Alex began his musical training at an early age with violin lessons. Adding jazz bass into the mix in high school and switching to viola at university where he studied composition and conducting. Alex has always enjoyed collaboration and trying new things in the pursuit of 
musical expression. After university Alex began a career as an orchestra librarian in Kitchener, Waterloo. His strings background and a degree in composition proved useful in the library. 

Several years later Alex moved to Vancouver and became Assistant Librarian at the Vancouver Symphony Orchestra. His roles at VSO evolved over the years focusing more on digital performances, concert production and composing/arranging for the VSO and other performing arts organizations in town. Alex has presented on subjects regarding copyist work, part preparation and even bowings at conferences in Berlin, Miami, Vancouver and Montreal. Alex founded Aseosa Productions which became the home of his musical pursuits.

Cellist and composer Tomeka Reid has emerged as one of the most original, versatile, and curious musicians in Chicago’s bustling jazz and improvised music community. A 2022 Herb Alpert awardee and MacArthur Fellow, 2021 USA Fellow, 2019 Foundation of the Arts and a 2016 3Arts recipient, Reid received her doctorate in music from the University of Illinois, Urbana-Champaign in 2017. From 2019-2021 Tomeka Reid held an appointment at Mills College as the Darius Milhaud chair in composition. Most recently, she was the artist in residence with the Moers Jazz Festival 2022. 

Image by Michael Jackson

Artist based in Lyon, Malo Lacroix works as a director and scenographer and artistic director of Sinople. 

Since 2013, he has worked and collaborate on a wide range of creation with theater, opera, film and installation. Past experiences include projects with Jean Louis Grinda, Jean Romain Vesperini, Murcof, Allex Aguilera, Robert Henke, Antoine Mermet, Philippe Gordiani, Dasha Rush. Bridging video, digital art with physical object, texture and new narrative forms, Malo presented different creations in institutions such Dutch National Opera & Ballet, Amsterdam, Grand Théâtre de Québec, Macerata Opera Festival, Teatro Cervantes de Malaga, Musée Fabre Montpellier, Berliner Festspiele, Ohm, Berlin, Forte festival Portugal, Gaîté Lyrique et Théâtre du Chatelet, Paris, Stereolux, Nantes, De Brakke Grond, Amsterdam, TNP, TNG, and Nuits Sonores, Lyon, Positive Education Festival, Saint-Étienne, Metropolitan pavillon, New York et Gamma festival, Saint Petersburg. In 2019, Malo was awarded a bronze medal at the Shenzhen Design Week in China for the Porte Nef project, resulting from a collaboration with architect Maxime Aumon and composer In Aeternam Vale. More recently, he joined the creation of A l'originie fût la vitesse by Philippe Gordiani and Nicolas Boudier based on La Horde du Contrevent by Alain Damasio, coproduced by Théâtre Nouvelle Génération as well as Le Ring de Katharsy by Alice Laloy at the Théâtre Nationale Populaire. In 2024, his short film Celui qui voulait croire au Bison was awarded International Competition at Videoformes festival in Clermont Ferrand.
 

Steven Turner has been a props and scenic designer and builder for more than 45 years. He started his career at home in Nova Scotia working summers at the Festival on the Bay. Later he worked at the Neptune theater in Halifax and then went on to New York, Las Vegas, Macau and then the rest of the world. His career has taken him around the globe designing and building props, sets, and illusions for dozens of major companies like, Cirque du Soleil, DreamWorks, Audi, Harley Davidson, Mattel, Second City, Caesars Palace Las Vegas, Catz, Venetian Macau Resort, Guinness Book of Records, and most recently Stephen Kings - The Institute (TV show), and many others.

Anne Larlee has worked as a répétiteur and coach at the Frankfurt Opera since 2016. The Canadian pianist has also given numerous recitals, including performances with Tamara Wilson, Bianca Andrew, Jonathan Abernethy, Louise Alder, Paula Murrihy and Anthony Robin Schneider. Previously, she was a répétiteur and vocal coach at the Komische Oper Berlin and the Canadian Opera Company in Toronto, where she regularly returns. The multi-award-winning
musician has performed in recitals at renowned venues in North America and Europe – including St. John’s Smith Square in London and La Maison de la Radio in Paris. The sought-after pianist has also performed at festivals such as Glyndebourne, Aldeburgh and Bregenz, as well as at Calgary Opera, San Francisco Opera, the Opera Theatre in St. Louis, and the Tyroler Festspiele Erl. In addition, she has accompanied masterclasses led by Sir Thomas Allen, Brigitte Fassbaender, Martin Isepp, Dame Felicity Lott and Carlo Rizzi. She is regularly engaged as a collaborator and coach for the Neue Stimmen Masterclasses of the
Bertelsmann Foundation in Gütersloh.

Photo: Phil Crozier, Photophilcro

Described as a “scintillating player,” pianist and Coach, Tina Chang, is currently on the music staff at Vancouver Opera, and has been involved with international organizations such as Wexford Festival Opera in Ireland, Hawaii Performing Arts Festival, soundSCAPE New Music Festival in Italy. Locally, she works with organizations such as Chor Leoni, Arts Club Theatre, Vancouver Symphony Orchestra, Sound the Alarm Music Theatre, and Vancouver Bach Choir.  She maintains her own private studio, and has been on the adjunct faculty at the University of British Columbia, and Dalhousie University. Find out more about Tina at www.TinaChangPiano.ca.