do not owe anything. 

If you reserved a Mountain Magic package, your credit card information was used only to reserve your booking, and you will be charged for your reservation once you check in.

I have questions now that I have arrived at Banff Centre. Where do I find answers?

BISQFest staff will be available to answer any questions prior to all concerts in the lobby of the concert venue. 

Plus, you can email or call us if you have any problems or concerns: 

bisqc@banffcentre.ca or 403-762-6231.

Is there assistance available to get around campus for audience members with mobility challenges?

Yes! An on-campus shuttle will be available to assist audience with any mobility challenges. This 11-seater sprinter van is operated by Banff Airporter and the schedule can be found in your BISQFest bundle.

The shuttle will do two runs before and after concerts (except on Saturday and Sunday afternoon when there are 4:30pm events). The shuttle will pick-up and drop-off in front of the Professional Development Centre (PDC), 3rd floor/back entrance to Lloyd Hall (LH), and the performance venue. 
 

I have an on-site weekend package. How do I access meals at Vistas Dining Room which are part of my package?

For our on-site weekend audience members, your name badge is your access to Vistas Dining Room for your meals. The name badge has a special image that helps staff identify you as an on-site guest that has prepaid for meals. If you lose your name badge, reach out to BISQFest staff to get a replacement.

I have a Mountain Magic package. How do I access my meals at Vistas Dining Room without a name badge?

Mountain Magic package holders will receive meal vouchers that they will present to staff when they go to Vistas Dining room for their dinner on Friday, August 30 and breakfast on Saturday, August 31. 

If you have any problems with your meal access, please reach out to BISQFest staff directly for assistance: 403-762-6231.

I received my name badge, but not my tote bag or program. Where do I go to get the rest of my BISQFest bundle?

If you arrive late and miss connecting with BISQFest staff during your check-in, you will receive your name badge from the front desk so you can access meals. 

Come and see us before the next concert in the venue lobby at the BISQFest Audience Info Desk and we'll give you the rest of your BISQFest bundle!

I brought my instrument and want to use a practice hut while I am here. How do I access the practice huts?

To gain the codes to access the practice huts that have been allocated for audience use, please see BISQFest staff at the BISQFest Audience Info Desk before or after any concert.

What is appropriate attire for the concerts during BISQFest, especially the opening night gala concert on Friday, August 30?

With its stunning mountain backdrop, Banff Centre is a unique place where you can wear your hiking boots to the concert hall. Many of our concert-goers opt for business casual (eg. slacks and a nice shirt) with comfortable footwear for getting around our campus located on the side of Sleeping Buffalo Mountain. 

That being said, some guests do dress up, ranging from casual to more festival, and all dress is welcome! 

The term 'gala' in reference to the opening night of BISQFest describes how special the performance will be, and does not define any formal dress code. 

 

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