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Headshot of Lisa Stevens

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There's a spark that runs through Lisa Stevens' work—an unmistakable blend of imagination, generosity, and craft. With a career that’s taken her from childhood TV sets to Broadway stages, West End premieres, and film sets around the world, Lisa has become known for the kind of creative leadership that turns rehearsal rooms into places where big ideas take flight.

As a director and choreographer, her credits stretch from brand-new musicals to beloved classics. She helmed the world premiere of Get Down Tonight: The KC & The Sunshine Band Musical in London's West End, brought The Little Prince to life at Theatre Calgary, choreographed Dolly Parton's 9 to 5 (West End), and is currently developing the new musical Ride. Her choreographic reach extends on camera, too—across Blumhouse thrillers and the Emmy-nominated musical documentary Dreaming of a Jewish Christmas. Winner of Jessie Award, Betty Award, and numerous Broadway World Awards.

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Headshot of Julio Fuentes

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Julio is a performer, educator, and creative with over 20 years of experience in his craft. His work ranges from dance companies across North America and Asia to Canadian musical theatre and syndicated tv series and feature films.

Select performance: Prison Dancer (Citadel, NAC), Mamma Mia (Citadel, Arts Club, Stage West), In The Heights (Arts Club), Matilda (MTC, Citadel, Arts Club), The Little Prince (Theatre Calgary, world premiere), Into The Woods (Talk Is Free Theatre), The Little Mermaid (Align Entertainment). Select choreography: Tao Of The World (Stratford, world premiere), Footloose (Mayfield), Wizard Of Oz (Citadel), Bring It On (Globe Theatre, Canadian Premiere), Heathers (Theatre Sheridan), Grease (Mayfield), Prison Dancer (Citadel, NAC), Smoky Mountain Christmas Carol (Arts Club), 2021 guest movement director (Shaw Festival). TV / Film: Riverdale (dancer - CW), Schmigadoon! season 1 & 2 (ensemble - AppleTV+), Sonic The Hedgehog 2 (assistant choreographer - Paramount+).

 

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BISQC 2025 Awards Presentation. Photo by Rita Taylor.

Photo by Rita Taylor.

Plan your BISQFest experience.

Select from Full and Lite festival packages, with options to add accommodation and dining for a complete and convenient stay at Banff Centre.

Packages on sale now! Individual tickets on sale April 21.

Request a Ticket Package

packages

Package Options & Pricing

Ticket Packages

New for 2026: Tickets are purchased separately from hotel accommodation and meal packages. 

What your ticket package includes:
•    Reserved seating for concerts included in your package
•    Access to special package-holder events

What your ticket package does not include:
•    Hotel accommodation
•    Meals (Tickets only – all fees and GST included)

FULL Weekend Ticket Package
(For guests attending September 3–6)

Package includes tickets in same reserved seating for 8 concerts in Rolston Recital Hall (RRH) and Jenny Belzberg Theatre (JBT), plus access to special package buyer events. 

  • FULL ticket package with JBT Tier A seating $576.45
  • FULL ticket package with JBT Tier B seating $525.00
     

LITE Weekend Ticket Package 
(For guests attending September 4–5)

Package includes tickets in same reserved seating for 4 concerts in Rolston Recital Hall and Jenny Belzberg Theatre, plus access to special package buyer events. 

  • LITE ticket package with JBT Tier A seating $311.85
  • LITE ticket package with JBT Tier B seating $260.40
     

Tickets include festival performances and special package-holder events only. 

Request a Ticket Package

Hotel & Meal Packages

New for 2026: Hotel and meal packages are purchased separately from festival tickets. 

What hotel & meal packages include:
•    On-site accommodation in the comfort of Banff Centre's hotels with full amenities
•    Meals in Vistas Dining Room during your stay, including dinner on arrival day, with breakfast and lunch on day of departure

What hotel & meal packages do not include:
•    Festival tickets(Accommodation + meals only – tickets not included)

 

Hotel and meal packages for BISQFest are booked to align with the full length of your selected festival package (FULL: September 3–7 | LITE: September 4–6). 

While nightly rates are provided below for reference, BISQFest accommodation is reserved as a complete stay based on your package dates.

Nightly Room + Meal Rates
(Includes all taxes and fees)

  • Solo Occupancy: $474.92 (room and meals for one, includes arrival day dinner and departure day breakfast and lunch)
  • Duo Occupancy: $617.40 (shared room and meals for two, with arrival day dinner and departure day breakfast and lunch)

 

FULL Festival Hotel & Meals
(September 3–7 | 4 nights)

  • Solo: $1,899.68
  • Duo: $2,469.60

LITE Festival Hotel & Meals
(September 4–6 | 2 nights)

  • Solo: $949.84
  • Duo: $1,234.80


Additional pre- or post-festival nights may be booked through Reservations, subject to availability. 

schedule

BISQFest Schedule

Your festival schedule depends on the package you hold. 

Some concerts are offered at different times depending on your package. Each package provides a complete festival experience. 

Please select your package below to view the concerts and events included in your BISQFest experience. 

Schedule is subject to change. 

FULL Weekend Package Schedule

For guests attending September 3–6

What you’ll attend

  • All festival concerts and events from Thursday evening to Sunday evening
  • Opening and finale concerts
  • 8 concerts and 2 special events total

 

Thursday, September 3 (FULL only)

Arrivals for FULL weekend package holders

7:30 p.m. | Rolston Recital Hall (RRH)
Opening Night: Afiara Quartet with Mahan Esfahani

 

Friday, September 4 (FULL only)

10:30 a.m. | Rolston Recital Hall (RRH)
Opus13 Quartet, Wigmore Hall Competition Prizewinners

8:00 p.m. | Jenny Belzberg Theatre (JBT) 
Jan Lisiecki with Banff Festival Orchestra

A Rare Post-Concert Experience - Optional Add-On
Following Friday evening’s concert, join Barry Shiffman, Jan Lisiecki, and fellow artists for a one-night-only intimate gathering in support of BISQFest, featuring a brief Q&A, drinks, and hors d’oeuvres. Available as an add-on during booking. Capacity is limited.


Saturday, September 5 (FULL only)

10:30 a.m. | Rolston Recital Hall (RRH)
Steven Isserlis & Connie Shih

1:30 p.m. | Margaret Greenham Theatre (MGT)
Film Screening: FOUR RATIONAL PEOPLE, a documentary following the Emerson String Quartet on their final tour

4:30 p.m. | Kinnear Centre for Creativity & Innovation, Cenovus Great Hall (KCCI)
Artist Talk with composer Mark Applebaum 

8:00 p.m. | Jenny Belzberg Theatre (JBT)
Copland’s Appalachian Spring & New Dance Works by Neshama Nashman


Sunday, September 6 (FULL only)

10:30 a.m. | Rolston Recital Hall (RRH) 
Dalí Quartet: Music by Latin American Composers

2:30 p.m. | Rolston Recital Hall (RRH) 
Jan Lisiecki & Jonathan Crow: Beethoven's Spring Sonata

7:30 p.m. | Rolston Recital Hall (RRH)
Festival Finale: Barry Shiffman, Steven Isserlis and Banff Festival Strings


Composer-in-residence artist talk and film screening generously supported by Ernie and Sandra Green

LITE Package Schedule

For guests attending September 4–5

What you’ll attend

  • Core festival concerts and events
  • Performances scheduled specifically for LITE package guests
  • A curated two-day festival experience
  • 4 concerts and 2 special events total

 

Friday, September 4 (LITE only)

Arrivals for LITE package holders

2:30 p.m. | Rolston Recital Hall (RRH)
Opus13 Quartet, Wigmore Hall Competition Prizewinners

8:00 p.m. | Jenny Belzberg Theatre (JBT)
Jan Lisiecki with Banff Festival Orchestra

A Rare Post-Concert Experience - Optional Add-On
Following Friday evening’s concert, join Barry Shiffman, Jan Lisiecki, and fellow artists for a one-night-only intimate gathering in support of BISQFest, featuring a brief Q&A, drinks, and hors d’oeuvres. Available as an add-on during booking. Capacity is limited.

Saturday, September 5 (LITE only)

10:00 a.m. | Margaret Greenham Theatre (MGT)
Film Screening: FOUR RATIONAL PEOPLE, a documentary following the Emerson String Quartet on their final tour

2:30 p.m. | Rolston Recital Hall (RRH)
Steven Isserlis & Connie Shih

4:30 p.m. | Kinnear Centre for Creativity & Innovation, Cenovus Great Hall (KCCI)
Artist Talk with composer Mark Applebaum 

8:00pm | Jenny Belzberg Theatre (JBT)
Copland’s Appalachian Spring & New Dance Works by Neshama Nashman

 

Composer-in-residence artist talk and film screening generously supported by Ernie and Sandra Green

Page Summary
Select from Full and Lite festival packages, with options to add accommodation and dining for a complete and convenient stay at Banff Centre.
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Submitted by Carla Snow via… on
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Irene Yang

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Irene Yang was born in Toronto (Canada). She began dance training at a private dance studio in Markham, Ontario. In 2011 she attended Elite Danceworx and trained there in all styles of dance. She began her formal classical training in 2014 at the Academy of Ballet and Jazz (School of Canadian Ballet Theatre). In 2018 she came to Stuttgart to join the John Cranko Schule from which she graduated in 2021. 

She successfully took part in several competitions. At the Prix de Lausanne 2018, she was a finalist and won a scholarship to the John Cranko Schule. In the years 2016 to 2018, she reached several first and second places at the regional Semifinals of the Youth America Grand Prix. 

In the 2021-22 season Irene Yang was an apprentice with the Stuttgart Ballet, one season later she became a member of the Corps de ballet. At the beginning of the 2024/25 season she was promoted to Demi-Soloist. 

Dancer

Submitted by Carla Snow via… on
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Anton Tcherny

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Anton Tcherny was born in Toronto, Canada. He began his ballet training in 2015 at Canada’s National Ballet School in Toronto. In 2022 he went to Monte Carlo to continue his education at the Academie Princesse Grace, from which he graduated in 2023. During the 2023/24 season Anton Tcherny was an apprentice with the Stuttgart Ballet. In the following season he became a member of Stuttgart Ballet’s Corps de ballet. 

Dancer

Submitted by Dolson Rhona on
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Headshot of Maeve Gilchrist

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Described by one critic as “a phenomenal harp player who can make her instrument ring with unparalleled purity”, Maeve Gilchrist has taken the Celtic (lever) harp to new levels of performance and visibility. 

Born and raised in Edinburgh, Scotland, and currently based in New York, Maeve‘s innovative approach to her instrument stretches its harmonic limits and improvisational possibilities. She is as at home as a soloist with an internationally renowned orchestra as she is playing with a traditional Irish folk group or 
using electronic augmentation in a more contemporary, improvisatory setting. 

She tours internationally as a band leader, soloist and composer as well as belonging to a number of innovative collaborations including the prestigious Grammy award-winning Silkroad Ensemble (as a performer/composer and Arooj Aftab’s Vulture Prince and Night Rein Ensemble (as a performer/arranger). She has appeared at such major music events as Newport Folk Festival, Tanglewood Jazz Festival, Big Ears Festival, the World Harp Congress in Amsterdam and the historic opening of the Scottish Parliament. She has played with such luminaries as Yo-Yo Ma, Esperanza Spalding, Frankie Gavin, Ambrose Akinmusire, Darol Anger, The Scottish Chamber Orchestra and Paul Simon. 

Maeve has released five albums to date, including her most recent recording, The Harpweaver which was hailed by the Irish times in its five-star review as “Buoyant, sprightly and utterly beguiling….a snapshot of a musician at the top of her game.” Other albums include three recordings for the Adventure Music label including her 2017 release with bassist Viktor Krauss, Vignette and a self-released solo album, the Ostinato Project is a beguiling exploration of the possibilities of her instrument. In 2018 Maeve was a featured soloist on the Dreamworks blockbuster movie soundtrack, How to tame your dragon: The hidden world. Maeve was the first lever harpist to be employed as an instructor by her alma mater, Berklee College of Music in Boston, where she taught for five years before switching to being a visiting artist in 2018. She has written several instructional books published by Hal Leonard Music and 80 Days Publishing. She is also an in-demand composer and arranger, with past commissions including two ground-breaking concertos for Lever harp and Symphony Orchestra and several works for harp and string quartet including her three-movement piece Pastures Red premiered at the Edinburgh International Harp festival in 2018. 

Maeve is the Artistic Director of the Rockport Celtic Festival and the Founder of the Hudson Valley Creative Harping Retreat. She resides in Kingston NY with her husband, Logan and one year-old daughter, Ishka.

(Maeve Gilchrist and Aizuri Quartet) https://www.youtube.com/watch?v=T2koKs3qIqA&t=5

Dolson Rhona
Harpist, singer, composer and producer

Submitted by Carla Snow via… on
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A woman in a white dress is holding a violin

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Hailed by Opus Magazine as "a stunning musician," violinist Livia Sohn has performed on the international stage as concerto soloist, recitalist, and festival artist across five continents. The Strad Magazine writes that she "possesses a remarkably lithe and transparent tone of exceptional purity — virtually blemishless accounts are nothing short of remarkable. Even when under the most fearsome technical pressure at high velocity, every note rings true with pinpoint accuracy."


Sohn has appeared as guest soloist with major orchestras across North America, including the Pittsburgh, Cincinnati, Seattle, Milwaukee, Austin, Phoenix, and Boston Pops, and internationally with the Budapest Philharmonic, Berlin Symphony, Cologne Philharmonic, Iceland Symphony, Czech National Symphony, City of London Sinfonia, and orchestras throughout China, Mexico, South Africa, and New Zealand. A devoted chamber musician and longtime favorite at Spoleto Festival USA, she has also appeared at the Newport Music Festival, Bay Chamber Concerts, Caramoor, Maverick Concerts, and the Cartagena International Music Festival. Recent highlights include the world premiere of a new violin and piano work by composer Jonathan Berger, performed at The Phillips Collection in Washington, D.C., as well as appearances in Chicago, Los Angeles, and Dallas. This summer, she returns to Spoleto for one of her most significant engagements to date: the world premiere of a new violin concerto written expressly for her by cellist-composer Paul Wiancko, co-commissioned by Spoleto Festival USA and performed with the Festival Orchestra. Other commissioners for this concerto are the Rogue Valley Symphony, Palaver Strings, and Orchestra Wellington.


Sohn is a founding member of MoVE (Modern Violin Ensemble), an innovative quartet of four violinists dedicated to expanding the repertoire for violin quartet through new commissions and multidisciplinary collaborations that address social issues and reach audiences in both traditional and alternative venues. This June sees the release of their monumental debut album, featuring thirteen world premieres of newly commissioned works.


She is currently on the violin and chamber music faculty at Stanford University. Sohn gave her first public performance at age eight and won First Prize — and the Audience Prize — at the Yehudi Menuhin International Violin Competition at age thirteen. She trained at the Juilliard Pre-College Division from age eight under Dorothy DeLay and Hyo Kang, continuing under their guidance at The Juilliard School, where she also studied chamber music with the legendary Felix Galamir. She plays on a J.B. Guadagnini violin crafted in 1770 and a Samuel Zygmuntowicz made in 2006.


Sohn is the founder and artistic director of Coast Live Music, a nonprofit organization dedicated to creating community through exceptional live chamber music.

Submitted by Carla Snow via… on
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A woman is seated with a violin on her lap

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Yolanda Bruno is an Ottawa-born violinist. She’s won Grand Prizes at the Montreal Symphony Orchestra Competition, the Isabel Overton Bader Violin Competition, and the Canada Council for the Arts’ Virginia Parker Prize—the nation’s highest honour for young musicians. As a soloist, she’s performed with the Montreal Symphony, Toronto Symphony, Orchestra of the Americas, and London Mozart Players.

In 2021, Yolanda founded Music for Your Blues—a performance project offering free-of-charge, personalized, online concerts combining music and poetry. Yolanda has now offered over 70 free performances.

The Wild Swans—Yolanda’s first CD, with pianist Isabelle David—was released in 2019. It features music by 11 women composers, spanning ten centuries, including several world premieres. Yolanda released her second album in 2025—dedicated to the late Jeanne Lamon.


Yolanda’s violin is an exquisite Venetian instrument made by Domenico Montagnana in 1737, on loan from Groupe Canimex. She lives in Toronto with her partner, accordionist Michael Bridge.

www.YolandaBruno.com

Submitted by Kariunas Olivia on
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Woman in black shirt and pearl necklace looking directly at the camera

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Trinity Fan, 24, is a pianist and composer based in Ann Arbor, Michigan. She has been a top prizewinner of several competitions including YoungArts, Music Teachers National Association, Camerata Artists International Competition, and more. Recently, Trinity performed Gershwin’s Concerto in F with the Dexter Community Orchestra where she improvised throughout the work, was awarded Honorable Mention in the 2026 Musicians Club of Women Instrumental Competition, First Prize in the 2025 Rosamund P. Haeberle Piano Competition, as well as Honorable Mention in the 2025 Michigan MTNA Young Artist Piano Competition.

As a composer, Trinity received Second Prize in the 2024 MTNA National Composition Competition for her piece, “Reminiscence.” She previously studied with Shuyu Lin, Corey Chang, and Wong Chun Wai. Aside from performing, Trinity has a love for teaching. She is a former faculty member of IU's Young Pianists Program and is now a Graduate Student Instructor at the University of Michigan School of Music, Theatre & Dance and teaches at SMTD's Piano Pedagogy Laboratory Program.

Trinity completed her bachelor’s and master’s in Indiana University and the University of Michigan. She has attended festivals including the Rebecca Penneys Piano Festival, the Amalfi Coast Festival, Tanglewood, and the Edward Auer Piano Winter and Summer Workshops, where she also assisted as a coordinator for 3 years. Her teachers include Christopher Harding, Edward Auer, and Tomoko Harada. Trinity is currently pursuing her doctorate studies at the University of Michigan in Piano Pedagogy and Performance under Christopher Harding and jazz improvisation with Andy Milne.

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