![](/themes/custom/tbc_custom/images/default_user.png)
fullwidth padding
Jacqueline Bell is curator at Walter Phillips Gallery. Recent exhibitions include Cassils: Movement (2024, co-curated with Carol Stakenas); The Shape of an Echo: Selections from the Permanent Collection (2022); darkness is as deep as the darkness is by Rita McKeough (2020); A materialist history of contagion by Candice Lin (2019); Guidelines by Carmen Papalia with Heather Kai Smith (2019); If the river ran upwards (2018) with Silvina Babich, Alana Bartol, Diane Borsato, Carolina Caycedo, T’uy’t’tanat-Cease Wyss and Anne Riley, and Genevieve Robertson; THE CAVE (2018) by Young Joon Kwak with Marvin Astorga, Shawna Dempsey and Lorri Millan, Adrian Stimson, and Kim Ye; and the exhibition and performance, Everything I Say Is True (2017) by Kite. Prior to joining Walter Phillips Gallery, Bell contributed to a number of projects and exhibitions at LACE (Los Angeles Contemporary Exhibitions). As an independent writer, Bell has been published by C Magazine, FIELD: A Journal of Socially-Engaged Art Criticism, and X-TRA: Contemporary Art Quarterly, among others. She is a graduate of the MA Art and Curatorial Practices in the Public Sphere program at the University of Southern California.