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Jake Baxendale is a saxophonist and composer based in Te Whanganui-A-Tara / Wellington, Aotearoa / New Zealand. He was born in the UK and grew up in Mohua / Golden Bay, developing a freedom of expression, love of nature and community-oriented mindset that he demonstrates in his life and music. He has received a number of national awards and nominations, including the Aotearoa Music Awards "Best Jazz Artist 2021" with prog-jazz band The Jac and the APRA NZ "Best Jazz Composition 2020"for his composition “Tūī”. He has toured South Korea with The Jac, tours Aotearoa and Australia regularly with both The Jac and trans-Tasman collaboration Antipodes, and has performed nationally with the New Zealand Symphony Orchestra, STROMA, The Troubles, Richter City Rebels, The Rodger Fox Big Band, The Wellington Mingus Ensemble, Bazurka, and his own trio JB3, among many others. In recent years, Jake released "Sanctuary", an album of large ensemble compositions in collaboration with Jasmine Lovell-Smith, completed a Masters of Music at The University of Auckland that explored new approaches for practicing and developing a musical vocabulary for improvisation, launched a new project “Gardening Music”, and became a father. Most recently, Jake was commissioned for the 2023 Wellington Jazz Festival, arranging lyrics from Ursula Le Guin’s version of the Tao Te Ching for a 7-piece band.

Jake Baxendale was generously supported by the Banff Centre Artists' Awards and the Susan and Graeme McDonald Music Endowment.

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Opus13 performs on stage at the 14th Banff International String Quartet Competition

Opus13 performs at the 14th BISQC (2022). Photo by Rita Taylor. 

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BANFF, AB, July 7, 2024 - The Banff International String Quartet Competition (BISQC) returns for its 15th iteration with an internationally celebrated jury and Rapprochement, a newly commissioned piece by Canadian composer Kati Agócs.

The 2025 competition also introduces innovative elements to reflect the evolving environment that a winning quartet will navigate on the world stage, most notably, the finals round which is curated by the competitors with repertoire of their own choosing.

An esteemed panel of international jurors representing current and former members of some of the most important quartets of our time will evaluate the competitors. Jurors include:

2025 Preliminary Jury: Joshua Gindele (Miró Quartet), Ayane Kozasa (Aizuri Quartet/Kronos Quartet), Guillaume Sutre (Ysaÿe Quartet) 

2025 Competition Jury: Eckart Runge (Artemis Quartet), Marie Chilemme (Quatuor Cavatine/Quatuor Ebène), Jonathan Crow (New Orford String Quartet), Milena Pajaro-van de Stadt (Dover Quartet), Honggang Li (Shanghai Quartet), Eugene Drucker (Emerson String Quartet), David Ying (Ying Quartet)

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“We are thrilled to share this announcement of rules, repertoire, and jury for BISQC,” says Barry Shiffman, director of BISQC. “In just over a year Banff will again become the focus of the music world as ten extraordinary ensembles perform before our passionate audience and prestigious jury, in a festival-like celebration of music and opportunity. If you are a quartet with dreams of an international performing career, I encourage you to consider applying. If you are a music lover that enjoys community and beauty of place, save the dates and join us for a week unlike any other.”

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This year’s competition offers over $500,000 CAD in cash, prizes, and career development opportunities which include touring, a recording residency, the Southern Methodist University Peak Fellowship Ensemble-in-Residence Prize of a paid residency worth $110,000 CAD, an Esterházy Foundation Residency with concerts at Haydn Hall in Eisenstadt and the Lucerne Festival, and an opportunity for a two-week Chamber Music in Residency at the prestigious Britten Pears Arts in England. MKI Artists and Konzertdirektion Hampl will oversee and manage the extensive touring of North America and Europe as part of the first prize winner’s tour. Every participating quartet is set to benefit with all non-finalists receiving a Christine and David Anderson Prize of $5,000 CAD. Additionally, BISQC will cover all travel, accommodation, and meals for invited quartets, ensuring an inclusive and supportive environment for all competitors.

The Competition will take place between August 25 to 31, 2025 at Banff Centre for Arts and Creativity in the Canadian Rockies with thanks to the generosity of lead supporter The Azrieli Foundation, as well as many other supporters. Past winners have seen their careers soar after winning BISQC - the St Lawrence, Dover, Isidore, Marmen, Viano and Miró quartets among the list. Emerging groups of all nationalities whose members are each under the age of 35 as of the end of the competition are encouraged to apply for this career launching opportunity. Applications will be open for submission between the dates of October 1, 2024 and March 1, 2025.

The complete 2025 Rules, Regulations, and Repertoire document is available online now. To access this document, and for additional information on eligibility, competition rounds and prizes, visit www.bisqc.ca.  
 

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For media inquiries:

Communications@banffcentre.ca

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Submitted by Carla Snow via… on
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One of Canada’s brightest talents, violinist Jonathan Crow exudes “masterful coolness” (The Montreal Gazette) as concertmaster of the Toronto Symphony Orchestra. Jonathan earned his Bachelor of Music in Honours Performance from McGill University, at which time he joined the Orchestre Symphonique de Montréal as Associate Principal Second Violin. Between 2002 and 2006, Jonathan was engaged as Concertmaster of that symphony, and notably during his tenure, was the youngest concertmaster of a major North American orchestra. In 2011 he was appointed Concertmaster of the Toronto Symphony Orchestra. Jonathan continues to perform as guest concertmaster with orchestras around the world, including the National Arts Centre Orchestra, Pittsburgh Symphony, Mahler Chamber Orchestra, Filarmonia de Lanaudiere and Pernambuco Festival Orchestra (Brazil). Jonathan has also performed as a soloist with most major Canadian orchestras including the Montréal, Toronto and Vancouver Symphony Orchestras, the National Arts Centre and Calgary Philharmonic Orchestras, the Victoria, Nova Scotia and Kingston Symphonies, and Orchestra London, under the baton of such conductors as Charles Dutoit, Sir Yehudi Menuhin, Gustavo Gimeno, Sir Andrew Davis, Peter Oundjian, Kent Nagano, Mario Bernardi and João Carlos Martins.

Jonathan joined the Schulich School of Music at McGill University as an Assistant Professor of Violin and was appointed Associate Professor of Violin in 2010. Current and former students of Mr. Crow have received prizes at competitions around the world, including the Menuhin International Violin Competition, Montreal Symphony Orchestra Competition, Shean Competition, CBC Radio's NEXT competition, Eckhardt-Grammatte Competition, Canadian Music Competition, and Stulberg International String Competition, and work regularly with orchestras such as the National Arts Centre Orchestra, Toronto Symphony Orchestra, Orchestre Symphonique de Montréal, Camerata Salzburg, Konzerthausorchester Berlin, Verbier Chamber Orchestra, Vienna Kammerphilharmonie and Vienna Symphony Orchestra. Jonathan is currently Associate Professor of Violin at the University of Toronto.

In 2016 Jonathan was named Artistic Director of Toronto Summer Music, which has enjoyed record attendance and rave reviews in all of his first six seasons. An avid chamber musician, he has performed at chamber music festivals throughout North America, South America and Europe including the Banff, Ravinia, Orford, Domaine Forget, Seattle, Montreal, Ottawa, Incontri in Terra di Sienna, Alpenglow, Festival Vancouver, Pernambuco (Brazil), Giverny (France) and Strings in the Mountains festivals. He is a founding member of the Juno Award-winning New Orford String Quartet, a project-based new ensemble dedicated to the promotion of standard and Canadian string quartet repertoire throughout North America. As an advocate of contemporary music he has premiered works by Canadian composers Michael Conway Baker, Eldon Rathburn, Barrie Cabena, Gary Kulesha, Tim Brady, Francois Dompierre, Vivian Fung, Ana Sokolovic, Marjan Mozetich, Christos Hatzis, Ernest MacMillan and Healey Willan. He also includes in his repertoire major concerti by such modern composers as Ligeti, Schnittke, Bernstein, Brian Cherney, Rodney Sharman, Vivian Fung and Cameron Wilson.

Jonathan has recorded for ATMA, Bridge, CBC, Oxingale, Skylark, and XXI-21 labels and is heard frequently on Chaîne Culturelle of Radio-Canada, CBC Radio Two, and National Public Radio, along with Radio France, Deutsche Welle, Hessischer Rundfunk and the RAI in Europe. One of Canada’s brightest talents, violinist Jonathan Crow exudes “masterful coolness” (The Montreal Gazette) as concertmaster of the Toronto Symphony Orchestra. A native of Prince George (British-Columbia), Jonathan earned his Bachelor of Music in Honours Performance from McGill University in 1998, at which time he joined the Montreal Symphony Orchestra as Associate Principal Second Violin. Between 2002 and 2006, Jonathan was the Concertmaster of the Montreal Symphony Orchestra, becoming the youngest concertmaster of a major North American orchestra. Jonathan continues to perform as guest concertmaster with orchestras around the world, including the National Arts Centre Orchestra, Pittsburgh Symphony Orchestra, Mahler Chamber Orchestra, Filarmonia de Lanaudière and Pernambuco Festival Orchestra (Brazil).

Jonathan has performed as a soloist with most major Canadian orchestras including the Montreal, Toronto and Vancouver Symphony Orchestras, the National Arts Centre and Calgary Philharmonic Orchestras, the Victoria and Kingston Symphonies and Orchestra London, under the baton of such conductors as Charles Dutoit, Sir Yehudi Menuhin, Sir Andrew Davis, Peter Oundjian, Gustavo Gimeno, Kent Nagano, Mario Bernardi and João Carlos Martins.

An avid chamber musician, Jonathan has performed at many chamber music festivals in Europe and North America, and is the Artistic Director of Toronto Summer Music. He is a founding member of the Juno Award-winning New Orford String Quartet, a new project-based ensemble dedicated to the promotion of standard and Canadian string quartet repertoire. Jonathan is currently Associate Professor of Violin at the University of Toronto.

 

Photo by Sian Richards

New Orford String Quartet
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We recognize, with deep respect and gratitude, our home on the side of Sacred Buffalo Guardian Mountain. In the spirit of respect and truth, we honour and acknowledge the Banff area, known as “Minihrpa” (translated in Stoney Nakoda as “the waterfalls”) and the Treaty 7 territory and oral practices of the Îyârhe Nakoda (Stoney Nakoda) – comprised of the Bearspaw, Chiniki, and Goodstoney Nations – as well as the Tsuut’ina First Nation and the Blackfoot Confederacy comprised of the Siksika, Piikani, and Kainai. We acknowledge that this territory is home to the Shuswap Nations, Ktunaxa Nations, and Metis Nation of Alberta, Rockyview District 4. We acknowledge all Nations who live, work, and play here, help us steward this land, and honour and celebrate this place.

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Join us for a series of brilliant performances from the participants in the Art of Piano program, and be inspired by the next generation of pianists.
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